The Legendary History of Britain in Lope Garcia de Salazar's "Libro de las bienandanzas e fortunas" PDF Download
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Author: Harvey L. Sharrer
Publisher: University of Pennsylvania Press
ISBN: 1512807214
Category : Literary Criticism
Languages : en
Pages : 160
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Book Description
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Author: Harvey L. Sharrer
Publisher: University of Pennsylvania Press
ISBN: 1512807214
Category : Literary Criticism
Languages : en
Pages : 160
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Book Description
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Author: Lope García de Salazar
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Xerox University Microfilms
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 864
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Book Description
Author: Hans Ulrich Gumbrecht
Publisher:
ISBN: 9783533036395
Category : Europe
Languages : de
Pages : 540
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Book Description
Author: George Edmund Street
Publisher:
ISBN:
Category : Architecture, Gothic
Languages : en
Pages : 384
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Book Description
Author: Marjorie O'Rourke Boyle
Publisher: Univ of California Press
ISBN: 9780520209374
Category : Religion
Languages : en
Pages : 304
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Book Description
This revisionist view of Ignatius Loyola argues that his "autobiography"--until now taken to be a literal, documentary account--is in reality a work of rhetoric, a moral narrative that exploits the techniques of fiction. In radically reinterpreting this canonical text, our main source of information about the founder of the largest and most powerful religious order in Roman Catholicism, Boyle paints a vivid picture of Loyola's world. She surveys rhetorical and artistic theory, religious iconography, everyday custom, and an astonishing array of scenes and subjects: from curiosity, to codes of honor, to the holy places of Spain, to the significance of apparitions and flying serpents. Written in the tradition of Renaissance studies on individualism, Loyola's Acts engages current interest in autobiography and in the history of private life. The book also provides a powerful heuristic for interpreting a wide range of texts of the Christian tradition. Finally, this secular treatment of a canonized saint provides revealing insights into how a prestigious sixteenth-century figure like Loyola understood himself. This revisionist view of Ignatius Loyola argues that his "autobiography"--until now taken to be a literal, documentary account--is in reality a work of rhetoric, a moral narrative that exploits the techniques of fiction. In radically reinterpreting this canonical text, our main source of information about the founder of the largest and most powerful religious order in Roman Catholicism, Boyle paints a vivid picture of Loyola's world. She surveys rhetorical and artistic theory, religious iconography, everyday custom, and an astonishing array of scenes and subjects: from curiosity, to codes of honor, to the holy places of Spain, to the significance of apparitions and flying serpents. Written in the tradition of Renaissance studies on individualism, Loyola's Acts engages current interest in autobiography and in the history of private life. The book also provides a powerful heuristic for interpreting a wide range of texts of the Christian tradition. Finally, this secular treatment of a canonized saint provides revealing insights into how a prestigious sixteenth-century figure like Loyola understood himself.
Author: Vida Dutton Scudder
Publisher:
ISBN:
Category : Arthurian romances
Languages : en
Pages : 458
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Book Description
Author: Vicente Lampérez y Romea
Publisher:
ISBN: 9781017182224
Category : Architecture
Languages : en
Pages : 0
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Book Description
Author: John Hooper Harvey
Publisher: Hassell Street Press
ISBN: 9781013777875
Category :
Languages : en
Pages : 286
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: James S. Ackerman
Publisher: MIT Press
ISBN: 9780262011860
Category : Art
Languages : en
Pages : 356
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Book Description
Twelve studies by eminent art historian James S. Ackerman. This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman's earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism. In this book he explores the tension between the authority of the past—which may act not only as a restraint but as a challenge and stimulus—and the potentially liberating gift of invention. He examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences. The "origins" studied here include the earliest art history and criticism; the beginnings of architectural drawing in the Middle Ages and Renaissance; Leonardo Da Vinci's sketches for churches, the first in the Renaissance to propose supporting domes on sculpted walls and piers; and the first architectural photographs. "Imitation" refers to artistic achievements that in part depended on the imitation of forms established in practices outside the fine arts, such as ancient Roman rhetoric and print media. "Conventions," like language, facilitate communication between the artist and viewer, but are both more universal (understood across cultures) and more fixed (resisting variation that might diminish their clarity). The three categories are closely linked throughout the book, as most acts of representation partake to some degree of all three.
