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Author: Lawrence Gowing
Publisher:
ISBN: 9781856277587
Category : Art
Languages : en
Pages : 992
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Book Description
Author: Lawrence Gowing
Publisher:
ISBN: 9781856277587
Category : Art
Languages : en
Pages : 992
Get Book Here
Book Description
Author: Lawrence Gowing
Publisher:
ISBN: 9781905464654
Category : Art
Languages : en
Pages : 459
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Book Description
As one of the leading critical voices on art of the post-war years, Lawrence Gowing (1918-1991) combined a passion for close visual involvement with formidable literary skills. Having begun his career as a painter, Gowing's monograph on Vermeer (1952) brought him early recognition as a writer who combined this experience with a meticulous historical perspective. His foremost commitment was with the pioneering painters of the late-nineteenth and early-twentieth centuries, notably Paul Caezanne and Henri Matisse. The exhibitions Gowing curated at Tate, London, and the Museum of Modern Art, New York famously helped to mould and reshape public perceptions. Characterised by a desire to instruct and encourage, his writing reflects a highly successful career as a curator and teacher. Introduced by the editor Sarah Whitfield, four decades of writing are brought together for the first time in this volume.--
Author: Lawrence Gowing
Publisher: Harry N. Abrams
ISBN: 9781556700071
Category : Art
Languages : en
Pages : 0
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Book Description
Reproduces paintings from the museum's collection
Author: Lawrence Gowing
Publisher: Thames & Hudson
ISBN: 9780500181713
Category : Painters
Languages : en
Pages : 216
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Book Description
This richly illustrated book draws upon Lawrence Gowing's earlier writings on Matisse, including a study described by Albert Elsen as 'one of the finest, most perceptive and inspired essays' on the subject.
Author: Paul Cézanne
Publisher: Univ of California Press
ISBN: 9780520225176
Category : Art
Languages : en
Pages : 326
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Book Description
This book gathers the commentary of people who knew the painter Paul Cezanne, especially in his later years. Now seen as one of the most influential of modern painters, in his 40s he returned to his village of Aix-en-Provence where, he worked in near obscurity and with great dedication until his death in 1906.
Author: Mary Tompkins Lewis
Publisher: Univ of California Press
ISBN: 052094044X
Category : Art
Languages : en
Pages : 368
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Book Description
The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
Author: Celia Paul
Publisher: New York Review of Books
ISBN: 1681374838
Category : Biography & Autobiography
Languages : en
Pages : 225
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Book Description
A rich, penetrating memoir about the author's relationship with a flawed but influential figure—the painter Lucian Freud—and the satisfactions and struggles of a life lived through art. One of Britain's most important contemporary painters, Celia Paul has written a reflective, intimate memoir of her life as an artist. Self-Portrait tells the artist's story in her own words, drawn from early journal entries as well as memory, of her childhood in India and her days as a art student at London's Slade School of Fine Art; of her intense decades-long relationship with the older esteemed painter Lucian Freud and the birth of their son; of the challenges of motherhood, the unresolvable conflict between caring for a child and remaining commited to art; of the "invisible skeins between people," the profound familial connections Paul communicates through her paintings of her mother and sisters; and finally, of the mystical presence in her own solitary vision of the world around her. Self-Portrait is a powerful, liberating evocation of a life and of a life-long dedication to art.
Author: Adrian Stokes
Publisher: Routledge
ISBN: 1136442936
Category : Medical
Languages : en
Pages : 181
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Book Description
Tavistock Press was established as a co-operative venture between the Tavistock Institute and Routledge & Kegan Paul (RKP) in the 1950s to produce a series of major contributions across the social sciences. This volume is part of a 2001 reissue of a selection of those important works which have since gone out of print, or are difficult to locate. Published by Routledge, 112 volumes in total are being brought together under the name The International Behavioural and Social Sciences Library: Classics from the Tavistock Press. Reproduced here in facsimile, this volume was originally published in 1955 and is available individually. The collection is also available in a number of themed mini-sets of between 5 and 13 volumes, or as a complete collection.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
This work spans the passage of time from the Stone Age to the present, from examples of early art to the glories of the Renaissance and the techniques of the art forms of today.
Author: Philip Steadman
Publisher:
ISBN: 9780192803023
Category : Art
Languages : en
Pages : 238
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Book Description
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
