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Author: Yves Klein
Publisher: ENSBA
ISBN:
Category : Art
Languages : fr
Pages : 458
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Book Description
Réunit les ouvrages publiés d'Yves Klein jusqu'alors dispersés et difficilement accessibles, dans leur version originale et intégrale. Outre le titre principal, on y trouve de nombreux articles, préfaces et manifestes, qui composent un corpus remarquable, encore très insuffisamment étudié. L'ouvrage est accompagné d'un appareil critique ...
Author: Yves Klein
Publisher: ENSBA
ISBN:
Category : Art
Languages : fr
Pages : 458
Get Book Here
Book Description
Réunit les ouvrages publiés d'Yves Klein jusqu'alors dispersés et difficilement accessibles, dans leur version originale et intégrale. Outre le titre principal, on y trouve de nombreux articles, préfaces et manifestes, qui composent un corpus remarquable, encore très insuffisamment étudié. L'ouvrage est accompagné d'un appareil critique ...
Author: Sophie Cras
Publisher: Yale University Press
ISBN: 0300232705
Category : Art
Languages : en
Pages : 245
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Book Description
This groundbreaking examination of the intersection between artistic practice and capitalism in the 1960s explores art's capacity to reflect on and reimagine economic systems and our place within them.
Author: Monica Kjellman-Chapin
Publisher: Cambridge Scholars Publishing
ISBN: 1527551350
Category : Art
Languages : en
Pages : 265
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Book Description
Kitsch: the mere word evokes mental images of cutesy collectibles, treacly trinkets, sweetly sentimental scenes, thematically trite tabletop tchotchkes, or perhaps anemic appropriations of canonical works of art. Frequently dismissed as facile, lowbrow, or one-off, throwaway aesthetics, kitsch elicits responses that range from the sardonic smirk laced with derision to the grin glimmering with the indulgence in a “guilty” pleasure. Kitsch, however, is surprisingly mobile and complex, as evidenced by its recent renewal as “kitschy cool.” This ambiguity not only allows it to gesture towards a disparate array of artifacts and ideations, but also to be pushed and pulled in various applicatory directions. The contributors to this collection address the problem of how and what kitsch might signify, and approach the kitsch question as a complex, nuanced interrogative. They consider kitsch in relation to its historical association with pseudo-art, its theoretical underpinnings and connections to class, the deliberate mobilization of kitsch in the work of specific artists, kitsch as a form of practice, as well as kitsch’s traffic with race, patriotism, and postmodernism. The essays in this collection necessarily cut a wide interpretative path, mapping the terrain of the phenomenon of kitsch – historically, conceptually, practically – in multivocal ways, befitting the polysemous creature that is kitsch itself. Drawing upon art history, popular culture studies, philosophy, and visual culture, the authors’ responses to the “big” question of kitsch move well beyond habitual artificial boundaries, far beyond the simple binaries of good/bad, high/low, elite/popular, or art/kitsch, into far more complex, challenging, and ultimately rewarding territory.
Author: Nuit Banai
Publisher: Reaktion Books
ISBN: 1780233337
Category : Biography & Autobiography
Languages : en
Pages : 207
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Book Description
Denounced as a charlatan and fêted as a mystic, French artist Yves Klein (1928–62) scandalized the art world with his enthusiastic embrace of postwar mass culture and his exploitation of controversial publicity tactics. Today, we know Yves Klein not only as one of the most radical artists of the postwar period, but also as an iconic role model for contemporary practices—he reinvented abstract painting, conceived new horizons for performance art, and was a trailblazer in the realm of land, body, and conceptual art. In this new critical biography, Nuit Banai examines the relationship between Klein’s brief life and his wide repertoire of artistic practices. While surveying the artist’s life, Banai establishes that Klein’s brilliance was, above all, performative, revealing that he created and inhabited myriad public identities: bourgeois, judo expert, painter, avant-garde artist, collaborator, politician, fascist, and showman, among others. With each persona, Banai shows, Klein invented new ways to communicate his paradoxical message of spiritual enlightenment and Dada iconoclasm to a rapt and unsuspecting audience. Illuminating the many facets of Klein’s influential artistic career, Yves Klein is an invaluable introduction to the inventor of the inimitable International Klein Blue.
Author: Didier Maleuvre
Publisher: Bloomsbury Publishing USA
ISBN: 1501353853
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
What made art modern? What is modern art? The Legends of the Modern demystifies the ideas and "legends" that have shaped our appreciation of modern art and literature. Beginning with an examination of the early modern artists Shakespeare, Michelangelo, and Cervantes, Didier Maleuvre demonstrates how many of the foundational works of modern culture were born not from the legendry of expressive freedom, originality, creativity, subversion, or spiritual profundity but out of unease with these ideas. This ambivalence toward the modern has lain at the heart of artistic modernity from the late Renaissance onward, and the arts have since then shown both exhilaration and disappointment with their own creative power. The Legends of the Modern lays bare the many contradictions that pull at the fabric of modernity and demonstrates that modern art's dissatisfaction with modernity is in fact a vital facet of this cultural period.
Author: Horst Bredekamp
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110725827
Category : Art
Languages : en
Pages : 374
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Book Description
Heavily represented sections of contemporary philosophy subscribe to the notion of "embodiment". However promising this pragmatic turn of events may be, it remains limited in that it interprets the world as a projection of the cognizing "I". By contrast, Image Acts focuses on the counterforce of the form of images. The book subdivides this sphere into three parts: imitation, substitution, and the pure effect of the form. All three parts are contemplated with examples from antiquity through to the present and the iconoclastic controversies of our times. From this reconstruction of the image act springs the element of a new philosophy of affordance.
Author: Krešimir Purgar
Publisher: Routledge
ISBN: 0429557574
Category : Art
Languages : en
Pages : 246
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Book Description
This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language. The contributors demonstrate that abstraction is not primarily an artistic phenomenon, but rather arises from human beings’ desire to imagine, understand and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualization, from cartography and medicine to astronomy. The book will be of interest to scholars working in image studies, visual studies, art history, philosophy and aesthetics.
Author: Editor of Res and Associate of Middle American Ethnology Francesco Pellizzi
Publisher: Harvard University Press
ISBN: 0873657756
Category : Art
Languages : en
Pages : 257
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Book Description
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, among others.
Author: Heloise Maillet
Publisher: Ben Jack Nash
ISBN:
Category : Art
Languages : en
Pages : 100
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Book Description
Catalogue on the work of Ben Jack Nash and exhibition Les Résidus du vide (2018). Featuring essays from art critics, archaeologists and political scientist Pippa Norris. Text in English and French
Author: Kaira Marie Cabañas
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
A critical reassessment of the neo-avant-garde movement named by Pierre Restany the 'Nouveaux Réalistes' which emerged in Paris around 1960.
