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Author: John Mullarkey
Publisher: Edinburgh University Press
ISBN: 0748664769
Category : Philosophy
Languages : en
Pages : 272
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Book Description
The first collection of critical essays on the work of Francois Laruelle.
Author: John Mullarkey
Publisher: Edinburgh University Press
ISBN: 0748664769
Category : Philosophy
Languages : en
Pages : 272
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Book Description
The first collection of critical essays on the work of Francois Laruelle.
Author: Francois Laruelle
Publisher: A&C Black
ISBN: 1441177566
Category : Philosophy
Languages : en
Pages : 340
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Book Description
Francois Laruelle's magnum opus, in which he presents a treatise on the method, axioms and objectives of non-philosophy.
Author: François Laruelle
Publisher: U of Minnesota Press
ISBN: 1937561348
Category : Philosophy
Languages : en
Pages : 133
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Book Description
In The Dictionary of Non-Philosophy, the French thinker François Laruelle does something unprecedented for philosophers: he provides an enormous dictionary with a theoretical introduction, carefully crafting his thoughts to explain the numerous terms and neologisms that he deems necessary for the project of non-philosophy. With a collective of thinkers also interested in the project, Laruelle has taken up the difficult task of creating an essential guide for entering into his non-standard, non-philosophical terrain. And for Laruelle, even the idea of a dictionary and what a dictionary is become material for his non-philosophical inquiries. As his opening note begins, “Thus on the surface and within the philosophical folds of the dictionary, identity and its effect upon meaning are what is at stake.”
Author: Francois Laruelle
Publisher: A&C Black
ISBN: 0826436633
Category : Philosophy
Languages : en
Pages : 252
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Book Description
A crucial text in the development of François Laruelle's oeuvre and an excellent starting point for understanding his broader project, Philosophies of Difference offers a theoretical and critical analysis of the philosophers of difference after Hegel and Nietzsche. Laruelle then uses this analysis to introduce a new theoretical practice of non-philosophical thought. Rather than presenting a narrative historical overview, Laruelle provides a series of rigorous critiques of the various interpretations of difference in Hegel, Nietzsche and Deleuze, Heidegger and Derrida. From Laruelle's innovative theoretical perspective, the forms of philosophical difference that emerge appear as variations upon a unique, highly abstract structure of philosophical decision, the self-posing and self-legitimating essence of philosophy itself. Reconceived in terms of philosophical decision, the seemingly radical concept of philosophical difference is shown to configure rather the identity of philosophy as such, which thus becomes manifest as a contingent and no longer absolute form of thinking. The way is thereby opened for initiating a new form of thought, anticipated here with the development of a key notion of non-philosophy, the Vision-in-One.
Author: John Ó Maoilearca
Publisher: U of Minnesota Press
ISBN: 1452944814
Category : Philosophy
Languages : en
Pages : 391
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Book Description
All Thoughts Are Equal is both an introduction to the work of French philosopher François Laruelle and an exercise in nonhuman thinking. For Laruelle, standard forms of philosophy continue to dominate our models of what counts as exemplary thought and knowledge. By contrast, what Laruelle calls his “non-standard” approach attempts to bring democracy into thought, because all forms of thinking—including the nonhuman—are equal. John Ó Maoilearca examines how philosophy might appear when viewed with non-philosophical and nonhuman eyes. He does so by refusing to explain Laruelle through orthodox philosophy, opting instead to follow the structure of a film (Lars von Trier’s documentary The Five Obstructions) as an example of the non-standard method. Von Trier’s film is a meditation on the creative limits set by film, both technologically and aesthetically, and how these limits can push our experience of film—and of ourselves—beyond what is normally deemed “the perfect human.” All Thoughts Are Equal adopts film’s constraints in its own experiment by showing how Laruelle’s radically new style of philosophy is best presented through our most nonhuman form of thought—that found in cinema.
Author: François Laruelle
Publisher: U of Minnesota Press
ISBN: 1937561461
Category : Philosophy
Languages : en
Pages : 170
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Book Description
Following the collapse of the communist states it was assumed that Marxist philosophy had collapsed with it. In Introduction to Non-Marxism, François Laruelle aims to recover Marxism along with its failure by asking the question “What is to be done with Marxism itself?” To answer, Laruelle resists the temptation to make Marxism more palatable after the death of metaphysics by transforming Marxism into a mere social science or by simply embracing with evangelical fervor the idea of communism. Instead Laruelle proposes a heretical science of Marxism that will investigate Marxism in both its failure and power so as to fashion new theoretical tools. In the course of engaging with the material of Marxism, Laruelle takes on the philosophy of Marx along with important philosophers who have extended that philosophy including Althusser, Balibar, Negri as well as the attempt at a phenomenological Marxism found in the work of Michel Henry. Through this engagement Laruelle develops with great precision the history and function of his concept of determination-in-the-last-instance. In the midst of the assumed failure of Marxism and the defections and resentment that followed, Laruelle’s non-Marxism responds with the bold declaration: “Do not give up on theory!”
Author: Francois Laruelle
Publisher: MIT Press
ISBN: 0983216959
Category : Philosophy
Languages : en
Pages : 302
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Book Description
A rigorous new thinking of the photograph in its relation to science, philosophy, and art, so as to discover an essence of photography that precedes its historical, technological, and aesthetic conditions. If philosophy has always understood its relation to the world according to the model of the instantaneous flash of a photographic shot, how can there be a “philosophy of photography” that is not viciously self-reflexive? Challenging the assumptions made by any theory of photography that leaves its own “onto-photo-logical” conditions uninterrogated, Laruelle thinks the photograph non-philosophically, so as to discover an essence of photography that precedes its historical, technological and aesthetic conditions. The Concept of Non-Photography develops a rigorous new thinking of the photograph in its relation to science, philosophy, and art, and introduces the reader to all of the key concepts of Laruelle's “non-philosophy.”
Author: Francois Laruelle
Publisher: Bloomsbury Publishing
ISBN: 1441158707
Category : Philosophy
Languages : en
Pages : 289
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Book Description
This compelling and highly original book represents a confrontation between two of the most radical thinkers at work in France today: Alain Badiou and the author, François Laruelle. At face value, the two have much in common: both espouse a position of absolute immanence; both argue that philosophy is conditioned by science; and both command a pluralism of thought. Anti-Badiou relates the parallel stories of Badiou's Maoist 'ontology of the void' and Laruelle's own performative practice of 'non-philosophy' and explains why the two are in fact radically different. Badiou's entire project aims to re-educate philosophy through one science: mathematics. Laruelle carefully examines Badiou's Being and Event and shows how Badiou has created a new aristocracy that crowns his own philosophy as the master of an entire theoretical universe. In turn, Laruelle explains the contrast with his own non-philosophy as a true democracy of thought that breaks philosophy's continual enthrall with mathematics and instead opens up a myriad of 'non-standard' places where thinking can be found and practised.
Author: François Laruelle
Publisher: John Wiley & Sons
ISBN: 0745681913
Category : Philosophy
Languages : en
Pages : 156
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Book Description
In this important new book, the leading philosopher François Laruelle examines the role of intellectuals in our societies today, specifically with regards to criminal justice. He argues that, rather than concerning themselves with abstract philosophical notions like justice, truth and violence, intellectuals should focus on the human victims. Drawing on his influential theory of ‘non-philosophy’, he shows how we can submit the theorizing of intellectuals to the scrutiny of the everyday suffering of the victims of crime. In the course of a wide-ranging discussion with Philippe Petit, Laruelle suspends the presumed authority of intellectuals by challenging the image of the ‘dominant intellectual’ exemplified by philosophers such as Sartre, Foucault, Lyotard and Debray. In place of domination, he puts forward instead a theory of ‘determination’: the determined intellectual is one whose character is conditioned by his relationship to the victim, rather than one who attempts to dominate the victim’s experience through a process of theorizing. While philosophy consistently takes the voice away from victims of suffering, non-philosophy is able to construct a theory of violence and crime that gives voice to the victim. This highly original book will be essential reading for all those interested in contemporary French philosophy and all those concerned with justice in the modern world.
Author: Jonathan Fardy
Publisher: Bloomsbury Publishing
ISBN: 135011474X
Category : Philosophy
Languages : en
Pages : 194
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Book Description
François Laruelle emerged from the hallowed generation of French postwar philosophers that included luminaries such as Jacques Derrida, Gilles Deleuze, Luce Irigaray, and Jean Baudrillard, yet his thinking differs radically from that of his better-known contemporaries. In Laruelle and Art, Jonathan Fardy provides the first academic monograph dedicated solely to Laruelle's unique contribution to aesthetic theory and specifically the 'non-philosophical' project he terms 'non-aesthetics'. This undertaking allows Laruelle to think about art outside the boundaries of standard philosophy, an approach that Fardy explicates through a series of case studies. By analysing the art of figures such as Julia Margaret Cameron, Anish Kapoor, Dan Flavin, and James Turrell as well as the drama of Michael Frayn, Fardy's new book enables new and experienced readers of Laruelle to understand how the philosopher's thinking can open up new vistas of art and criticism.
