Transatlantic Passages

Transatlantic Passages PDF Author: Miléna Santoro
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773537872
Category : History
Languages : en
Pages : 361

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Book Description
An interdisciplinary, literary, critical, and creative anthology that explores cultural connections between Quebec and francophone Europe.

Transatlantic Passages

Transatlantic Passages PDF Author: Miléna Santoro
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773537872
Category : History
Languages : en
Pages : 361

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Book Description
An interdisciplinary, literary, critical, and creative anthology that explores cultural connections between Quebec and francophone Europe.

Bulletins Et Mémoires de la Société Médicale Des Hôpitaux de Paris

Bulletins Et Mémoires de la Société Médicale Des Hôpitaux de Paris PDF Author:
Publisher:
ISBN:
Category : Internal medicine
Languages : en
Pages : 1324

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Book Description


Memory, Humanity, and Meaning

Memory, Humanity, and Meaning PDF Author: Mihail Neamțu
Publisher: Zeta Books
ISBN: 9731997261
Category : Aesthetics
Languages : en
Pages : 556

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Book Description


The academic French course

The academic French course PDF Author: Antoine Jules César Venceslas Ermanigilde Muzzarelli
Publisher:
ISBN:
Category :
Languages : en
Pages : 320

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Book Description


The New Rhetoric

The New Rhetoric PDF Author: Chaïm Perelman
Publisher: University of Notre Dame Pess
ISBN: 0268175098
Category : Philosophy
Languages : en
Pages : 652

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Book Description
The New Rhetoric is founded on the idea that since “argumentation aims at securing the adherence of those to whom it is addressed, it is, in its entirety, relative to the audience to be influenced,” says Chaïm Perelman and L. Olbrechts-Tyteca, and they rely, in particular, for their theory of argumentation on the twin concepts of universal and particular audiences: while every argument is directed to a specific individual or group, the orator decides what information and what approaches will achieve the greatest adherence according to an ideal audience. This ideal, Perelman explains, can be embodied, for example, "in God, in all reasonable and competent men, in the man deliberating or in an elite.” Like particular audiences, then, the universal audience is never fixed or absolute but depends on the orator, the content and goals of the argument, and the particular audience to whom the argument is addressed. These considerations determine what information constitutes "facts" and "reasonableness" and thus help to determine the universal audience that, in turn, shapes the orator's approach. The adherence of an audience is also determined by the orator's use of values, a further key concept of the New Rhetoric. Perelman's treatment of value and his view of epideictic rhetoric sets his approach apart from that of the ancients and of Aristotle in particular. Aristotle's division of rhetoric into three genres–forensic, deliberative, and epideictic–is largely motivated by the judgments required for each: forensic or legal arguments require verdicts on past action, deliberative or political rhetoric seeks judgment on future action, and epideictic or ceremonial rhetoric concerns values associated with praise or blame and seeks no specific decisions. For Aristotle, the epideictic genre was of limited importance in the civic realm since it did not concern facts or policies. Perelman, in contrast, believes not only that epideictic rhetoric warrants more attention, but that the values normally limited to that genre are in fact central to all argumentation. "Epideictic oratory," Perelman argues, "has significant and important argumentation for strengthening the disposition toward action by increasing adherence to the values it lauds.” These values are central to the persuasiveness of arguments in all rhetorical genres since the orator always attempts to "establish a sense of communion centered around particular values recognized by the audience.”

The Exile and Return of Writers from East-Central Europe

The Exile and Return of Writers from East-Central Europe PDF Author: John Neubauer
Publisher: Walter de Gruyter
ISBN: 3110217732
Category : Biography & Autobiography
Languages : en
Pages : 641

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Book Description
This is the first comparative study of literature written by writers who fled from East-Central Europe during the twentieth century. It includes not only interpretations of individual lives and literary works, but also studies of the most important literary journals, publishers, radio programs, and other aspects of exile literary cultures. The theoretical part of introduction distinguishes between exiles, émigrés, and expatriates, while the historical part surveys the pre-twentieth-century exile traditions and provides an overview of the exilic events between 1919 and 1995; one section is devoted to exile cultures in Paris, London, and New York, as well as in Moscow, Madrid, Toronto, Buenos Aires and other cities. The studies focus on the factional divisions within each national exile culture and on the relationship between the various exiled national cultures among each other. They also investigate the relation of each exile national culture to the culture of its host country. Individual essays are devoted to Witold Gombrowicz, Paul Goma, Milan Kundera, Monica Lovincescu, Milos Crnjanski, Herta Müller, and to the "internal exile" of Imre Kertész. Special attention is devoted to the new forms of exile that emerged during the ex-Yugoslav wars, and to the problems of "homecoming" of exiled texts and writers.

Not Really what You'd Call a War

Not Really what You'd Call a War PDF Author: Norman Hampson
Publisher: Dundurn
ISBN: 9781870325387
Category : History
Languages : en
Pages : 154

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Book Description
Dedicated to the ship's company of La Moqueuse, this book is not so much an account of naval operations as a kind of social history. With the help of recollections, diaries and letters home, the author recreates the reactions of an undergraduate to his various reincarnations as an ordinary seaman in a corvette, the most junior officer on board a destroyer and the British naval liaison officer in a Free French sloop. It has a good deal to say about the peculiar and eccentric character of life on board a Free French ship. Roughly half of the book deals with the very special atmosphere in the Free French forces and the complex situation in southern France immediately after its liberation in August, 1944. The volume as a whole provides a vivid impression - occasionally reminiscent of Catch 22 - of what it actually felt like to be involved in the day-to-day experience of helping to make a warship work.

Girls Closed in

Girls Closed in PDF Author: France Théoret
Publisher: Guernica Editions
ISBN: 9781550712063
Category : Fiction
Languages : en
Pages : 124

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Book Description
In this novel from a Quebecois feminist writer, a shy sixteen-year-old falls in love with a classmate while attending a Catholic boarding school for prospective schoolteachers. When the fantasized relationship fails she takes superficial refuge with a group of girls recognizing her own loneliness and that of the group.

The Complete Index to Literary Sources in Film

The Complete Index to Literary Sources in Film PDF Author: Alan Goble
Publisher: Walter de Gruyter
ISBN: 3110951940
Category : Literary Criticism
Languages : en
Pages : 1044

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Book Description


The A to Z of French Cinema

The A to Z of French Cinema PDF Author: Dayna Oscherwitz
Publisher: Scarecrow Press
ISBN: 081087038X
Category : Performing Arts
Languages : en
Pages : 506

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Book Description
It can be argued that cinema was created in France by Louis Lumi_re in 1895 with the invention of the cinZmatographe, the first true motion-picture camera and projector. While there were other cameras and devices invented earlier that were capable of projecting intermittent motion of images, the cinZmatographe was the first device capable of recording and externally projecting images in such a way as to convey motion. Early films such as Lumi_re's La Sortie de l'usine, a minute-long film of workers leaving the Lumi_re factory, captured the imagination of the nation and quickly inspired the likes of Georges MZli_s, Alice Guy, and Charles PathZ. Through the years, French cinema has been responsible for producing some of the world's best directors_Jean Renoir, Jean-Luc Godard, Fran_ois Truffaut, and Louis Malle_and actors_Charles Boyer, Catherine Deneuve, GZrard Depardieu, and Audrey Tautou. The A to Z of French Cinema covers the history of French film from the silent era to the present in a concise and up to date volume detailing the development of French cinema and major theoretical and cultural issues related to it. This is done through a chronology, an introduction, photographs, a bibliography, and hundreds of cross-referenced dictionary entries on many of the major actors, directors, films, movements, producers, and studios associated with French cinema. Going beyond mere biographical information, entries also discuss the impact and significance of each individual, film, movement, or studio included. This detailed, scholarly analysis of the development of film in France is useful to both the novice and the expert alike.