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Author: Dr Laurence Talairach-Vielmas
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409489825
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Laurence Talairach-Vielmas explores Victorian representations of femininity in narratives that depart from mainstream realism, from fairy tales by George MacDonald, Lewis Carroll, Christina Rossetti, Juliana Horatia Ewing, and Jean Ingelow, to sensation novels by Wilkie Collins, Mary Elizabeth Braddon, Rhoda Broughton, and Charles Dickens. Feminine representation, Talairach-Vielmas argues, is actually presented in a hyper-realistic way in such anti-realistic genres as children's literature and sensation fiction. In fact, it is precisely the clash between fantasy and reality that enables the narratives to interrogate the real and re-create a new type of realism that exposes the normative constraints imposed to contain the female body. In her exploration of the female body and its representations, Talairach-Vielmas examines how Victorian fantasies and sensation novels deconstruct and reconstruct femininity; she focuses in particular on the links between the female characters and consumerism, and shows how these serve to illuminate the tensions underlying the representation of the Victorian ideal.
Author: Dr Laurence Talairach-Vielmas
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409489825
Category : Literary Criticism
Languages : en
Pages : 212
Get Book Here
Book Description
Laurence Talairach-Vielmas explores Victorian representations of femininity in narratives that depart from mainstream realism, from fairy tales by George MacDonald, Lewis Carroll, Christina Rossetti, Juliana Horatia Ewing, and Jean Ingelow, to sensation novels by Wilkie Collins, Mary Elizabeth Braddon, Rhoda Broughton, and Charles Dickens. Feminine representation, Talairach-Vielmas argues, is actually presented in a hyper-realistic way in such anti-realistic genres as children's literature and sensation fiction. In fact, it is precisely the clash between fantasy and reality that enables the narratives to interrogate the real and re-create a new type of realism that exposes the normative constraints imposed to contain the female body. In her exploration of the female body and its representations, Talairach-Vielmas examines how Victorian fantasies and sensation novels deconstruct and reconstruct femininity; she focuses in particular on the links between the female characters and consumerism, and shows how these serve to illuminate the tensions underlying the representation of the Victorian ideal.
Author: Ingo Berensmeyer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111056163
Category : Literary Criticism
Languages : en
Pages : 516
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Book Description
Fictional novelists and other author characters have been a staple of novels and stories from the early nineteenth century onwards. What is it that attracts authors to representing their own kind in fiction? Author Fictions addresses this question from a theoretical and historical perspective. Narrative representations of literary authorship not only reflect the aesthetic convictions and social conditions of their actual authors or their time; they also take an active part in negotiating and shaping these conditions. The book unfolds the history of such ‘author fictions’ in European and North American texts since the early nineteenth century as a literary history of literary authorship, ranging from the Victorian bildungsroman to contemporary autofiction. It combines rhetorical and sociological approaches to answer the question how literature makes authors. Identifying ‘author fictions’ as narratives that address the fragile material conditions of literary creation in the actual and symbolic economies of production, Ingo Berensmeyer explores how these texts elaborate and manipulate concepts and models of authorship. This book will be relevant to English, American and comparative literary studies and to anyone interested in the topic of literary authorship.
Author: Joanne Bridget Simpson
Publisher: Taylor & Francis
ISBN: 1000850250
Category : Fiction
Languages : en
Pages : 220
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Book Description
The law holds up a mirror to society and reflects that society and its ongoing preoccupations. This book establishes legal interpretation as a mode of literary interpretation, contextualising the opinions and sociological background of literature within the context of the law of its period and examines the inherent role of the law in the construction of the narrative in the literature of the nineteenth century. From the approach to the operation of jurisprudence and legal application, to the prosecution of the poor, the criminological approach to moral panics and the use of the affirmative defence to mitigate women within society, this book explores the ways in which the authors of the period used the novel form as a way of challenging and critiquing the legal operating model of the world in which their characters found themselves; examining the way in which the authors of the period used the novel as a means of critiquing the nature of the role of the law within society, its impact upon the general public, and the reciprocity which exists between legal ideals and the society which manifests those ideals through thought and action. This is a useful text for students of nineteenth-century literature or the law.
Author: Wilkie Collins
Publisher:
ISBN: 9780243645596
Category :
Languages : en
Pages :
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Book Description
Author: AINSWORTH
Publisher:
ISBN:
Category :
Languages : en
Pages : 326
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Book Description
Author: Leigh Wetherall Dickson
Publisher: Routledge
ISBN: 1000743837
Category : Literary Collections
Languages : en
Pages : 1010
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Book Description
Offers the works of Lady Caroline Lamb (1785-1828), the late Romantic-era novelist most famous for her affair with Lord Byron. Presenting Lamb's works in a scholarly format, this book situates her literary achievements within the context of her Whig allegiances, her sense of noblesse oblige and her promotion of aristocratic reform.
Author: Sarah Yoon
Publisher: Taylor & Francis
ISBN: 1003801366
Category : Fiction
Languages : en
Pages : 173
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Book Description
The Ambivalent Detective in Victorian Sensation Novels studies how the detective as a literary character evolved through the mid-nineteenth century in England, as seen in sensation novels. In contrast to most assumptions about the English detective, Yoon argues that the detective was more often tolerated than admired following the establishment of professional detectives in the London Metropolitan Police Force in 1842. Through studying the historical and literary contexts between the 1840s to the 1860s, Yoon argues that the detective was seen as a suspicious, even mistrusted and disdained, figure who was nonetheless viewed as necessary to combat rising levels of crime. The detective as a literary character responded to the often contradictory values and aspirations of the middle class, representing an independent masculinity and laying claim to scientific authority. This study surveys novels by Charles Dickens, Mary Elizabeth Braddon, and Wilkie Collins, alongside lesser-known writers like William Russell, James Redding Ware (pseudonym Andrew Forrester), and William Stephens Hayward. This book contributes to the study of mid-nineteenth-century Victorian culture and connects with broader studies of the detective fiction genre.
Author:
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 720
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Book Description
Author: Louis Antoine Godey
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 1218
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Book Description
Includes music.
Author: Adrian Radu
Publisher: Cambridge Scholars Publishing
ISBN: 1527582442
Category : Literary Criticism
Languages : en
Pages : 203
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Book Description
Readers of the nineteenth century novel expected literature to be a form journalism and fictional history. They wanted to read about easily identifiable situations with a chronological, straightforward and easily discernible development of plot, familiar backgrounds and credible characters. About a hundred years later, the Victorian novel became the great tradition, omnipresent and reliable. However, today the age and the context are different, and novels need more substance, including such themes as memory, race and empire, sex and science, spectrality and the heritage industry or key issues like gender, sexuality, and postmodernism. All these elements are considered Neo-Victorian which, in spite of their novelty, do point to a certain Victorian “anchor”. This volume contains ten studies, the substance of which is the analysis of novels that, according to their date of publication, are products of the Victorian and Neo-Victorian periods as defined above. The authors investigate and discuss Victorian roots and characteristics, preserved or recycled Victorian themes, Neo-Victorian characters and motifs, or any other characteristics that may label them as Victorian or Neo-Victorian products.
