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Author: Jean Rotrou
Publisher:
ISBN:
Category :
Languages : en
Pages : 450
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Book Description
Author: Jean Rotrou
Publisher:
ISBN:
Category :
Languages : en
Pages : 450
Get Book Here
Book Description
Author: Anna-Teresa Tymieniecka
Publisher: Springer Science & Business Media
ISBN: 9401732981
Category : Philosophy
Languages : en
Pages : 383
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Book Description
Continuing the pioneering work in the field laid bare by the uncovering the Creative Condition of the human being in literature and fine arts, the elemental passion of place leads us through the creative imagination into the labyrinths of the ontopoiesis of life itself (Tymieniecka, in her inaugural study). Essays by A-T. Tymieniecka, Mary Catanzaro, W. Smith, Jadwiga Smith, L. Dunton-Downer, Jorge García Gomez, Ch. Eykmann, Marlies Kronegger, Eldon N. van Liere, Hans Rudnik make this collection a unique contribution to literary studies as well as to the metaphysics of life and of the human condition.
Author: Anna-Teresa Tymieniecka
Publisher: Springer Science & Business Media
ISBN: 9401108463
Category : Philosophy
Languages : en
Pages : 353
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Book Description
The contemporary revival of interest in the Sacred as a category of philosophico-religious reflection here finds a radical reversal of the traditional direction, taking the Sacred as the starting point of the itinerary toward the Divine. The wide variety of essays contained in this volume attempt to ground philosophy of the Sacred and the Divine in phenomenological evidence. Though employing different methodologies, the contributors register by and large the contribution of A-T. Tymieniecka's phenomenology of life in providing a significant 20th century vision for the accomplishment of this task. Its pursuit finds here expression in philosophical, historical, literary and political explorations leading to construing phenomenology of the Sacred as a prerequisite to the investigation of the Divine. The contributors to this extraordinary collection are: C. Bédard, A. Ales Bello, Gerard Bucher, D. Chidester, D. Conchi, M. Kronegger, S. Laycock, Ph. Liverziani, J.N. Mohanty, E. Moutsopoulos, A.M. Olson, Y. Park, G. Penzo, B. Ross, C. Osowiec Ruoff, Th. Ryba, J. Smith, A-T. Tymieniecka and E. Wyschogrod.
Author: Richard Parish
Publisher: Oxford University Press, USA
ISBN: 0199596662
Category : History
Languages : en
Pages : 240
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Book Description
A vivid account of the belief system of early-modern France as expressed in different writing genres from sermons to martyr tragedies, lyric poetry to spiritual autobiography. Parish considers the distinctive doctrines that the heritage of the Catholic Reformation brought to light.
Author: Benjamin Suhl
Publisher: iUniverse
ISBN: 1583482784
Category : Philosophy
Languages : en
Pages : 326
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Book Description
This is the first survey and appraisal of the literary criticism written by Jean-Paul Sartre during the last thirty years. Benjamin Suhl relates Sartre's evolution as a systematic philosopher. For those not acquainted with all Sartre's critical writing during this period, the author includes descriptive presentation of the material, including recent article as yet unavailable in English.
Author: Desmond Hosford
Publisher: Cambridge Scholars Publishing
ISBN: 144381492X
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
As an aesthetic notion and dramatic genre, tragedy has enjoyed a privileged place in French culture, particularly during the early modern period when debates over its nature and philosophy reflected fascination with a style whose fundamental principles were drawn from ancient Greek sources. Through the works of Pierre Corneille and Jean Racine, routinely cited for an alleged regularity of form and content exemplifying the academic notion of French Classicism, tragedy has grounded the French literary canon. Because of its place at the heart of canonical French literary studies, tragedy’s traditionally prescribed boundaries and interpretations have rarely been questioned. Fortune and Fatality: Performing the Tragic in Early Modern France challenges conventional notions of the nature and function of tragedy and the ends to which philosophical, theatrical, and performative aspects of the tragic were appropriated during the sixteenth and seventeenth centuries. The scope of material explored in this volume will be of interest not only to scholars and students of sixteenth- and seventeenth-century literature, but to those working in areas such as theater, gender studies, aesthetics, history, religion, philosophy, classics, and cultural studies.
Author: Mary Ann Frese Witt
Publisher: Rowman & Littlefield
ISBN: 1611475384
Category : History
Languages : en
Pages : 203
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Book Description
Metatheater and Modernity: Baroque and Neobaroque is the first work to link the study of metatheater with the concepts of baroque and neobaroque. Arguing that the onset of European modernity in the early seventeenth century and both the modernist and the postmodernist periods of the twentieth century witnessed a flourishing of the phenomenon of theater that reflects on itself as theater, the author reexamines the concepts of metatheater, baroque, and neobaroque through a pairing and close analysis of seventeenth and twentieth century plays. The comparisons include Jean Rotrou's The True Saint Genesius with Jean-Paul Sartre's Kean and Jean Genet's The Blacks; Pierre Corneille's L'Illusion comique with Tony Kushner's The Illusion; Gian Lorenzo Bernini's The Impresario with Luigi Pirandello's theater-in-theater trilogy; Shakespeare's Hamlet with Pirandello's Henry IV and Tom Stoppard's Rosencrantz and Guildenstern are Dead; Moli re's Impromptu de Versailles with "impromptus" by Jean Cocteau, Jean Giraudoux, and Eug ne Ionesco. Metatheater and Modernity also examines the role of technology in the creating and breaking of illusions in both centuries. In contrast to previous work on metatheater, it emphasizes the metatheatrical role of comedy. Metatheater, the author concludes, is both performance and performative: it accomplishes a perceptual transformation in its audience both by defending theater and exposing the illusory quality of the world outside.
Author: Christopher Semk
Publisher: Bucknell University Press
ISBN: 1611488044
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Playing the Martyr is a book about the interplay between theater and religion in early modern France. Challenging the standard narrative of modernity as a process of increased secularization Christopher Semk demonstrates the centrality of religious thought and practices to the development of neoclassical poetics. Engaging with a broad corpus of religious plays, poetic treatises, devotional literature, and contemporary theory, Semk shows that religion was a vital interlocutor in early modern discussions concerning the definition of verisimilitude, the nature and purpose of spectacle, the mechanics of acting, and the position of the spectator. Well researched and persuasively argued, Playing the Martyr makes the case for a more complicated approach to the relationship between religion and literature, namely, one that does not treat religion as a theme deployed within literary works, but as an active player in literary invention. Indeed, it makes the case for a serious reconsideration of the role that religion plays in the development of modern, secular literary forms.
Author: Geoffrey Brereton
Publisher: Routledge
ISBN: 1000579018
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Originally published in 1973, the history of French tragedy and tragicomedy from their origins in the sixteenth century to the last years of Louis XIV’s reign is here surveyed in a single volume. Beginning with a brief account of the development of drama from the Middle Ages to the Renaissance, Dr Brereton examines the plays as types of drama, the circumstances in which they were produced and their reception by contemporaries. The traditionally great figures of Corneille and Racine are treated at some length, but their work is seen in perspective against the plays of their predecessors and of their own time. Garnier and Montchrestien are discussed, among others, as notable writers of Renaissance humanist tragedy. Sections are devoted to secondary but still important dramatists such as Mairet, Rotrou, Du Ryer, Tristan L’Hermite, Thomas Corneille and Quinault. A long chapter on Alexandre Hardy reviews the work of this neglected author and stresses his interest as a transitional link between the two centuries and as a vigorous pioneer of a type of drama which flourished for several decades after him concurrently with French ‘classical’ tragedy. The main currents of critical theory, social attitudes and stage history are described in their relation to the development of the drama. Well over a hundred plays are discussed or summarized; and the author has constantly referred back to the original material and has avoided an over-simplification of a vast subject which contains more exceptions and anomalies than has generally been recognized in the past. Chronological tables of the works of major dramatists, summaries of numerous plays and a bibliography containing modern editions of plays are included.
Author: Ellen McClure
Publisher: University of Illinois Press
ISBN: 0252056930
Category : History
Languages : en
Pages : 223
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Book Description
Mediation, monarchy, and Louis XIV's attempts to legitimize his reign In order to assert his divine right, Louis XIV missed no opportunity to identify himself as God’s representative on earth. However, in Sunspots and the Sun King Ellen McClure explores the contradictions inherent in attempting to reconcile the logical and mystical aspects of divine right monarchy. McClure analyzes texts devoted to definitions of sovereignty, presents a meticulous reading of Louis XIV’s memoirs to the crown prince, and offers a novel analysis of diplomats and ambassadors as the mediators who preserved and transmitted the king’s authority. McClure asserts that these discussions, ranging from treatises to theater, expose incommensurable models of authority and representation permeating almost every aspect of seventeenth-century French culture.
