Last of the Summer Wine Scripts PDF Download
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Author: Roy Clarke
Publisher:
ISBN: 9780563170907
Category : Television plays
Languages : en
Pages : 157
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Book Description
Author: Andrew Vine
Publisher: Quarto Publishing Group USA
ISBN: 1845136535
Category : Biography & Autobiography
Languages : en
Pages : 234
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Book Description
An insider’s look at story behind the longest running situation comedy in British television history. Quite simply, Last of the Summer Wine is the longest-running comedy programme in the world. It premiered thirty-seven years ago, in 1973, and, after thirty-one series it finally came to an end—even though all its original protagonists—Compo, Foggy, even Nora Batty—are now dead. Remarkably, for a series of such longevity and international appeal, it is all about elderly people, has little action or plot, and is set and filmed in and around the small Yorkshire town of Holmfirth. Now, Andrew Vine, the deputy editor of Yorkshire’s daily newspaper, has written the definitive history of this television phenomenon. It covers the show’s inauspicious beginnings, with low ratings, its endless reinvention as participants like Bill Owen, Michael Bates, Brian Wilde and Kathy Staff retired or died, the appearance of a string of guest stars from John Cleese and Norman Wisdom to Thora Hird and Russ Abbott (both of whom soon found themselves fixtures in the cast), and the ingenious plot contrivances as the protagonists became too old and frail to attempt any of the slapstick stunts with runaway prams—indeed any outdoor action. The town of Holmfirth is now a year-round tourist attraction, and the endless availability of the show via streaming, ensures that Last of the Summer Wine, and the book it inspired, will live on for generations of fans.
Author: Roy Clarke
Publisher:
ISBN: 9780563170907
Category : Television plays
Languages : en
Pages : 157
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Book Description
Author: Ben Wharton
Publisher: epubli
ISBN: 3758453577
Category : Performing Arts
Languages : en
Pages : 187
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Book Description
With its gentle humour, bumbling escapades, and endearing charm, Last of the Summer Wine became a cultural phenomenon around the globe. Step into the picturesque Yorkshire countryside and prepare for a delightful exploration of this long-running and iconic sitcom. This book is a treasure trove of fascinating trivia about the show that captured the hearts of millions. So grab a cup of tea and a sticky bun, sit back, and immerse yourself in 1000 facts all about one of television's most beloved shows.
Author: Richard Webber
Publisher: HarperCollins UK
ISBN: 0007237308
Category : Performing Arts
Languages : en
Pages : 34
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Book Description
The best jokes, gags and scenes from a true British comedy classic. ‘Do you reckon I’m in love with Mrs. Batty, or is it just sex?’ Compo
Author: Roy Clarke
Publisher:
ISBN: 9780340189948
Category : English fiction
Languages : en
Pages : 160
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Book Description
Only a man with a ferret down his trousers could love Nora Batty. So lock up your ferrets (and Nora Batty!), here come Yorkshire's hilarious adventurers -- three pensioners in four classic capers from the BBC television series which still has England laughing after more than twenty-five years. Nora goes on the rampage when one of Compo's ferrets escapes into her house, Sid decides to install a new bell in the caf, Clegg communicates with plants, and Foggy's interest with a Welsh widow makes the lads too curious to stay put.
Author: Robert Sellers
Publisher: The History Press
ISBN: 0750998377
Category : Performing Arts
Languages : en
Pages : 350
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Book Description
The 1970s were the era of the three-day week, the Troubles in Northern Ireland, the winter of discontent, trade union Bolshevism and wildcat strikes. Through sitcoms, Raising Laughter provides a fresh look at one of our most divisive and controversial decades. Aside from providing entertainment to millions of people, the sitcom is a window into the culture of the day. Many of these sitcoms tapped into the decade's sense of cynicism, failure and alienation, providing much-needed laughter for the masses. Shows like Rising Damp and Fawlty Towers were classic encapsulations of worn-out, run-down Britain, while the likes of Dad's Army looked back sentimentally at a romanticised English past. For the first time, the stories behind the making of every sitcom from the 1970s are told by the actors, writers, directors and producers who made them all happen. This is nostalgia with a capital N, an oral history, the last word, and an affectionate salute to the kind of comedy programme that just isn't made anymore.
Author: William Smethurst
Publisher: How To Books
ISBN: 184803363X
Category : Performing Arts
Languages : en
Pages : 190
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Book Description
Television is a growth industry with an insatiable hunger for writing talent. Soaps, series dramas, plays, situation comedies - television constantly needs new writers. This inspiring book is full of professional tips and techniques that producers, agents and script editors would give you themselves - if only they had the time. Complete with vital information on how to sell your writing - and how much you can earn. Packed with tips for writing and selling. Lists essential contacts and phone numbers. Contents: List of Illustrations; The opportunities; 1. The basics; 2. Story & theme; 3. Style; 4. Structure; 5. Plotting; 6. Visual Interest; 7. Dialogue; 8. Characterisation; 9. Situation Comedy; 10. Presentation; 11. From Script to Screen; 12. The difficult Markets; 13. Programmes Looking for Writers; 14. Soap Operas; 15. Other Markets for Scripts; 16. Common Queries; 17. TV Talk; 18. Organisations That Will Help You; 19. Where to Send your Script; Further reading; Index.
Author: Chris Head
Publisher: Bloomsbury Publishing
ISBN: 1350155780
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
This accessible and engaging text covering sketch, sitcom and comedy drama, alongside improvisation and stand-up, brings together a panoply of tools and techniques for creating short and long-form comedy narratives for live performance, TV and online. Referencing a broad range of comedy from both sides of the Atlantic, spanning several decades and including material on contemporary internet sketches, it offers all kinds of useful advice on creating comic narratives for stage and screen: using life experience as raw material; constructing comedy worlds; creating comic characters, their relationships and interactions; structuring sketches, scenes and routines; and developing and plotting stories. The book's interviewees, from the UK and the USA, feature stand-ups, sketch comics, improvisers and TV comedy producers, and include Steve Kaplan, Hollywood comedy guru and author of The Hidden Tools of Comedy, Will Hines teacher and improviser from the Upright Citizens Brigade Theatre and Lucy Lumsden TV producer and former Controller of Comedy Commissioning for BBC. Written by “the ideal person to nurture new talent” (The Guardian), Creating Comedy Narratives for Stage & Screen includes material you won't find anywhere else and is a stimulating resource for comedy students and their teachers, with a range and a depth that will be appreciated by even the most eclectic and multi-hyphenated writers and performers.
Author: Charlie Connelly
Publisher: Bloomsbury Publishing
ISBN: 1408889986
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
Despite the all-pervading influence of television ninety per cent of people in Britain still listen to the radio, clocking up over a billion hours of listening between us every week. It's a background to all our lives: we wake up to our clock radios, we have the radio on in the kitchen as we make the tea, it's on at our workplaces and in our cars. From Listen With Mother to the illicit thrill of tuning into pirate stations like Radio Caroline; from receiving a musical education from John Peel or having our imagination unlocked by Douglas Adams' The Hitchhiker's Guide to the Galaxy; from school-free summers played out against a soundtrack of Radio One and Test Match Special to more grown-up soundtracks of the Today programme on Radio 4 and the solemn, rhythmic intonation of the shipping forecast – in many ways, our lives can be measured in kilohertz. Yet radio is changing because the way we listen to the radio is changing. Last year the number of digital listeners at home exceeded the number of analogue listeners for the first time, meaning the pop and crackle and the age of stumbling upon something by chance is coming to an end. There will soon be no dial to turn, no in-between spaces on the waveband for washes of static, mysterious beeps and faint, distant voices. The mystery will be gone: we'll always know exactly what it is we're listening to, whether it's via scrolling LCD on our digital radios, the box at the bottom of our TV screen or because we've gone in search of a particular streaming station. And so, as the world of analogue listening fades, Charlie Connelly takes stock of the history of radio and its place in our lives as one of the very few genuinely shared national experiences. He explores its geniuses, crackpots and charlatans who got us to where we are today, and remembers its voices, personalities and programmes that helped to form who we are as individuals and as a nation. He visits the key radio locations from history, and looks at its vital role over the past century on both national and local levels. Part nostalgic eulogy, part social history, part travelogue, Last Train To Hilversum is Connelly's love letter to radio, exploring our relationship with the medium from its earliest days to the present in an attempt to recreate and revisit the world he entered on his childhood evenings on the dial as he set out on the radio journey of a lifetime.
Author: Mary Irwin
Publisher: Springer Nature
ISBN: 3031236297
Category : Performing Arts
Languages : en
Pages : 251
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Book Description
This book looks at television comedy, drawn from across the UK and Ireland, and ranging chronologically from the 1980s to the 2020s. It explores depictions of distinctive geographical, historical and cultural communities presented from the insiders’ perspective, simultaneously interrogating the particularity of the lived experience of time, and place, embedded within the wide variety of depictions of contrasting lives, experiences and sensibilities, which the collected individual chapters offer. Comedies considered include Victoria Wood’s work on ‘the north’, Ireland’s Father Ted and Derry Girls, Michaela Coel’s east London set Chewing Gum, and Wales’ Gavin and Stacey. There are chapters on Scottish sketch and animation comedy, and on series set in the Midlands, the North East, the South West and London’s home counties. The book offers thoughtful reflection on funny and engaging representations of the diverse, fragmented complexity of UK and Irish identity explored through the intersections of class, ethnicity and gender.
