Author: Le Corbusier
Publisher: Courier Corporation
ISBN: 0486315649
Category : Architecture
Languages : en
Pages : 322
Book Description
Pioneering manifesto by founder of "International School." Technical and aesthetic theories, views of industry, economics, relation of form to function, "mass-production split," and much more. Profusely illustrated.
Towards a New Architecture
Machines for Living
Author: Victoria Rosner
Publisher:
ISBN: 0198845197
Category : Architecture
Languages : en
Pages : 307
Book Description
Machines for Living shows how the modernization of the home led to profound changes in domestic life and relied on a set of emergent concepts, including standardization, scientific method, functionalism, and efficiency science that form the basis of literary modernism and stand at the confluence of modernism and modernity.
Publisher:
ISBN: 0198845197
Category : Architecture
Languages : en
Pages : 307
Book Description
Machines for Living shows how the modernization of the home led to profound changes in domestic life and relied on a set of emergent concepts, including standardization, scientific method, functionalism, and efficiency science that form the basis of literary modernism and stand at the confluence of modernism and modernity.
Le Corbusier
Author: Niklas Maak
Publisher: Hirmer Verlag GmbH
ISBN: 9783777439914
Category : Aesthetics
Languages : en
Pages : 0
Book Description
The mastermind behind what he termed beautiful and functional "machines for living," Le Corbusier has long been recognized as one of the foremost figures in the international style of architecture. Yet, beginning in the 1940s, the famed architect and urbanist increasingly took modernism in a new direction that has until now been insufficiently considered--and little understood. Dispensing with his trademark suit and bowtie, Le Corbusier was spending increasing amounts of time at the shore in the 1940s, collecting stones, shells, and other jetsam, and enjoying the works of the philosopher and ardent shell collector Paul Valéry. And it was here that the seemingly hyper-rational architect developed a revolutionary new theory of design, built around these polished and splintered shapes. Stating that nature was the source of his inspiration, Le Corbusier embarked on a meandering odyssey through the literature and esoteric writings of his day, going on to produce such unorthodox projects as Chandigarh's Palace of Assembly and the strange and beautiful Ronchamp Chapel in Paris, whose roof is said to have been modeled after an inverted crab's shell. The development of Le Corbusier's new approach not only changed modernism but also inspired--and continues to inspire--new shapes and lines in the work of a host of architects. In this superbly written and accessible piece of architectural history, Maak develops the intricate story of a breakthrough in architecture that began on a beach.
Publisher: Hirmer Verlag GmbH
ISBN: 9783777439914
Category : Aesthetics
Languages : en
Pages : 0
Book Description
The mastermind behind what he termed beautiful and functional "machines for living," Le Corbusier has long been recognized as one of the foremost figures in the international style of architecture. Yet, beginning in the 1940s, the famed architect and urbanist increasingly took modernism in a new direction that has until now been insufficiently considered--and little understood. Dispensing with his trademark suit and bowtie, Le Corbusier was spending increasing amounts of time at the shore in the 1940s, collecting stones, shells, and other jetsam, and enjoying the works of the philosopher and ardent shell collector Paul Valéry. And it was here that the seemingly hyper-rational architect developed a revolutionary new theory of design, built around these polished and splintered shapes. Stating that nature was the source of his inspiration, Le Corbusier embarked on a meandering odyssey through the literature and esoteric writings of his day, going on to produce such unorthodox projects as Chandigarh's Palace of Assembly and the strange and beautiful Ronchamp Chapel in Paris, whose roof is said to have been modeled after an inverted crab's shell. The development of Le Corbusier's new approach not only changed modernism but also inspired--and continues to inspire--new shapes and lines in the work of a host of architects. In this superbly written and accessible piece of architectural history, Maak develops the intricate story of a breakthrough in architecture that began on a beach.
Space Is the Machine
Author: Bill Hillier
Publisher: CreateSpace
ISBN: 9781511697767
Category :
Languages : en
Pages : 370
Book Description
Since 'The Social Logic of Space' was published in 1984, Bill Hillier and his colleagues at University College London have been conducting research on how space features in the form and functioning of buildings and cities. A key outcome is the concept of 'spatial configuration' meaning relations which take account of other relations in a complex. New techniques have been developed and applied to a wide range of architectural and urban problems. The aim of this book is to assemble some of this work and show how it leads to a new type of theory of architecture, an analytic theory in which understanding and design advance together. The success of configurational ideas in bringing to light the spatial logic of buildings and cities suggests that it might be possible to extend these ideas to other areas of the human sciences where problems of configuration are critical.
Publisher: CreateSpace
ISBN: 9781511697767
Category :
Languages : en
Pages : 370
Book Description
Since 'The Social Logic of Space' was published in 1984, Bill Hillier and his colleagues at University College London have been conducting research on how space features in the form and functioning of buildings and cities. A key outcome is the concept of 'spatial configuration' meaning relations which take account of other relations in a complex. New techniques have been developed and applied to a wide range of architectural and urban problems. The aim of this book is to assemble some of this work and show how it leads to a new type of theory of architecture, an analytic theory in which understanding and design advance together. The success of configurational ideas in bringing to light the spatial logic of buildings and cities suggests that it might be possible to extend these ideas to other areas of the human sciences where problems of configuration are critical.
The Restless Hungarian
Author: Tom Weidlinger
Publisher: Simon and Schuster
ISBN: 1943006970
Category : Biography & Autobiography
Languages : en
Pages : 350
Book Description
The Restless Hungarian is the saga of an extraordinary life set against the history of the rise of modernism, the Jewish Diaspora, and the Cold War. A Hungarian Jew whose inquiring spirit helped him to escape the Holocaust, Paul Weidlinger became one of the most creative structural engineers of the twentieth century. As a young architect, he broke ranks with the great modernists with his radical idea of the “Joy of Space.” As an engineer, he created the strength behind the beauty in mid-century modern skyscrapers, churches, museums, and he gave concrete form to the eccentric monumental sculptures of Pablo Picasso, Isamu Noguchi, and Jean Dubuffet. In his private life, he was a divided man, living behind a wall of denial as he lost his family to war, mental illness, and suicide. In telling his father’s story, the author sifts meaning from the inspiring and contradictory narratives of a life: a motherless child and a captain of industry, a clandestine communist who designed silos for the world’s deadliest weapons during the Cold War, a Jewish refugee who denied he was a Jew, a husband who was terrified of his wife’s madness, and a man whose personal saints were artists.
Publisher: Simon and Schuster
ISBN: 1943006970
Category : Biography & Autobiography
Languages : en
Pages : 350
Book Description
The Restless Hungarian is the saga of an extraordinary life set against the history of the rise of modernism, the Jewish Diaspora, and the Cold War. A Hungarian Jew whose inquiring spirit helped him to escape the Holocaust, Paul Weidlinger became one of the most creative structural engineers of the twentieth century. As a young architect, he broke ranks with the great modernists with his radical idea of the “Joy of Space.” As an engineer, he created the strength behind the beauty in mid-century modern skyscrapers, churches, museums, and he gave concrete form to the eccentric monumental sculptures of Pablo Picasso, Isamu Noguchi, and Jean Dubuffet. In his private life, he was a divided man, living behind a wall of denial as he lost his family to war, mental illness, and suicide. In telling his father’s story, the author sifts meaning from the inspiring and contradictory narratives of a life: a motherless child and a captain of industry, a clandestine communist who designed silos for the world’s deadliest weapons during the Cold War, a Jewish refugee who denied he was a Jew, a husband who was terrified of his wife’s madness, and a man whose personal saints were artists.
Ornament and Crime
Author: Adolf Loos
Publisher: Penguin UK
ISBN: 0141392983
Category : Architecture
Languages : en
Pages : 175
Book Description
Revolutionary essays on design, aesthetics and materialism - from one of the great masters of modern architecture Adolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training to why 'the lack of ornament is a sign of intellectual power'. Translated by Shaun Whiteside With an epilogue by Joseph Masheck
Publisher: Penguin UK
ISBN: 0141392983
Category : Architecture
Languages : en
Pages : 175
Book Description
Revolutionary essays on design, aesthetics and materialism - from one of the great masters of modern architecture Adolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training to why 'the lack of ornament is a sign of intellectual power'. Translated by Shaun Whiteside With an epilogue by Joseph Masheck
L'Unité D'habitation
Author: David Jenkins
Publisher: Phaidon Incorporated Limited
ISBN: 9780714827704
Category : Architecture
Languages : en
Pages : 57
Book Description
The Unite d'Habitation at Marseilles is a key building of the twentieth century, and a seminal work in Le Corbusier's oeuvre. A precursor of buildings in Nantes, Berlin, Briey-en-Foret and Firminy, it established, in built form, Le Corbusier's ideas of public housing that had existed only on paper for more than twenty-five years. David Jenkins argues that the Marseilles Unite stands out as a powerful and convincing testament of Le Corbusier's fundamental humanism and his faith in the principles of the Ville Radieuse and the Brutalist medium of rough cast concrete which in other, less able hands, have since been called into question.
Publisher: Phaidon Incorporated Limited
ISBN: 9780714827704
Category : Architecture
Languages : en
Pages : 57
Book Description
The Unite d'Habitation at Marseilles is a key building of the twentieth century, and a seminal work in Le Corbusier's oeuvre. A precursor of buildings in Nantes, Berlin, Briey-en-Foret and Firminy, it established, in built form, Le Corbusier's ideas of public housing that had existed only on paper for more than twenty-five years. David Jenkins argues that the Marseilles Unite stands out as a powerful and convincing testament of Le Corbusier's fundamental humanism and his faith in the principles of the Ville Radieuse and the Brutalist medium of rough cast concrete which in other, less able hands, have since been called into question.
Le Corbusier
Author: Jean-Louis Cohen
Publisher: Museum of Modern Art
ISBN: 9780500342909
Category : Architecture
Languages : en
Pages : 401
Book Description
This volume examines Le Corbusier's relationship with the topographies of five continents, in essays by thirty of the formeost scholars of his work and with contemporary photographs by Richard Pare.
Publisher: Museum of Modern Art
ISBN: 9780500342909
Category : Architecture
Languages : en
Pages : 401
Book Description
This volume examines Le Corbusier's relationship with the topographies of five continents, in essays by thirty of the formeost scholars of his work and with contemporary photographs by Richard Pare.
The International Style
Author: Henry Russell Hitchcock
Publisher: W. W. Norton & Company
ISBN: 9780393315189
Category : Architecture
Languages : en
Pages : 280
Book Description
The most influential work of architectural criticism and history of the twentieth century, now available in a handsomely designed new edition.
Publisher: W. W. Norton & Company
ISBN: 9780393315189
Category : Architecture
Languages : en
Pages : 280
Book Description
The most influential work of architectural criticism and history of the twentieth century, now available in a handsomely designed new edition.
Voiture Minimum
Author: Antonio Amado
Publisher: MIT Press
ISBN: 0262015366
Category : Architecture
Languages : en
Pages : 363
Book Description
A colorful account of Le Corbusier's love affair with the automobile, his vision of the ideal vehicle, and his tireless promotion of a design that industry never embraced. Le Corbusier, who famously called a house “a machine for living,” was fascinated—even obsessed—by another kind of machine, the automobile. His writings were strewn with references to autos: “If houses were built industrially, mass-produced like chassis, an aesthetic would be formed with surprising precision,” he wrote in Toward an Architecture (1923). In his “white phase” of the twenties and thirties, he insisted that his buildings photographed with a modern automobile in the foreground. Le Corbusier moved beyond the theoretical in 1936, entering (with his cousin Pierre Jeanneret) an automobile design competition, submitting plans for “a minimalist vehicle for maximum functionality,” the Voiture Minimum. Despite Le Corbusier's energetic promotion of his design to several important automakers, the Voiture Minimum was never mass-produced. This book is the first to tell the full and true story of Le Corbusier's adventure in automobile design. Architect Antonio Amado describes the project in detail, linking it to Le Corbusier's architectural work, to Modernist utopian urban visions, and to the automobile design projects of other architects including Walter Gropius and Frank Lloyd Wright. He provides abundant images, including many pages of Le Corbusier's sketches and plans for the Voiture Minimum, and reprints Le Corbusier's letters seeking a manufacturer. Le Corbusier's design is often said to have been the inspiration for Volkswagen's enduringly popular Beetle; the architect himself implied as much, claiming that his design for the 1936 competition originated in 1928, before the Beetle. Amado Lorenzo, after extensive examination of archival and source materials, disproves this; the influence may have gone the other way. Although many critics considered the Voiture Minimum a footnote in Le Corbusier's career, Le Corbusier did not. This book, lavishly illustrated and exhaustively documented, restores Le Corbusier's automobile to the main text.
Publisher: MIT Press
ISBN: 0262015366
Category : Architecture
Languages : en
Pages : 363
Book Description
A colorful account of Le Corbusier's love affair with the automobile, his vision of the ideal vehicle, and his tireless promotion of a design that industry never embraced. Le Corbusier, who famously called a house “a machine for living,” was fascinated—even obsessed—by another kind of machine, the automobile. His writings were strewn with references to autos: “If houses were built industrially, mass-produced like chassis, an aesthetic would be formed with surprising precision,” he wrote in Toward an Architecture (1923). In his “white phase” of the twenties and thirties, he insisted that his buildings photographed with a modern automobile in the foreground. Le Corbusier moved beyond the theoretical in 1936, entering (with his cousin Pierre Jeanneret) an automobile design competition, submitting plans for “a minimalist vehicle for maximum functionality,” the Voiture Minimum. Despite Le Corbusier's energetic promotion of his design to several important automakers, the Voiture Minimum was never mass-produced. This book is the first to tell the full and true story of Le Corbusier's adventure in automobile design. Architect Antonio Amado describes the project in detail, linking it to Le Corbusier's architectural work, to Modernist utopian urban visions, and to the automobile design projects of other architects including Walter Gropius and Frank Lloyd Wright. He provides abundant images, including many pages of Le Corbusier's sketches and plans for the Voiture Minimum, and reprints Le Corbusier's letters seeking a manufacturer. Le Corbusier's design is often said to have been the inspiration for Volkswagen's enduringly popular Beetle; the architect himself implied as much, claiming that his design for the 1936 competition originated in 1928, before the Beetle. Amado Lorenzo, after extensive examination of archival and source materials, disproves this; the influence may have gone the other way. Although many critics considered the Voiture Minimum a footnote in Le Corbusier's career, Le Corbusier did not. This book, lavishly illustrated and exhaustively documented, restores Le Corbusier's automobile to the main text.