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Author: Jeffrey Spier
Publisher: Dr Ludwig Reichert
ISBN:
Category : Art
Languages : en
Pages : 396
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Book Description
"Throughout the Middle Ages, Roman gems and cameos were highly valued as intrinsically precious objects or even as possessing magical properties. During the Renaissance, large collections of gems were formed by aristocratic collectors who sought inspiration from the classical images engraved on them, and gems have been collected for similar reasons ever since. With the exception of a few dedicated antiquaries, however, collectors and scholars over the last five hundred years or so have generally ignored late antique and early Christian gems. This study presents more than 1000 gems from different collections, more than 300 of them unpublished so far. They are presented according to different genres, themes, material and place or time of production. The catalogue is completed by about 1300 illustrations."--Publisher's description.
Author: Jeffrey Spier
Publisher: Dr Ludwig Reichert
ISBN:
Category : Art
Languages : en
Pages : 396
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Book Description
"Throughout the Middle Ages, Roman gems and cameos were highly valued as intrinsically precious objects or even as possessing magical properties. During the Renaissance, large collections of gems were formed by aristocratic collectors who sought inspiration from the classical images engraved on them, and gems have been collected for similar reasons ever since. With the exception of a few dedicated antiquaries, however, collectors and scholars over the last five hundred years or so have generally ignored late antique and early Christian gems. This study presents more than 1000 gems from different collections, more than 300 of them unpublished so far. They are presented according to different genres, themes, material and place or time of production. The catalogue is completed by about 1300 illustrations."--Publisher's description.
Author: Ildar H. Garipzanov
Publisher: Oxford University Press
ISBN: 0198815018
Category : Design
Languages : en
Pages : 404
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Book Description
Graphic Signs Of Authority in Late Antiquity and the Early Middle Ages offers a cultural history of the graphic monogrammatic tools from antiquity to the Middle Ages. It examines the sign of the cross, christograms, monograms, and other similar devices, and how they were used during a time of great socio-political and religious change.
Author: Robin M. Jensen
Publisher: Routledge
ISBN: 1317514173
Category : History
Languages : en
Pages : 398
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Book Description
The Routledge Handbook of Early Christian Art surveys a broad spectrum of Christian art produced from the late second to the sixth centuries. The first part of the book opens with a general survey of the subject and then presents fifteen essays that discuss specific media of visual art—catacomb paintings, sculpture, mosaics, gold glass, gems, reliquaries, ceramics, icons, ivories, textiles, silver, and illuminated manuscripts. Each is written by a noted expert in the field. The second part of the book takes up themes relevant to the study of early Christian art. These seven chapters consider the ritual practices in decorated spaces, the emergence of images of Christ’s Passion and miracles, the functions of Christian secular portraits, the exemplary mosaics of Ravenna, the early modern history of Christian art and archaeology studies, and further reflection on this field called “early Christian art.” Each of the volume’s chapters includes photographs of many of the objects discussed, plus bibliographic notes and recommendations for further reading. The result is an invaluable introduction to and appraisal of the art that developed out of the spread of Christianity through the late antique world. Undergraduate and graduate students of late classical, early Christian, and Byzantine culture, religion, or art will find it an accessible and insightful orientation to the field. Additionally, professional academics, archivists, and curators working in these areas will also find it valuable as a resource for their own research, as well as a textbook or reference work for their students.
Author: Mark D. Ellison
Publisher: Taylor & Francis
ISBN: 1003832326
Category : History
Languages : en
Pages : 377
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Book Description
This study examines third- and fourth-century portraits of married Christians and associated images, reading them as visual rhetoric in early Christian conversations about marriage and celibacy, and recovering lay perspectives underrepresented or missing in literary sources. Historians of early Christianity have grown increasingly aware that written sources display an enthusiasm for asceticism and sexual renunciation that was far from representative of the lives of most early Christians. Often called a “silent majority,” the married laity in fact left behind a significant body of work in the material record. Particularly in and around Rome, they commissioned and used such objects as sarcophagi, paintings, glass vessels, finger rings, luxury silver, other jewellery items, gems, and seals that bore their portraits and other iconographic forms of self-representation. This study is the first to undertake a sustained exploration of these material sources in the context of early Christian discourses and practices related to marriage, sexuality, and celibacy. Reading this visual evidence increases understanding of the population who created it, the religious commitments they asserted, and the comparatively moderate forms of piety they set forth as meritorious alternatives to the ascetic ideal. In their visual rhetoric, these artifacts and images comprise additional voices in Late Antique conversations about idealized ways of Christian life, and ultimately provide a fuller picture of the early Christian world. Plentifully illustrated with photographs and drawings, this volume provides readers access to primary material evidence. Such evidence, like textual sources, require critical interpretation; this study sets forth a careful methodology for iconographic analysis and applies it to identify the potential intentions of patrons and artists and the perceptions of viewers. It compares iconography to literary sources and ritual practices as part of the interpretive process, clarifying the ways images had a rhetorical edge and contributed to larger conversations. Accessibly written, The Visual Rhetoric of the Married Laity in Late Antiquity is of interest to students and scholars working on Late Antiquity, early Christian and late Roman social history, marriage and celibacy in early Christianity, and early Christian, Roman, and Byzantine art.
Author: Bruce W. Longenecker
Publisher: Augsburg Fortress Publishers
ISBN: 1451490305
Category : Art
Languages : en
Pages : 246
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Book Description
Upending a longstanding consensus, Bruce W. Longenecker presents a wide variety of material artifacts to illustrate that Christians made use of the cross as a visual symbol of their faith long before Constantine appropriated it to consolidate his power in the fourth century. Constantine did not invent the cross as a symbol of Christian faith; for an impressive number of Christians before Constantines reign, the cross served as a visual symbol of commitment to a living deity in a dangerous world.
Author: Oliver Nicholson
Publisher: Oxford University Press
ISBN: 0192562460
Category : History
Languages : en
Pages : 1743
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Book Description
The Oxford Dictionary of Late Antiquity is the first comprehensive reference book covering every aspect of history, culture, religion, and life in Europe, the Mediterranean, and the Near East (including the Persian Empire and Central Asia) between the mid-3rd and the mid-8th centuries AD, the era now generally known as Late Antiquity. This period saw the re-establishment of the Roman Empire, its conversion to Christianity and its replacement in the West by Germanic kingdoms, the continuing Roman Empire in the Eastern Mediterranean, the Persian Sassanian Empire, and the rise of Islam. Consisting of over 1.5 million words in more than 5,000 A-Z entries, and written by more than 400 contributors, it is the long-awaited middle volume of a series, bridging a significant period of history between those covered by the acclaimed Oxford Classical Dictionary and The Oxford Dictionary of the Middle Ages. The scope of the Dictionary is broad and multi-disciplinary; across the wide geographical span covered (from Western Europe and the Mediterranean as far as the Near East and Central Asia), it provides succinct and pertinent information on political history, law, and administration; military history; religion and philosophy; education; social and economic history; material culture; art and architecture; science; literature; and many other areas. Drawing on the latest scholarship, and with a formidable international team of advisers and contributors, The Oxford Dictionary of Late Antiquity aims to establish itself as the essential reference companion to a period that is attracting increasing attention from scholars and students worldwide.
Author: Philip Esler
Publisher: Routledge
ISBN: 1351678299
Category : History
Languages : en
Pages : 2044
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Book Description
Since its publication in 2000, The Early Christian World has come to be regarded by scholars, students and the general reader as one of the most informative and accessible works in English on the origins, development, character and major figures of early Christianity. In this new edition, the strengths of the first edition are retained. These include the book’s attractive architecture that initially takes a reader through the context and historical development of early Christianity; the essays in critical areas such as community formation, everyday experience, the intellectual and artistic heritage, and external and internal challenges; and the profiles on the most influential early Christian figures. The book also preserves its strong stress on the social reality of early Christianity and continues its distinctive use of hundreds of illustrations and maps to bring that world to life. Yet the years that have passed since the first edition was published have seen great advances made in our understanding of early Christianity in its world. This new edition fully reflects these developments and provides the reader with authoritative, lively and up-to-date access to the early Christian world. A quarter of the text is entirely new and the remaining essays have all been carefully revised and updated by their authors. Some of the new material relates to Christian culture (including book culture, canonical and non-canonical scriptures, saints and hagiography, and translation across cultures). But there are also new essays on: Jewish and Christian interaction in the early centuries; ritual; the New Testament in Roman Britain; Manichaeism; Pachomius the Great and Gregory of Nyssa. This new edition will serve its readers for many years to come.
Author: David K. Pettegrew
Publisher: Oxford Handbooks
ISBN: 0199369046
Category : History
Languages : en
Pages : 724
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Book Description
"This handbook brings together work by leading scholars of the archaeology of early Christianity in the Mediterranean and surrounding regions. The 34 essays to this volume ground the history, culture, and society of the first seven centuries of Christianity in the latest currents of archaeological method, theory, and research."--
Author: Αριέττα Παπακωνσταντίνου
Publisher: Harvard University Press
ISBN: 9780884023562
Category : Family & Relationships
Languages : en
Pages : 344
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Book Description
Becoming Byzantine: Children and Childhood in Byzantium presents detailed information about children's lives, and provides a basis for further study. This collection of eight articles covers matters relevant to daily life such as the definition of children in Byzantine law, procreation, death, breastfeeding patterns, and material culture.
Author: Hallie G. Meredith
Publisher: Archaeopress Publishing Ltd
ISBN: 1784911305
Category : Social Science
Languages : en
Pages : 289
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Book Description
Presents a diachronic investigation providing a rich case study as well as an approach tracing the contours of a category of Roman material culture defined by the Roman period technique of openwork carving. This work shows how openwork vessels are a reflection of a wide-reaching Roman cultural aesthetic.
