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Author: Neal Alexander
Publisher: EUP
ISBN: 9781474484411
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
The first book-length literary-geographical study of late modernist poetry. This monograph offers a decisive reappraisal of both the literary history and the literary geography of Anglophone modernism by focusing attention on poetry from both sides of the Atlantic. Where recent studies of late modernism tend to regard it as an inter-war or mid-century phenomenon, this book contends that the period 1945-1975 marks a major phase of experiment and achievement in late modernist poetry. The author argues that what distinguishes the work of many late modernist poets (such as Gwendolyn Brooks, Basil Bunting, W. S. Graham, David Jones, Lorine Niedecker and Charles Olson) during this period is its multi-layered poetics of place. In part, he suggests, this is due to the engagement of individual writers with contemporary developments in human and physical geography. It is also manifest in the tendency of late modernist poets to foreground the cultural significance of regional and non-metropolitan places in their texts. Neal Alexander is Lecturer in Twentieth-century Literature at Aberystwyth University. He is the author of Ciaran Carson: Space, Place, Writing (2010) and co-editor of Poetry & Geography (2013) and Regional Modernisms (2013).
Author: Neal Alexander
Publisher: EUP
ISBN: 9781474484411
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
The first book-length literary-geographical study of late modernist poetry. This monograph offers a decisive reappraisal of both the literary history and the literary geography of Anglophone modernism by focusing attention on poetry from both sides of the Atlantic. Where recent studies of late modernism tend to regard it as an inter-war or mid-century phenomenon, this book contends that the period 1945-1975 marks a major phase of experiment and achievement in late modernist poetry. The author argues that what distinguishes the work of many late modernist poets (such as Gwendolyn Brooks, Basil Bunting, W. S. Graham, David Jones, Lorine Niedecker and Charles Olson) during this period is its multi-layered poetics of place. In part, he suggests, this is due to the engagement of individual writers with contemporary developments in human and physical geography. It is also manifest in the tendency of late modernist poets to foreground the cultural significance of regional and non-metropolitan places in their texts. Neal Alexander is Lecturer in Twentieth-century Literature at Aberystwyth University. He is the author of Ciaran Carson: Space, Place, Writing (2010) and co-editor of Poetry & Geography (2013) and Regional Modernisms (2013).
Author: Lauren Arrington
Publisher: Liverpool University Press
ISBN: 194295476X
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
How did living abroad inflect writers’ perspectives on social change in the countries of their birth and in their adopted homelands? How did writers reformulate ideas of social class, race, and gender in these new contexts? How did they develop innovations in form and technique to achieve a style that reflected their social and political commitments? The essays in this book show how the “outward turn” that typifies late modernist writing was precipitated, in part, by writers’ experience of expatriation. Late Modernism & Expatriation encompasses writing from the 1930s to the present day and considers expatriation in both its voluntary and coerced manifestations. Together, the essays in this book shape our understanding of how migration (especially in its late twentieth- and twenty-first century complexities) affects late modernism’s temporalities. The book attends to major theoretical questions about mapping late modernist networks and it foregrounds neglected aspects of writers’ work while placing other writers in a new frame.
Author: Anthony Mellors
Publisher: Manchester University Press
ISBN: 9780719058851
Category : Literary Criticism
Languages : en
Pages : 402
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Book Description
This book explores the uncanny afterlife of modernist ideals in the second half of the twentieth century. Rejecting the familiar notion that modernism dissolved during the 1930s, it argues that the fusion of rationalism and mysticism which characterizes modernist poetics was sustained long after its politics had been discredited by the events of World War Two. This wide-ranging contextual study focuses on the poetry of Ezra Pound, Charles Olson, Paul Celan, and J H Prynne.
Author: Alex Latter
Publisher: Bloomsbury Publishing
ISBN: 1472575830
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Despite the brevity of its run and the diminutive size of its audience, The English Intelligencer is a key publication in the history of literary modernism in the British Isles. Emerging in the mid-1960s from a dissatisfaction with the prevailing norms of 'Betjeman's England', the young writers associated with it were catalysed by the example of Donald Allen's The New American Poetry as they sought to establish a revitalised modernist poetics. Late Modernism and The English Intelligencer gives the first full account of the extraordinary history of this publication, bringing to light extensive new archival material to establish an authoritative contextualisation of its operation and its relationship with post-war British poetry. This material provides compelling new insights into the work of the Intelligencer poets themselves and, more broadly, the continued presence of an international poetic modernism as a vital force in Britain in the second half of the twentieth century.
Author: C. D. Blanton
Publisher: Modernist Literature and Cultu
ISBN: 0199844712
Category : Literary Collections
Languages : en
Pages : 381
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Book Description
"Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of disarticulated historical content. Compelled to register the force of a totality it cannot represent, this negated epic reorients the function of poetic language and reference, remaking the poem, and late modernism generally, as a critical instrument of dialectical reason. Part I reads The Waste Land alongside the review it prefaced, The Criterion, arguing that the poem establishes the editorial method with which T. S. Eliot constructs the review's totalizing account of culture. Dividing the epic's critical function from its style, Eliot not only includes history differently, but also formulates an intricately dialectical account of the interwar crisis of bourgeois culture, formed in the image of a Marxian critique it opposes. Part II turns to the second war's onset, tracing the dislocated formal effects of an epic gone underground. In the elegies and pastorals of W. H. Auden and Louis MacNeice, lyric forms divulge the determining force of unmentionable but universal events, dividing experience against consciousness. With H.D.'s war trilogy, produced in a terse exchange with Freud's Moses, even the poetic image lapses, associating epic with the silent historical force of the unconscious as such"--
Author: Edward Allen
Publisher: Liverpool University Press
ISBN: 1789622646
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
What do we mean when call something a lyric poem? How many kinds of lyric are there? Are there fewer now than there were in 1920 or 1820 or 1620? The purpose of Forms of Late Modernist Lyric is to show that our oldest styles of poetic articulation – the elegy, the ode, the hymn – have figured all too briefly in modern genealogies of lyric, and that they have proved especially seductive, curiously enough, to avant-garde practitioners in the Anglophone tradition. The poets in question – Jorie Graham, Frank O’Hara, Michael Haslam, J. H. Prynne, Claudia Rankine, and others – have thickened the texture of lyric practice at a time when the growing tendency in critical circles has been to dissolve points of difference within the genre itself. The broader aim of this volume is to demonstrate that experimental poets since 1945 have not always been rebarbative and anti-traditional, but rather that their recourse to familiar forms and shapes of thought should prompt us to reconsider late modernism as a crucial phase in the evolving history of lyric. CONTRIBUTORS: Ruth Abbott, Edward Allen, Gareth Farmer, Fiona Green, Drew Milne, Jeremy Noel-Tod, Sophie Read, Matthew Sperling, Esther Osorio Whewell, John Wilkinson
Author: M. Chambers
Publisher: Springer
ISBN: 1137516925
Category : History
Languages : en
Pages : 208
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Book Description
After the publication of T.S. Eliot's The Waste Land, a complex series of debates occurred over the traditions of English poetry. Analyzing these diverse discussions in a wide range of well-known periodicals during the late modernist period, Chambers uncovers how poetry was shaped by avant-garde ideas, setting poetic trends for the 20th century.
Author: Zhaoming Qian
Publisher: University of Virginia Press
ISBN: 0813940680
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
In East-West Exchange and Late Modernism, Zhaoming Qian examines the nature and extent of Asian influence on some of the literary masterpieces of Western late modernism. Focusing on the poets William Carlos Williams, Marianne Moore, and Ezra Pound, Qian relates captivating stories about their interactions with Chinese artists and scholars and shows how these cross-cultural encounters helped ignite a return to their early experimental modes. Qian’s sinuous readings of the three modernists’ last books of verse—Williams’s Pictures from Brueghel (1962), Moore’s Tell Me, Tell Me (1966), and Pound’s Drafts and Fragments of Cantos CX-CXVII (1969)—expand our understanding of late modernism by bringing into focus its heightened attention to meaning in space, its obsession with imaginative sensibility, and its increased respect for harmony between humanity and nature.
Author:
Publisher:
ISBN: 9780190231590
Category : POETRY
Languages : en
Pages : 367
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Book Description
"Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of disarticulated historical content. Compelled to register the force of a totality it cannot represent, this negated epic reorients the function of poetic language and reference, remaking the poem, and late modernism generally, as a critical instrument of dialectical reason. Part I reads The Waste Land alongside the review it prefaced, The Criterion, arguing that the poem establishes the editorial method with which T. S. Eliot constructs the review's totalizing account of culture. Dividing the epic's critical function from its style, Eliot not only includes history differently, but also formulates an intricately dialectical account of the interwar crisis of bourgeois culture, formed in the image of a Marxian critique it opposes. Part II turns to the second war's onset, tracing the dislocated formal effects of an epic gone underground. In the elegies and pastorals of W. H. Auden and Louis MacNeice, lyric forms divulge the determining force of unmentionable but universal events, dividing experience against consciousness. With H.D.'s war trilogy, produced in a terse exchange with Freud's Moses, even the poetic image lapses, associating epic with the silent historical force of the unconscious as such"--.
Author: Albert Gelpi
Publisher: Cambridge University Press
ISBN: 9780521386999
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
In this volume, seven renowned critics present different views of Wallace Stevens' place in the evolution of Modernist poetry. The essays offer a fresh scrutiny of the poet's work and influence, re-examining the critical consensus that has developed since Stevens first gained the attention of critics in the fifties. The collection traces both the development of Modernist poetics and Stevens' place in it, from the poet's relation to such contemporaries as Ezra Pound, William Carlos Williams and Marianne Moore to his influence on current writers such as John Ashbery and Robert Duncan. The contributions examine the cultural influences, or 'context', from which Stevens emerges: the Symbolist and Imagist traditions, the social and political context of the war years, and contemporary movements in the visual arts. Finally, two essays investigate the influence of Stevens on later poets.
