Author: M. Epstein
Publisher: Springer
ISBN: 0230270735
Category : Political Science
Languages : en
Pages : 1512
Book Description
The classic reference work that provides annually updated information on the countries of the world.
The Statesman's Year-Book
Author: M. Epstein
Publisher: Springer
ISBN: 0230270735
Category : Political Science
Languages : en
Pages : 1512
Book Description
The classic reference work that provides annually updated information on the countries of the world.
Publisher: Springer
ISBN: 0230270735
Category : Political Science
Languages : en
Pages : 1512
Book Description
The classic reference work that provides annually updated information on the countries of the world.
The Third Eye
Author: Fatimah Tobing Rony
Publisher: Duke University Press
ISBN: 9780822318408
Category : Performing Arts
Languages : en
Pages : 324
Book Description
Charting the intersection of technology and ideology, cultural production and social science, Fatimah Tobing Rony explores early-twentieth-century representations of non-Western indigenous peoples in films ranging from the documentary to the spectacular to the scientific. Turning the gaze of the ethnographic camera back onto itself, bringing the perspective of a third eye to bear on the invention of the primitive other, Rony reveals the collaboration of anthropology and popular culture in Western constructions of race, gender, nation, and empire. Her work demonstrates the significance of these constructions--and, more generally, of ethnographic cinema--for understanding issues of identity. In films as seemingly dissimilar as Nanook of the North, King Kong, and research footage of West Africans from an 1895 Paris ethnographic exposition, Rony exposes a shared fascination with--and anxiety over--race. She shows how photographic "realism" contributed to popular and scientific notions of evolution, race, and civilization, and how, in turn, anthropology understood and critiqued its own use of photographic technology. Looking beyond negative Western images of the Other, Rony considers performance strategies that disrupt these images--for example, the use of open resistance, recontextualization, and parody in the films of Katherine Dunham and Zora Neale Hurston, or the performances of Josephine Baker. She also draws on the work of contemporary artists such as Lorna Simpson and Victor Masayesva Jr., and writers such as Frantz Fanon and James Baldwin, who unveil the language of racialization in ethnographic cinema. Elegantly written and richly illustrated, innovative in theory and original in method, The Third Eye is a remarkable interdisciplinary contribution to critical thought in film studies, anthropology, cultural studies, art history, postcolonial studies, and women's studies.
Publisher: Duke University Press
ISBN: 9780822318408
Category : Performing Arts
Languages : en
Pages : 324
Book Description
Charting the intersection of technology and ideology, cultural production and social science, Fatimah Tobing Rony explores early-twentieth-century representations of non-Western indigenous peoples in films ranging from the documentary to the spectacular to the scientific. Turning the gaze of the ethnographic camera back onto itself, bringing the perspective of a third eye to bear on the invention of the primitive other, Rony reveals the collaboration of anthropology and popular culture in Western constructions of race, gender, nation, and empire. Her work demonstrates the significance of these constructions--and, more generally, of ethnographic cinema--for understanding issues of identity. In films as seemingly dissimilar as Nanook of the North, King Kong, and research footage of West Africans from an 1895 Paris ethnographic exposition, Rony exposes a shared fascination with--and anxiety over--race. She shows how photographic "realism" contributed to popular and scientific notions of evolution, race, and civilization, and how, in turn, anthropology understood and critiqued its own use of photographic technology. Looking beyond negative Western images of the Other, Rony considers performance strategies that disrupt these images--for example, the use of open resistance, recontextualization, and parody in the films of Katherine Dunham and Zora Neale Hurston, or the performances of Josephine Baker. She also draws on the work of contemporary artists such as Lorna Simpson and Victor Masayesva Jr., and writers such as Frantz Fanon and James Baldwin, who unveil the language of racialization in ethnographic cinema. Elegantly written and richly illustrated, innovative in theory and original in method, The Third Eye is a remarkable interdisciplinary contribution to critical thought in film studies, anthropology, cultural studies, art history, postcolonial studies, and women's studies.
The Word in Arabic
Author: Giuliano Lancioni
Publisher: BRILL
ISBN: 9004201432
Category : Language Arts & Disciplines
Languages : en
Pages : 276
Book Description
This book is the first volume devoted to the issues raised by the definition of ‘word’ in Arabic. Papers include studies on the history of Arabic grammatical and rhetorical traditions, current theoretical and applied linguistics, and language contact.
Publisher: BRILL
ISBN: 9004201432
Category : Language Arts & Disciplines
Languages : en
Pages : 276
Book Description
This book is the first volume devoted to the issues raised by the definition of ‘word’ in Arabic. Papers include studies on the history of Arabic grammatical and rhetorical traditions, current theoretical and applied linguistics, and language contact.
African Art
Author: Maurice Delafosse
Publisher: Parkstone International
ISBN: 1783107863
Category : Art
Languages : en
Pages : 539
Book Description
African Art invites you to explore the dynamic origins of the vast artistic expressions arising from the exotic and mystifying African continent. Since the discovery of African art at the end of the nineteenth century during the colonial expositions it has been a limitless source of inspiration for artists who, over time, have perpetually recreated these artworks. The power of Sub-Saharan African art lies within its visual diversity, demonstrating the creativity of the artists who are continuing to conceptualize new stylistic forms. From Mauritania to South Africa and from the Ivory Coast to Somalia, statues, masks, jewelry, pottery and tapestries compose a variety of daily and ritual objects springing from these richly varied societies.
Publisher: Parkstone International
ISBN: 1783107863
Category : Art
Languages : en
Pages : 539
Book Description
African Art invites you to explore the dynamic origins of the vast artistic expressions arising from the exotic and mystifying African continent. Since the discovery of African art at the end of the nineteenth century during the colonial expositions it has been a limitless source of inspiration for artists who, over time, have perpetually recreated these artworks. The power of Sub-Saharan African art lies within its visual diversity, demonstrating the creativity of the artists who are continuing to conceptualize new stylistic forms. From Mauritania to South Africa and from the Ivory Coast to Somalia, statues, masks, jewelry, pottery and tapestries compose a variety of daily and ritual objects springing from these richly varied societies.
The Arts of Black Africa
Author: Jean Laude
Publisher: Univ of California Press
ISBN: 9780520023581
Category : Art
Languages : en
Pages : 314
Book Description
Publisher: Univ of California Press
ISBN: 9780520023581
Category : Art
Languages : en
Pages : 314
Book Description
Art of the Dogon
Author: Kate Ezra
Publisher: Metropolitan Museum of Art
ISBN: 0810918749
Category : Art
Languages : en
Pages : 118
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0810918749
Category : Art
Languages : en
Pages : 118
Book Description
The Civilizations and Arts of West Africa
Author: Bohumil Holas
Publisher:
ISBN:
Category : Africa, West
Languages : en
Pages : 182
Book Description
Publisher:
ISBN:
Category : Africa, West
Languages : en
Pages : 182
Book Description
In Senghor's Shadow
Author: Elizabeth Harney
Publisher: Duke University Press
ISBN: 0822386054
Category : Art
Languages : en
Pages : 361
Book Description
In Senghor’s Shadow is a unique study of modern art in postindependence Senegal. Elizabeth Harney examines the art that flourished during the administration of Léopold Sédar Senghor, Senegal’s first president, and in the decades since he stepped down in 1980. As a major philosopher and poet of Negritude, Senghor envisioned an active and revolutionary role for modern artists, and he created a well-funded system for nurturing their work. In questioning the canon of art produced under his aegis—known as the Ecole de Dakar—Harney reconsiders Senghor’s Negritude philosophy, his desire to express Senegal’s postcolonial national identity through art, and the system of art schools and exhibits he developed. She expands scholarship on global modernisms by highlighting the distinctive cultural history that shaped Senegalese modernism and the complex and often contradictory choices made by its early artists. Heavily illustrated with nearly one hundred images, including some in color, In Senghor’s Shadow surveys the work of a range of Senegalese artists, including painters, muralists, sculptors, and performance-based groups—from those who worked at the height of Senghor’s patronage system to those who graduated from art school in the early 1990s. Harney reveals how, in the 1970s, avant-gardists contested Negritude beliefs by breaking out of established artistic forms. During the 1980s and 1990s, artists such as Moustapha Dimé, Germaine Anta Gaye, and Kan-Si engaged with avant-garde methods and local artistic forms to challenge both Senghor’s legacy and the broader art world’s understandings of cultural syncretism. Ultimately, Harney’s work illuminates the production and reception of modern Senegalese art within the global arena.
Publisher: Duke University Press
ISBN: 0822386054
Category : Art
Languages : en
Pages : 361
Book Description
In Senghor’s Shadow is a unique study of modern art in postindependence Senegal. Elizabeth Harney examines the art that flourished during the administration of Léopold Sédar Senghor, Senegal’s first president, and in the decades since he stepped down in 1980. As a major philosopher and poet of Negritude, Senghor envisioned an active and revolutionary role for modern artists, and he created a well-funded system for nurturing their work. In questioning the canon of art produced under his aegis—known as the Ecole de Dakar—Harney reconsiders Senghor’s Negritude philosophy, his desire to express Senegal’s postcolonial national identity through art, and the system of art schools and exhibits he developed. She expands scholarship on global modernisms by highlighting the distinctive cultural history that shaped Senegalese modernism and the complex and often contradictory choices made by its early artists. Heavily illustrated with nearly one hundred images, including some in color, In Senghor’s Shadow surveys the work of a range of Senegalese artists, including painters, muralists, sculptors, and performance-based groups—from those who worked at the height of Senghor’s patronage system to those who graduated from art school in the early 1990s. Harney reveals how, in the 1970s, avant-gardists contested Negritude beliefs by breaking out of established artistic forms. During the 1980s and 1990s, artists such as Moustapha Dimé, Germaine Anta Gaye, and Kan-Si engaged with avant-garde methods and local artistic forms to challenge both Senghor’s legacy and the broader art world’s understandings of cultural syncretism. Ultimately, Harney’s work illuminates the production and reception of modern Senegalese art within the global arena.
International Yearbook of Agricultural Legislation
Author:
Publisher:
ISBN:
Category : Agricultural laws and legislation
Languages : en
Pages : 1078
Book Description
Publisher:
ISBN:
Category : Agricultural laws and legislation
Languages : en
Pages : 1078
Book Description
Volume 9: Aesthetics and Philosophy of Art
Author: Guttorm Fløistad
Publisher: Springer Science & Business Media
ISBN: 1402050690
Category : Art
Languages : en
Pages : 412
Book Description
This book continues the series Contemporary Philosophy (International Institute of Philosophy), which surveys significant trends in contemporary philosophy. The new volume on Aesthetics, comprising nineteen surveys, shows the variety of approaches to Aesthetics in various cultures. The close connection between aesthetics and religion and between aesthetics and ethics is emphasized in several contributions.
Publisher: Springer Science & Business Media
ISBN: 1402050690
Category : Art
Languages : en
Pages : 412
Book Description
This book continues the series Contemporary Philosophy (International Institute of Philosophy), which surveys significant trends in contemporary philosophy. The new volume on Aesthetics, comprising nineteen surveys, shows the variety of approaches to Aesthetics in various cultures. The close connection between aesthetics and religion and between aesthetics and ethics is emphasized in several contributions.