Author: Rebecca Yue
Publisher: Batsford
ISBN: 9780713490473
Category : Art
Languages : en
Pages : 184
Book Description
'Chinese Landscapes Made Easy' shows you how to paint stunning landscapes in the classic Chinese style with a core material list of just six essential Chinese brushes. Starting with how to hold and control a Chinese brush, the author builds your confidence by demonstrating simple techniques on paper, before tackling more complex marks in conjunction with a series of painting ‘lessons’, each dedicated to a different key element of Chinese landscape painting. The projects section takes you through all the step-by-step techniques in order to complete your very own works of art. Each project has a colour palette and information on brushes to use, so you can be fully prepared. Master just two simple brushstrokes – ‘dots’ and ‘long dots’ – and you will be able to paint a simple waterfall. With more practice you can progress to more advanced strokes that enable you to depict subtle light reflections on land. With clear illustrations on key hand movements and easy-to-follow techniques, "Chinese Landscapes Made Easy" guides you all the way to mastering this beautiful form of landscape painting.
Chinese Landscapes Made Easy
Author: Rebecca Yue
Publisher: Batsford
ISBN: 9780713490473
Category : Art
Languages : en
Pages : 184
Book Description
'Chinese Landscapes Made Easy' shows you how to paint stunning landscapes in the classic Chinese style with a core material list of just six essential Chinese brushes. Starting with how to hold and control a Chinese brush, the author builds your confidence by demonstrating simple techniques on paper, before tackling more complex marks in conjunction with a series of painting ‘lessons’, each dedicated to a different key element of Chinese landscape painting. The projects section takes you through all the step-by-step techniques in order to complete your very own works of art. Each project has a colour palette and information on brushes to use, so you can be fully prepared. Master just two simple brushstrokes – ‘dots’ and ‘long dots’ – and you will be able to paint a simple waterfall. With more practice you can progress to more advanced strokes that enable you to depict subtle light reflections on land. With clear illustrations on key hand movements and easy-to-follow techniques, "Chinese Landscapes Made Easy" guides you all the way to mastering this beautiful form of landscape painting.
Publisher: Batsford
ISBN: 9780713490473
Category : Art
Languages : en
Pages : 184
Book Description
'Chinese Landscapes Made Easy' shows you how to paint stunning landscapes in the classic Chinese style with a core material list of just six essential Chinese brushes. Starting with how to hold and control a Chinese brush, the author builds your confidence by demonstrating simple techniques on paper, before tackling more complex marks in conjunction with a series of painting ‘lessons’, each dedicated to a different key element of Chinese landscape painting. The projects section takes you through all the step-by-step techniques in order to complete your very own works of art. Each project has a colour palette and information on brushes to use, so you can be fully prepared. Master just two simple brushstrokes – ‘dots’ and ‘long dots’ – and you will be able to paint a simple waterfall. With more practice you can progress to more advanced strokes that enable you to depict subtle light reflections on land. With clear illustrations on key hand movements and easy-to-follow techniques, "Chinese Landscapes Made Easy" guides you all the way to mastering this beautiful form of landscape painting.
Chinese Watercolor Techniques - Painting Animals
Author: Lian Quan Zhen
Publisher: North Light Books
ISBN: 9781581805109
Category : Art
Languages : en
Pages : 128
Book Description
Capture the essence of animals like never before! Using Chinese and watercolor techniques and materials, you can create animals with elegance and grace. Let award-winning artist Lian Quan Zhan show you how with his clear and basic step-by-step instructions. Artists at all levels will benefit from Lian's deep understanding of both art forms. He guides you through the process by beginning with the basic properties of Chinese materials such as rice paper and ink, and leading to more advanced techniques such as loading a brush with multiple colors. He also teaches watercolor pouring techniques so you can create vibrant animals and beautiful backgrounds. So much of Chinese painting stems from observation and interpretation of nature. Apply these principles by painting cats, birds, tigers, and many other animals in seventeen step-by-step demonstrations. Find your inspiration within the animals of this book, and breathe the spirit of the East and West into your own art.
Publisher: North Light Books
ISBN: 9781581805109
Category : Art
Languages : en
Pages : 128
Book Description
Capture the essence of animals like never before! Using Chinese and watercolor techniques and materials, you can create animals with elegance and grace. Let award-winning artist Lian Quan Zhan show you how with his clear and basic step-by-step instructions. Artists at all levels will benefit from Lian's deep understanding of both art forms. He guides you through the process by beginning with the basic properties of Chinese materials such as rice paper and ink, and leading to more advanced techniques such as loading a brush with multiple colors. He also teaches watercolor pouring techniques so you can create vibrant animals and beautiful backgrounds. So much of Chinese painting stems from observation and interpretation of nature. Apply these principles by painting cats, birds, tigers, and many other animals in seventeen step-by-step demonstrations. Find your inspiration within the animals of this book, and breathe the spirit of the East and West into your own art.
Entangled Landscapes
Author: Yue Zhuang
Publisher: NUS Press
ISBN: 9814722588
Category : Art
Languages : en
Pages : 342
Book Description
The exchange of landscape practice between China and Europe from 1500–1800 is an important chapter in art history. While the material forms of the outcome of this exchange, like jardin anglo-chinoisand Européenerie are well documented, this book moves further to examine the role of the exchange in identity formation in early modern China and Europe. Proposing the new paradigm of “entangled landscapes”, drawing from the concept of “entangled histories”, this book looks at landscape design, cartography, literature, philosophy and material culture of the period. Challenging simplistic, binary treatments of the movements of “influences” between China and Europe, Entangled Landscapes reveals how landscape exchanges entailed complex processes of appropriation, crossover and transformation, through which Chinese and European identities were formed. Exploring these complex processes via three themes—empire building, mediators’ constraints, and aesthetic negotiations, this work breaks new ground in landscape and East-West studies. Interdisciplinary and revisionist in its thrust, it will also benefit scholars of history, human geography and postcolonial studies.
Publisher: NUS Press
ISBN: 9814722588
Category : Art
Languages : en
Pages : 342
Book Description
The exchange of landscape practice between China and Europe from 1500–1800 is an important chapter in art history. While the material forms of the outcome of this exchange, like jardin anglo-chinoisand Européenerie are well documented, this book moves further to examine the role of the exchange in identity formation in early modern China and Europe. Proposing the new paradigm of “entangled landscapes”, drawing from the concept of “entangled histories”, this book looks at landscape design, cartography, literature, philosophy and material culture of the period. Challenging simplistic, binary treatments of the movements of “influences” between China and Europe, Entangled Landscapes reveals how landscape exchanges entailed complex processes of appropriation, crossover and transformation, through which Chinese and European identities were formed. Exploring these complex processes via three themes—empire building, mediators’ constraints, and aesthetic negotiations, this work breaks new ground in landscape and East-West studies. Interdisciplinary and revisionist in its thrust, it will also benefit scholars of history, human geography and postcolonial studies.
Landscapes of the Chinese Soul
Author: Tomas Plaenkers
Publisher: Routledge
ISBN: 0429915551
Category : Psychology
Languages : en
Pages : 302
Book Description
This book documents the research project on the trauma of the Cultural Revolution in China and its intergenerational effects. It allows the reader to view the trauma through the perspective of 2,500 years of Chinese thought, and in the light of Chinese social history and governmental policy.
Publisher: Routledge
ISBN: 0429915551
Category : Psychology
Languages : en
Pages : 302
Book Description
This book documents the research project on the trauma of the Cultural Revolution in China and its intergenerational effects. It allows the reader to view the trauma through the perspective of 2,500 years of Chinese thought, and in the light of Chinese social history and governmental policy.
Chinese Ways of Seeing and Open-Air Painting
Author: Yi Gu
Publisher: BRILL
ISBN: 1684176131
Category : Art
Languages : en
Pages : 336
Book Description
"How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China? Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there."
Publisher: BRILL
ISBN: 1684176131
Category : Art
Languages : en
Pages : 336
Book Description
"How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China? Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there."
Chinese Landscape Painting as Western Art History
Author: James Elkins
Publisher: Hong Kong University Press
ISBN: 9622090001
Category : Art
Languages : en
Pages : 208
Book Description
This is a provocative essay of reflections on traditional mainstream scholarship on Chinese art as done by towering figures in the field such as James Cahill and Wen Fong. James Elkins offers an engaging and accessible survey of his personal journey encountering and interpreting Chinese art through Western scholars' writings. He argues that the search for optimal comparisons is itself a modern, Western interest, and that art history as a discipline is inherently Western in several identifiable senses. Although he concentrates on art history in this book, and on Chinese painting in particular, these issues bear implications for Sinology in general, and for wider questions about humanistic inquiry and historical writing. Jennifer Purtle's Foreword provides a useful counterpoint from the perspective of a Chinese art specialist, anticipating and responding to other specialists’ likely reactions to Elkins's hypotheses.
Publisher: Hong Kong University Press
ISBN: 9622090001
Category : Art
Languages : en
Pages : 208
Book Description
This is a provocative essay of reflections on traditional mainstream scholarship on Chinese art as done by towering figures in the field such as James Cahill and Wen Fong. James Elkins offers an engaging and accessible survey of his personal journey encountering and interpreting Chinese art through Western scholars' writings. He argues that the search for optimal comparisons is itself a modern, Western interest, and that art history as a discipline is inherently Western in several identifiable senses. Although he concentrates on art history in this book, and on Chinese painting in particular, these issues bear implications for Sinology in general, and for wider questions about humanistic inquiry and historical writing. Jennifer Purtle's Foreword provides a useful counterpoint from the perspective of a Chinese art specialist, anticipating and responding to other specialists’ likely reactions to Elkins's hypotheses.
Longing for Nature: Reading Landscapes in Chinese Art
Author: Kim Karlsson
Publisher: Hatje Cantz Verlag
ISBN: 9783775746700
Category : Art, Chinese
Languages : en
Pages : 256
Book Description
The secret language of Chinese landscape painting A genre dating back more than 1,000 years, China's landscape painting tradition reflects all of its cultural and intellectual history, and its representational language famously follows its own rules. What at first glance seem to be idyllic ink-wash pictures actually depict far more than romantic landscapes. Through subtle allusions and references, Chinese landscape painters were able to convey a whole range of messages, from social positions to political opposition, all the way to philosophical observations and very personal feelings. This splendid illustrated volume unlocks these codes and juxtaposes important historical works with landscape paintings by internationally renowned modern and contemporary artists. The dialogue between past and present reveals surprising links, but also ruptures and conflicts.
Publisher: Hatje Cantz Verlag
ISBN: 9783775746700
Category : Art, Chinese
Languages : en
Pages : 256
Book Description
The secret language of Chinese landscape painting A genre dating back more than 1,000 years, China's landscape painting tradition reflects all of its cultural and intellectual history, and its representational language famously follows its own rules. What at first glance seem to be idyllic ink-wash pictures actually depict far more than romantic landscapes. Through subtle allusions and references, Chinese landscape painters were able to convey a whole range of messages, from social positions to political opposition, all the way to philosophical observations and very personal feelings. This splendid illustrated volume unlocks these codes and juxtaposes important historical works with landscape paintings by internationally renowned modern and contemporary artists. The dialogue between past and present reveals surprising links, but also ruptures and conflicts.
Literati Lenses
Author: Mia Yinxing Liu
Publisher: University of Hawaii Press
ISBN: 0824859839
Category : Performing Arts
Languages : en
Pages : 262
Book Description
Chinese cinema has a long history of engagement with China’s art traditions, and literati (wenren) landscape painting has been an enduring source of inspiration. Literati Lenses explores this interplay during the Mao era, a time when cinema, at the forefront of ideological campaigns and purges, was held to strict political guidelines. Through four films—Li Shizhen (1956), Stage Sisters (1964), Early Spring in February (1963), and Legend of Tianyun Mountain (1979)—Mia Liu reveals how landscape offered an alternative text that could operate beyond political constraints and provide a portal for smuggling interesting discourses into the film. While allusions to pictorial traditions associated with a bygone era inevitably took on different meanings in the context of Mao-era cinema, cinematic engagement with literati landscape endowed films with creative and critical space as well as political poignancy. Liu not only identifies how the conventions and aesthetics of traditional literati landscape art were reinvented and mediated on multiple levels in cinema, but also explores how post-1949 Chinese filmmakers configured themselves as modern intellectuals in the spaces forged among the vestiges of the old. In the process, she deepens her analysis, suggesting that landscape be seen as an allegory of human life, a mirror of the age, and a commentary on national affairs.
Publisher: University of Hawaii Press
ISBN: 0824859839
Category : Performing Arts
Languages : en
Pages : 262
Book Description
Chinese cinema has a long history of engagement with China’s art traditions, and literati (wenren) landscape painting has been an enduring source of inspiration. Literati Lenses explores this interplay during the Mao era, a time when cinema, at the forefront of ideological campaigns and purges, was held to strict political guidelines. Through four films—Li Shizhen (1956), Stage Sisters (1964), Early Spring in February (1963), and Legend of Tianyun Mountain (1979)—Mia Liu reveals how landscape offered an alternative text that could operate beyond political constraints and provide a portal for smuggling interesting discourses into the film. While allusions to pictorial traditions associated with a bygone era inevitably took on different meanings in the context of Mao-era cinema, cinematic engagement with literati landscape endowed films with creative and critical space as well as political poignancy. Liu not only identifies how the conventions and aesthetics of traditional literati landscape art were reinvented and mediated on multiple levels in cinema, but also explores how post-1949 Chinese filmmakers configured themselves as modern intellectuals in the spaces forged among the vestiges of the old. In the process, she deepens her analysis, suggesting that landscape be seen as an allegory of human life, a mirror of the age, and a commentary on national affairs.
Landscape Design in Chinese Gardens
Author: Frances Ya-sing Tsu
Publisher: McGraw-Hill Companies
ISBN:
Category : Architecture
Languages : en
Pages : 262
Book Description
Very Good,No Highlights or Markup,all pages are intact.
Publisher: McGraw-Hill Companies
ISBN:
Category : Architecture
Languages : en
Pages : 262
Book Description
Very Good,No Highlights or Markup,all pages are intact.
靈山 : 上海博物館藏中國明清山水畫
Author: 柳揚
Publisher: Art Gallery of New South Wales
ISBN:
Category : Art
Languages : zh-TW
Pages : 228
Book Description
Publisher: Art Gallery of New South Wales
ISBN:
Category : Art
Languages : zh-TW
Pages : 228
Book Description