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Author: Terry Bell
Publisher:
ISBN: 9781795734202
Category :
Languages : en
Pages : 74
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Book Description
How is a minstrel banjo different than a modern banjo? Do I need picks to play? How do I play a banjo without frets? How hard is it to read tablature banjo music? What IS a minstrel banjo? The older, and lesser known minstrel banjo is the grand daddy of the modern clawhammer banjo. Minstrel banjo music goes back to the early 1800's when the two finger stroke style was popular. LEARN MINSTREL BANJO answers the common questions asked by minstrel beginners and interested clawhammer players. Using illustrations, diagrams, and thorough explanations, the student will learn banjo maintenance, chords, fingerings, practicing tips, and gain a primary knowledge of banjo tablature. With all this information, a banjoist can save hours and hours of frustration and make rapid strides playing the minstrel style, or adapting mountain music to a minstrel banjo, and very often both. The author is a minstrel banjo maker, offering special insights into the instrument itself - a long necked, big rimmed shapely banjo with a natural skin and earthy sound. This book was originally a companion to the Bell Banjo, and is now being offered separately. The music of the minstrel banjo dominated the stages, saloons, campfires, and covered wagons before, during, and after the American Civil War. Modern banjo players are blowing the dust away to discover a national musical treasure in the glorious open back banjo of the 1800's. Easy to read and sized to fit in a banjo case or bag.
Author: Terry Bell
Publisher:
ISBN: 9781795734202
Category :
Languages : en
Pages : 74
Get Book Here
Book Description
How is a minstrel banjo different than a modern banjo? Do I need picks to play? How do I play a banjo without frets? How hard is it to read tablature banjo music? What IS a minstrel banjo? The older, and lesser known minstrel banjo is the grand daddy of the modern clawhammer banjo. Minstrel banjo music goes back to the early 1800's when the two finger stroke style was popular. LEARN MINSTREL BANJO answers the common questions asked by minstrel beginners and interested clawhammer players. Using illustrations, diagrams, and thorough explanations, the student will learn banjo maintenance, chords, fingerings, practicing tips, and gain a primary knowledge of banjo tablature. With all this information, a banjoist can save hours and hours of frustration and make rapid strides playing the minstrel style, or adapting mountain music to a minstrel banjo, and very often both. The author is a minstrel banjo maker, offering special insights into the instrument itself - a long necked, big rimmed shapely banjo with a natural skin and earthy sound. This book was originally a companion to the Bell Banjo, and is now being offered separately. The music of the minstrel banjo dominated the stages, saloons, campfires, and covered wagons before, during, and after the American Civil War. Modern banjo players are blowing the dust away to discover a national musical treasure in the glorious open back banjo of the 1800's. Easy to read and sized to fit in a banjo case or bag.
Author: Brad Leftwich
Publisher: Mel Bay Publications
ISBN: 1610655893
Category : Music
Languages : en
Pages : 103
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Book Description
This book presents more than 70 tunes in the unique highly developed clawhammer style known as Round Peak -named after the Blue Ridge Mountain, North Carolina community where it originated. While not intended for the absolute beginner, this book will benefit players at various experience levels. Tunes in the book are organized according to the specific banjo tuning used, with A and D tunings most prominent. Much of the book's commentary and the audiodownload recording is directed towards the fretless variant of the 5-string banjo but as these tunes are written in standard 5-string banjo tablature, they can most definitely be played on the more common fretted instrument. Includes tune lyricsand extensive historical and biographical notes plus technical tips and a discography. Written in 5-string banjo tablature only. Audio download availableonline
Author: Terry Bell
Publisher:
ISBN: 9781790277674
Category :
Languages : en
Pages : 74
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Book Description
The older, and lesser known minstrel banjo is the grand daddy of the modern clawhammer banjo. Minstrel banjo music goes back to the early 1800's when the two finger stroke style was popular. MINSTREL BANJO MADE EASY answers the common questions asked by minstrel beginners and interested clawhammer players. Using illustrations, diagrams, and thorough explanations, the student will learn banjo maintenance, history, chords, fingerings, practicing tips, and gain a primary knowledge of banjo tablature. With all this information, a banjoist can save hours and hours of frustration and make rapid strides playing the minstrel style, or adapting mountain music to a minstrel banjo, and very often both.The author is a minstrel banjo maker, offering special insights into the instrument itself - a long necked, big rimmed shapely banjo with a natural skin and earthy sound. This book was originally a companion to the Bell Banjo, and is now being offered separately. The music of the minstrel banjo dominated the stages, saloons, campfires, and covered wagons before, during, and after the American Civil War. Modern banjo players are blowing the dust away to discover a national musical treasure in the glorious open back banjo of the 1800's. Easy to read and sized to fit in a banjo case or bag.
Author: Joseph Weidlich
Publisher:
ISBN: 9781574240757
Category : Banjo
Languages : en
Pages : 0
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Book Description
(Banjo). This is the second book in a 3-part series of intabulations of music for the minstrel (Civil War-era) banjo. This particular book of banjo music comes from Frank Converse's Banjo Instructor, Without a Master from 1865. It includes a choice collection of banjo solos, jigs, songs, reels, walk arounds, etc. in tab, progressively arranged and plainly explained, enabling the learner to become a proficient banjoist without the aid of a teacher.
Author: Cecelia Conway
Publisher: Univ. of Tennessee Press
ISBN: 9780870498930
Category : History
Languages : en
Pages : 428
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Book Description
Throughout the Upland South, the banjo has become an emblem of white mountain folk, who are generally credited with creating the short-thumb-string banjo, developing its downstroking playing styles and repertory, and spreading its influence to the national consciousness. In this groundbreaking study, however, Cecelia Conway demonstrates that these European Americans borrowed the banjo from African Americans and adapted it to their own musical culture. Like many aspects of the African-American tradition, the influence of black banjo music has been largely unrecorded and nearly forgotten--until now. Drawing in part on interviews with elderly African-American banjo players from the Piedmont--among the last American representatives of an African banjo-playing tradition that spans several centuries--Conway reaches beyond the written records to reveal the similarity of pre-blues black banjo lyric patterns, improvisational playing styles, and the accompanying singing and dance movements to traditional West African music performances. The author then shows how Africans had, by the mid-eighteenth century, transformed the lyrical music of the gourd banjo as they dealt with the experience of slavery in America. By the mid-nineteenth century, white southern musicians were learning the banjo playing styles of their African-American mentors and had soon created or popularized a five-string, wooden-rim banjo. Some of these white banjo players remained in the mountain hollows, but others dispersed banjo music to distant musicians and the American public through popular minstrel shows. By the turn of the century, traditional black and white musicians still shared banjo playing, and Conway shows that this exchange gave rise to a distinct and complex new genre--the banjo song. Soon, however, black banjo players put down their banjos, set their songs with increasingly assertive commentary to the guitar, and left the banjo and its story to white musicians. But the banjo still echoed at the crossroads between the West African griots, the traveling country guitar bluesmen, the banjo players of the old-time southern string bands, and eventually the bluegrass bands. The Author: Cecelia Conway is associate professor of English at Appalachian State University. She is a folklorist who teaches twentieth-century literature, including cultural perspectives, southern literature, and film.
Author: Zhenya Gene Senyak
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781600592829
Category : Music
Languages : en
Pages : 156
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Book Description
Uses the concept of a "virtual camp we call Blue Mountain Banjo Camp (BMBC), run by an invented camp director ... situated in the Blue Ridge Mountains of the Appalachian Range,"--P. 8. Provides imaginative "interviews, workshops, and campfire conversations with Bob Altschuler, Bobby Anderson, Bob Carlin, Janet Davis, Wayne Erbsen, John Herrmann, Geoff Hohwald, David Holt, Adam Hurt, Steve Kaufman, Bill Keith, Brad Leftwich, James McKinney, Alan Munde, Ken Perlman, Pete Seeger, Rich Stillman, Tony Trischka, Pete Wernick, Todd Wright, and more."-- p.9.
Author: Bob Carlin
Publisher: Rowman & Littlefield
ISBN: 149308187X
Category : Music
Languages : en
Pages : 257
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Book Description
The banjo is emblematic of American country music, and it is at the core of other important musical movements, including jazz and ragtime. The instrument has been adopted by many cultures and has been ingrained into many musical traditions, from Mento music in the Caribbean and dance music in Ireland. Virtuosos such as Béla Fleck have played Bach, African music, and Christmas tunes on the five-string banjo, and the instrument has had a resurgence in pop music with such acts a Mumford and Sons and the Avett Brothers. This book offers the first comprehensive, illustrated history of the banjo in its many forms. It traces the story of the instrument from its roots in West Africa to its birth in the Americas, through its coming of age in the Industrial Revolution and beyond. The book profiles the most important players and spotlights key luthiers and manufacturers. It features 100 “milestone instruments” with in-depth coverage, including model details and beautiful photos. It offers historical context surrounding the banjo through the ages, from its place in Victorian parlors and speakeasies through its role in the folk boom of the 1950s and 1960s to its place in the hands of songwriter John Hartford and comedian Steve Martin. Folk, jazz, bluegrass, country, and rock – the banjo has played an important part in all of these genres. Lavishly illustrated, and thoughtfully written by author, broadcaster, and acclaimed banjoist Bob Carlin, this is a must-have for lovers of fretted instruments, aficionados of roots music, and music history buffs.
Author: Laurent Dubois
Publisher: Harvard University Press
ISBN: 0674968832
Category : History
Languages : en
Pages : 224
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Book Description
The banjo has been called by many names over its history, but they all refer to the same sound—strings humming over skin—that has eased souls and electrified crowds for centuries. The Banjo invites us to hear that sound afresh in a biography of one of America’s iconic folk instruments. Attuned to a rich heritage spanning continents and cultures, Laurent Dubois traces the banjo from humble origins, revealing how it became one of the great stars of American musical life. In the seventeenth century, enslaved people in the Caribbean and North America drew on their memories of varied African musical traditions to construct instruments from carved-out gourds covered with animal skin. Providing a much-needed sense of rootedness, solidarity, and consolation, banjo picking became an essential part of black plantation life. White musicians took up the banjo in the nineteenth century, when it became the foundation of the minstrel show and began to be produced industrially on a large scale. Even as this instrument found its way into rural white communities, however, the banjo remained central to African American musical performance. Twentieth-century musicians incorporated the instrument into styles ranging from ragtime and jazz to Dixieland, bluegrass, reggae, and pop. Versatile and enduring, the banjo combines rhythm and melody into a single unmistakable sound that resonates with strength and purpose. From the earliest days of American history, the banjo’s sound has allowed folk musicians to create community and joy even while protesting oppression and injustice.
Author: Bob Carlin
Publisher: Mel Bay Publications
ISBN: 1619110083
Category : Music
Languages : en
Pages : 65
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Book Description
Wade Ward Clawhammer Banjo Master is a collection of clawhammer banjo tablature as played by Wade Ward, with modern interpretations by Bob Carlin and Dan Levenson. This book is the second in a series of transcriptions of tunes from the old masters-in this case, Wade Ward-who gave definition to our style of old time clawhammer banjo playing. the repertoire, presented in tablature, is intended to be a starting point for your journey through the old time music world. As such, each piece is presented in multiple arrangements, but on the page and on the accompanying audio CD. the recordings are for the most part played at a learning tempo and are close to the written notation but not exact in all cases.
Author: Lew Stern
Publisher: Read Books Ltd
ISBN: 1473359570
Category : Music
Languages : en
Pages : 42
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Book Description
This is a vintage guide to learning how to play the banjo and ukulele. It is aimed at players with little to no previous experience with the instruments, initially walking them through the very basics from holding the instrument to strumming and picking out their first notes. Also included are various easy-to-play songs, with both the musical score and tablature. Contents include: “Tuning”, “Holding the Instrument—Left Hand”, “Strumming”, “Fingering”, “Fingering Illustrated”, “Drink to Me Only”, “Early One Morning”, “Old Folks at Home”, “Roll Strokes”, “The Minstrel Boy”, “Ellie Rhee”, “Juanita”, “Believe me if all those Endearing Young Charms”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on the history of the ukulele and the banjo.
