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Author: Gladys M. Francis
Publisher: Lexington Books
ISBN: 1498543510
Category : Literary Criticism
Languages : en
Pages : 181
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Book Description
Odious Caribbean Women and the Palpable Aesthetics of Transgression examines the methods through which the works of French Caribbean women resist hedonistic conceptions of pleasure, “art for art’s sake” aestheticism, and commodification through representations of “uglified” spaces, transgressive “deglamorified” women’s bodies in pain and explicit corporeal and sexual behaviors. Gladys M. Francis offers an original approach through her reading together of the literary, visual, and performing arts (as well as traditional Caribbean dance, music, and oral practices) to arrive at a transregional (trans-Caribbean and transatlantic), trans-genre (with regard to forms of text), and transdisciplinary conversation in Francophone studies, postcolonial studies, and cultural studies. This interweaving is illustrated through the artistic engagements of artists such as Ina Césaire, Maryse Condé, Sylvaine Dampierre, Fabienne Kanor, Lénablou, Béatrice Mélina, Gisèle Pineau, Simone Schwarz-Bart, and Miriam Warner-Vieyra. How can we investigate, theoretically or critically, the aesthetically unpleasing found in depictions of odious female protagonists or female performers? What is the aesthetic value of transgressional women’s bodies? This book presents novel tools to understand how these women artists mark and re-instate embodied trauma, survival, and resistance into history. It posits that cultural performances can disrupt a culture-as-text ethnocentrism, for, these works provide the means to expose the tangible aesthetics through which the body becomes an archive that bears the psychological, physical and structural suffering. This project also demonstrates the ways through which the corporeal realm offered by these transgressive works (through explicit female perspectives on sex, love, and gender) challenges our moral sensibilities, works to sabotage the voyeuristic gaze, and stimulates a new methodology for reading the women’s body. It focuses on the complex layers of identity formation and bodily representations with respect to issues of sex, consumerism, commodification, violence, gender and women studies, and ethics and moral issues.
Author: Gladys M. Francis
Publisher: Lexington Books
ISBN: 1498543510
Category : Literary Criticism
Languages : en
Pages : 181
Get Book Here
Book Description
Odious Caribbean Women and the Palpable Aesthetics of Transgression examines the methods through which the works of French Caribbean women resist hedonistic conceptions of pleasure, “art for art’s sake” aestheticism, and commodification through representations of “uglified” spaces, transgressive “deglamorified” women’s bodies in pain and explicit corporeal and sexual behaviors. Gladys M. Francis offers an original approach through her reading together of the literary, visual, and performing arts (as well as traditional Caribbean dance, music, and oral practices) to arrive at a transregional (trans-Caribbean and transatlantic), trans-genre (with regard to forms of text), and transdisciplinary conversation in Francophone studies, postcolonial studies, and cultural studies. This interweaving is illustrated through the artistic engagements of artists such as Ina Césaire, Maryse Condé, Sylvaine Dampierre, Fabienne Kanor, Lénablou, Béatrice Mélina, Gisèle Pineau, Simone Schwarz-Bart, and Miriam Warner-Vieyra. How can we investigate, theoretically or critically, the aesthetically unpleasing found in depictions of odious female protagonists or female performers? What is the aesthetic value of transgressional women’s bodies? This book presents novel tools to understand how these women artists mark and re-instate embodied trauma, survival, and resistance into history. It posits that cultural performances can disrupt a culture-as-text ethnocentrism, for, these works provide the means to expose the tangible aesthetics through which the body becomes an archive that bears the psychological, physical and structural suffering. This project also demonstrates the ways through which the corporeal realm offered by these transgressive works (through explicit female perspectives on sex, love, and gender) challenges our moral sensibilities, works to sabotage the voyeuristic gaze, and stimulates a new methodology for reading the women’s body. It focuses on the complex layers of identity formation and bodily representations with respect to issues of sex, consumerism, commodification, violence, gender and women studies, and ethics and moral issues.
Author: Martin Munro
Publisher: MHRA
ISBN: 9781902653297
Category : Foreign Language Study
Languages : en
Pages : 280
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Book Description
The current drive in Caribbean literary studies stresses similarities and points of convergence between the various islands of the archipelago and their authors, the fundamental aim of which is to move closer to an all-encompassing theory of Caribbeanness. Martin Munro challenges this movement, and through a study of the work of Aime Cesaire and Rene Depestre, proposes an alternative vision of the present and future of Caribbean literature. The main areas of inquiry are: how these two Caribbean writers construct their sense of themselves; how they relate to the Caribbean and to the wider world; and how they have been influenced by the historical and cultural particularities of their respective islands. Aime Cesaire's sense of self and of the Caribbean is essentially shaped around the circuit triangulaire, the model of Africa/Europe/Caribbean interdependencies, ultimately inherited from the time of the slave trade. Munro shows how Cesaire views the Caribbean as a deeply traumatic, insubstantial space; how he looks to Africa for his lost sense of self; and how Europe is seen at once as the malevolent colonial power and also the home of poetry and learning. Rene Depestre's Caribbean 'shape' is quite different: Africa is relatively absent in Depestre's work; Europe is not presented as a threat; and Depestre, unlike Cesaire, sees in the Caribbean an energy and a creativity brought about by the historical fusion of disparate cultures. An important factor in 'shaping' Depestre's model of Caribbeanness is his long exile from Haiti, and Depestre's experience of exile is analysed in detail. The combination of broad contextualization, diverse theoretical approaches, and close analysis of these important writers' work, produces a strong argument against attempts to view and read writing from the Caribbean as one literature. Difference and diversity, it is argued, predominate as Caribbean writing embraces the new century, and the whole notion of Caribbeanness undergoes further processes of highly creative splintering and reshaping.
Author:
Publisher:
ISBN:
Category : Caribbean Area
Languages : en
Pages : 448
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Book Description
Author:
Publisher: Cengage Learning
ISBN: 0357661133
Category :
Languages : en
Pages : 258
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Book Description
Author: Gulf and Caribbean Fisheries Institute
Publisher:
ISBN:
Category : Fisheries
Languages : en
Pages : 776
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Book Description
Author: Michael Harrigan
Publisher: MHRA
ISBN: 1781889015
Category : Social Science
Languages : en
Pages : 281
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Book Description
From the first half of the seventeenth century, missionaries of the Society of Jesus ministered to the free and enslaved populations of the French Caribbean colonies. Amongst their number were Jean Mongin (1637–1698) and Claude Breban (1695–1735), whose letters vividly depict the experience of the evolving colonial world. Writing from Martinique, and Saint Kitts (Saint-Christophe), Mongin describes his attempts to convert Protestants, his ministry to the populations of slaves and their mistreatment by colonists, as well as concerns with unorthodox spiritualities. Breban depicts the rhythms of life in the burgeoning slave colony of Saint-Domingue, with the distinctive cultural and linguistic practices – and cruelty – of its plantation environment. Mongin and Breban’s letters reflect debates about the transatlantic slave trade, and the nature of human difference, and testify to the cultural and social environment of early Creole societies. The letters in this volume are an unrivalled source of information about the lives of enslaved people in the early modern French Caribbean. Transcriptions of manuscripts in French are accompanied by facing-page translations into English and notes.
Author:
Publisher:
ISBN:
Category : Caribbean Area
Languages : en
Pages : 662
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Author:
Publisher:
ISBN:
Category : Blacks
Languages : en
Pages : 122
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Book Description
Author: Charlotte Hammond
Publisher: Liverpool University Press
ISBN: 1786949466
Category : Social Science
Languages : en
Pages : 272
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Book Description
Entangled Otherness explores the dynamics of cross-dressing and gender performance in contemporary Francophone Caribbean cultures. Through examination of archival texts, artistic works and oral histories the author reveals how strategies of crossing, mimicry and masquerade have enabled resistance to the racialised, gendered and patriarchal classifications of bodies that characterized Enlightenment thought during the French transatlantic slave trade.
Author: Renée Larrier
Publisher: Lexington Books
ISBN: 1498501648
Category : Literary Criticism
Languages : en
Pages : 427
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Book Description
Writing Through the Visual and Virtual: Inscribing Language, Literature, and Culture in Francophone Africa and the Caribbean interrogates conventional notions of writing. The contributors—whose disciplines include anthropology, art history, education, film, history, linguistics, literature, performance studies, philosophy, sociology, translation, and visual arts—examine the complex interplay between language/literature/arts and the visual and virtual domains of expressive culture. The twenty-five essays explore various patterns of writing practices arising from contemporary and historical forces that have impacted the literatures and cultures of Benin, Cameroon, Côte d’Ivoire, Egypt, Guadeloupe, Haiti, Martinique, Morocco, Niger, Reunion Island, and Senegal. Special attention is paid to how scripts, though appearing to be merely decorative in function, are often used by artists and performers in the production of material and non-material culture to tell “stories” of great significance, co-mingling words and images in a way that leads to a creative synthesis that links the local and the global, the “classical” and the “popular” in new ways
