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Author: Henry Havard
Publisher:
ISBN:
Category :
Languages : en
Pages : 170
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Author: Henry Havard
Publisher:
ISBN:
Category :
Languages : en
Pages : 170
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Book Description
Author: Hyacinthe Ringrose
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 1004
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 140
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Author:
Publisher: Odile Jacob
ISBN: 2738169996
Category :
Languages : en
Pages : 899
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Book Description
![A catalogue of the books in the library of the Royal academy of arts, London. [By H.R. Tedder]. [With suppl. entitled] A catalogue of books added ... between 1877 and 1900. (Roy. acad. of arts). PDF](https://books.google.com/books/content/images/frontcover/cw8IAAAAQAAJ?fife=w80-h100)
Author: Henry Richard Tedder
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
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Author: Alison McQueen
Publisher: Amsterdam University Press
ISBN: 9789053566244
Category : Art
Languages : en
Pages : 392
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Book Description
Rembrandt's life and art had an almost mythic resonance in nineteenth-century France with artists, critics, and collectors alike using his artistic persona both as a benchmark and as justification for their own goals. This first in-depth study of the traditional critical reception of Rembrandt reveals the preoccupation with his perceived "authenticity," "naturalism," and "naiveté," demonstrating how the artist became an ancestral figure, a talisman with whom others aligned themselves to increase the value of their own work. And in a concluding chapter, the author looks at the playRembrandt, staged in Paris in 1898, whose production and advertising are a testament to the enduring power of the artist's myth.
Author: Boston Public Library
Publisher:
ISBN:
Category : Boston (Mass.)
Languages : en
Pages : 420
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Author: Harry John Wilmot-Buxton
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 264
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Author: Princeton University. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 788
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Author: Mary Tompkins Lewis
Publisher: Univ of California Press
ISBN: 052094044X
Category : Art
Languages : en
Pages : 368
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Book Description
The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
