Author: Boudewijn Bakker
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409404866
Category : Art
Languages : en
Pages : 398
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Book Description
Exploring the thought of historical figures seldom consulted by art historians - including Dionysius the Carthusian, John Calvin and Constantijn Huygens - Boudewijn, Bakker sheds new light on the history and significance of landscape in Netherlandish painting. Through his analysis of these writers' conceptions of landscape, Bakker identifies an unexpected dimension of landscape art, one which has its roots in late medieval perceptions of God and creation.
Author: Boudewijn Bakker
Publisher: Routledge
ISBN: 135156112X
Category : Art
Languages : en
Pages : 949
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Book Description
Offering a corrective to the common scholarly characterization of seventeenth-century Dutch landscape painting as modern, realistic and secularized, Boudewijn Bakker here explores the long history and purpose of landscape in Netherlandish painting. In Bakker's view, early Netherlandish as well as seventeenth-century Dutch painting can be understood only in the context of the intellectual climate of the day. Concentrating on landscape painting as the careful depiction of the visible world, Bakker's analysis takes in the thought of figures seldom consulted by traditional art historians, such as the fifteenth-century philosopher Dionysius the Carthusian, the sixteenth-century religious reformer John Calvin, the geographer Abraham Ortelius and the seventeenth-century poet Constantijn Huygens. Probing their conception of nature as 'the first Book of God' and art as its representation, Bakker identifies a world view that has its roots in the traditional Christian perceptions of God and creation. Landscape and Religion from Van Eyck to Rembrandt imposes a new layer of interpretation on the richly varied landscapes of the great masters. In so doing it adds a new dimension to the insights offered by modern art-historical research. Further, Bakker's explorations of early modern art and literature provide essential background for any student of European intellectual history.
Author: Stijn Bussels
Publisher: Taylor & Francis
ISBN: 1003803490
Category : Art
Languages : en
Pages : 256
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Book Description
Contrary to what Kant believed about the Dutch (and their visual culture) as “being of an orderly and diligent position” and thus having no feeling for the sublime, this book argues that the sublime played an important role in seventeenth-century Dutch visual culture. By looking at different visualizations of exceptional heights, divine presence, political grandeur, extreme violence, and extraordinary artifacts, the authors demonstrate how viewers were confronted with the sublime, which evoked in them a combination of contrasting feelings of awe and fear, attraction and repulsion. In studying seventeenth-century Dutch visual culture through the lens of notions of the sublime, we can move beyond the traditional and still widespread views on Dutch art as the ultimate representation of everyday life and the expression of a prosperous society in terms of calmness, neatness, and order. The book will be of interest to scholars working in art history, visual culture, architectural history, and cultural history.
Author: Daniel Ray
Publisher: Harvest House Publishers
ISBN: 0736977376
Category : Religion
Languages : en
Pages : 264
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Book Description
Unraveling the Mysteries of the Universe What do you see when you gaze at the night sky? Do you contemplate the stars as the random result of an evolutionary process? Or do you marvel over them as a testament of the Creator’s glory? Modern science has popularized a view of the cosmos that suggests there is no need for God and denies any evidence of His existence. But The Story of the Cosmos provides a different—and fascinating—perspective. It points to a God who makes Himself known in the wonder and beauty of His creation. This compilation from respected scholars and experts spans topics from “The Mathematical Creation and the Image of God” to “The Glorious Dance of Binary Stars” and “God’s Invisible Attributes—Black Holes.” Contributors include Dr. William Lane Craig, Dr. Guillermo Gonzalez, Dr. Melissa Cain Travis, and Dr. Michael Ward. Come, take a deeper look at the universe…and explore the traces of God’s glory in the latest discoveries of astronomy, science, literature, and art.
Author: Wayne Franits
Publisher: Routledge
ISBN: 1351546228
Category : Art
Languages : en
Pages : 499
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Book Description
Despite the tremendous number of studies produced annually in the field of Dutch art over the last 30 years or so, and the strong contemporary market for works by Dutch masters of the period as well as the public's ongoing fascination with some of its most beloved painters, until now there has been no comprehensive study assessing the state of research in the field. As the first study of its kind, this book is a useful resource for scholars and advanced students of seventeenth-century Dutch art, and also serves as a springboard for further research. Its 19 chapters, divided into three sections and written by a team of internationally renowned art historians, address a wide variety of topics, ranging from those that might be considered "traditional" to others that have only drawn scholarly attention comparatively recently.
Author: Karl A.E. Enenkel
Publisher: BRILL
ISBN: 9004440402
Category : Art
Languages : en
Pages : 613
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Book Description
This volume examines the image-based methods of interpretation that pictorial and literary landscapists employed between 1500 and 1700.
Author: Walter S. Melion
Publisher: BRILL
ISBN: 9004523073
Category : History
Languages : en
Pages : 589
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Book Description
Winner of the 2023 Roland H. Bainton Prize for Art History Written by the poet-painter Karel van Mander, who finished it in June 1603, the Grondt der edel, vry schilderconst (Foundation of the Noble, Free Art of Painting) was the first systematic treatise on schilderconst (the art of painting / picturing) to be published in Dutch (Haarlem: Paschier van Wes[t]busch, 1604). This English-language edition of the Grondt, accompanied by an introductory monograph and a full critical apparatus, provides unprecedented access to Van Mander’s crucially important art treatise. The book sheds light on key terms and critical categories such as schilder, manier, uyt zijn selven doen, welstandt, leven and gheest, and wel schilderen, and both exemplifies and explicates the author’s distinctive views on the complementary forms and functions of history and landscape.
Author: William A. Dyrness
Publisher: Cambridge University Press
ISBN: 1108493351
Category : Art
Languages : en
Pages : 245
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Book Description
The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.
Author: Stijn Bussels
Publisher: BRILL
ISBN: 9004682643
Category : History
Languages : en
Pages : 541
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Book Description
This volume contains twenty-four essays, which, in their subjects and methodology, pay tribute to the scholarship of Walter S. Melion. The contributions are grouped under three categories: “Devotion,” “Art and Image Theory,” and “Vision and Contemplation.” The Devotion section addresses votive practices, theological theory and polemic literature. The Art and Image Theory section focuses on Jesuit image theory, the reflexive dimension of works, and artists’ reflections on the function of images. Finally, the Vision and Contemplation section discusses the ‘early modern eye’ as a tool for thoughtful, prolonged looking to ascertain visual wit, deception, self-assessment and friendship, sacred and profane allegories.
Author: Eleanor Chan
Publisher: Routledge
ISBN: 1000461807
Category : History
Languages : en
Pages : 285
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Book Description
The development of a coherent, cohesive visual system of mathematics brought about a seminal shift in approaches towards abstract thinking in western Europe. Vernacular translations of Euclid’s Elements made these new and developing approaches available to a far broader readership than had previously been possible. Scholarship has explored the way that the language of mathematics leaked into the literary cultures of England and the Low Countries, but until now the role of visual metaphors of making and shaping in the establishment of mathematics as a practical tool has gone unexplored. Mathematics and the Craft of Thought sheds light on the remarkable culture shift surrounding the vernacular language translations of Euclid, and the geometrical imaginary that they sought to create. It shows how the visual language of early modern European geometry was constructed by borrowing and quoting from contemporary visual culture. The verbal and visual language of this form of mathematics, far from being simply immaterial, was designed to tantalize with material connotations. This book argues that, in a very real sense, practical geometry in this period was built out of craft metaphors.
