L'arte Armonica, Or, A Treatise on the Composition of Musick PDF Download
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Author: Giorgio Antoniotto
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 118
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Book Description
Author: Giorgio Antoniotto
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 118
Get Book Here
Book Description
![L'arte Armonica Or a Treatise on the Composition of Musick, in Three Books; with an Introduction, on the History, and Progress of Musick, from Its Beginning to this Time Written in Italian by Giorgio Antoniotto and Translated Into English. Vol 1. [-2.] PDF](https://books.google.com/books/content/images/frontcover/uZXY9TzILvEC?fife=w80-h100)
Author: Giorgio Antoniotto
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 64
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Author: Sacred Harmonic Society (London, England)
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 158
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Author: Sacred Harmonic Society (London)
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
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Author: Sacred Harmonic Society (London, England). Library
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 348
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Author: Sacred harmonic society
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
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Author: Tim Eggington
Publisher: Boydell & Brewer Ltd
ISBN: 1843839067
Category : History
Languages : en
Pages : 321
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Book Description
This is a book guaranteed to make waves. It skilfully weaves the story of one key musical figure into the story of one key institution, which it then weaves into the general story of music in eighteenth-century England. Anyone reading it will come away with fresh knowledge and perceptions - plus a great urge to hear Cooke's music.' Michael Talbot, Emeritus Professor of Music at the University of Liverpool and Fellow of the British Academy. Amidst the cosmopolitan, fashion obsessed concert life of later eighteenth century London there existed a discrete musical counterculture centred round a club known as the Academy of Ancient Music. Now largely forgotten, this enlightened school of musical thinkers sought to further music by proffering an alternative vision based on a high minded intellectual curiosity. Perceiving only ear-tickling ostentation in the showy styles that delighted London audiences, they aspired to raise the status of music as an art of profound expression, informed by its past and founded on universal harmonic principles. Central to this group of musical thinkers was the modest yet highly accomplished musician-scholar Benjamin Cooke, who both embodied and reflected this counterculture. As organist of Westminster Abbey and conductor of the Academy of Ancient Music for much of the second half of the eighteenth century, Cooke enjoyed prominence in his day as a composer, organist, teacher, and theorist. This book shows how, through his creativity, historicism and theorising, Cooke was instrumental in proffering an Enlightenment-inspired reassessment of musical composition and thinking at the Academy. The picture portrayed counters the current tendency to dismiss eighteenth-century English musicians as conservative and provincial. Casting new and valuable light on English musical history and on Enlightenment culture more generally, this book reveals how the agenda for musical advancement shared by Cooke and his Academy associates foreshadowed key developments that would mould European music of the nineteenth century and after. It includes an extensive bibliography, a detailed overview of the Cooke Collection at the Royal College of Music and a complete list of Cooke's works. TIM EGGINGTON is College Librarian at Queens' College, Cambridge.
Author: George Houle
Publisher: Indiana University Press
ISBN: 9780253213914
Category : Music
Languages : en
Pages : 192
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Book Description
"All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." —Continuo "This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar . . . " —Early Music " . . . the book offers a vast quantity of data from a wide range of sources. . . . George Houle is to be congratulated for his honest presentation of the entire spectrum." —Music Educators Journal The treatment of meter in performance has evolved dramatically since 1600. Here is a practical guide for the performer, with many quotations from early manuals and treatises, and abundant examples.
Author: Thomas Street Christensen
Publisher: Leuven University Press
ISBN: 9058678288
Category : Music
Languages : en
Pages : 137
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Book Description
This volume reflects a multidisciplinary approach, with the accent on the interplay between music performance and music theory. Thomas Christensen, in his contribution, shows how the development of tonal harmonic theory went hand in hand with the practice of thoroughbass. Both Robert Gjerdingen and Giorgio Sanguinetti focus on the Neapolitan tradition of partimento. Gjerdingen addresses the relation between the realization of partimenti and contrapuntal thinking, illustrated by examples of contrapuntal imitation and combination in partimenti, leading to the "partimentofugue." Sanguinetti elaborates on the history of this partimentofugue from the early eighteenth until the late nineteenth century. Rudolf Lutz, finally, presents his use of partimenti in educational practice, giving examples of how reviving this old practice can give new insights to composers, conductors, and musicians.
Author: Calkin and Budd
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
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Book Description
