Author: Pisan school
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Languages : it
Pages : 0
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La Vierge et l'Enfant. Groupe en marbre. (Scuola pisana). XVe siècle. Haut. M. 0.65
Author: Pisan school
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Languages : it
Pages : 0
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Publisher:
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GROUPE EN MARBRE BLANC, représentant la Vierge et l'Enfant Jésus. Sculpture du XIV siècle
Author: Anonymous
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Languages : it
Pages : 0
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Publisher:
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La Vierge et l'Enfant Jésus. Beau groupe en marbre blanc de Volterra. Reproduction ancienne d'une sculpture d'un artiste florentin de la fin du XIVe siècle. Base octogonale avec moulures, portant sur la façade des armoiries surmontées d'une couronne. Ornements dorés et traces de couleurs. Haut. avec la base m. 0.82
Author: Anonymous
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Languages : it
Pages : 0
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Publisher:
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La Vierge et l'enfant Jésus, groupe en bronze doré: XVIIe siècle. Haut. 14 cent
Author: Anonymous
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Languages : it
Pages : 0
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Marbre blanc. Bas-relief représentant la Vierge vue à mi-corps, tenant l'Enfant Jésus debout prés d'elle. Dans le bas, groupe de trois têtes de chérubins. Sculpture florentine du XVI siècle. Haut. 32 cent.; larg. 20 cent
Author: Anonymous
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La Vierge et l'Enfant, bas-relìef circulaire en marbre blanc, XVI siècle
Author: Anonymous
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Pages : 0
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La Vierge et l'Enfant Jésus. Très beau groupe en bronze attribué au célèbre Algardi. Socle en marbre blanc. Haut. du groupe m. 0.49
Author: Alessandro Algardi
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Languages : it
Pages : 0
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La Vierge assise tenant l'Enfant Jésus. Groupe en bois peint. XVe siècle. Haut. 1,30. Voir planche CXXIX.
Author: Anonymous
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Museum Culture
Author: Daniel J. Sherman
Publisher:
ISBN: 9780816619511
Category : Art
Languages : en
Pages : 326
Book Description
Museums display much more than artifacts; Museum Culture makes us on a tour through the complex of ideas, values and symbols that pervade and shape the practice of exhibiting today. Bringing together a broad range of perspectives from history, art history, critical theory and sociology, the contributors to this new collection argue that museums have become a central institution and metaphor in contemporary society. Discussing exhibition histories and practice in Western Europe, the former Soviet Union, Israel and the United States, the authors explore the ways in which museums assign meaning to art through various kinds of exhibitions and display strategies, examining the political implications of these strategies and the forms of knowledge they invoke and construct. The collection also discusses alternative exhibition forms, the involvement of some museums with the more spectacular practices of mass media culture, and looks at how museums construct their public.
Publisher:
ISBN: 9780816619511
Category : Art
Languages : en
Pages : 326
Book Description
Museums display much more than artifacts; Museum Culture makes us on a tour through the complex of ideas, values and symbols that pervade and shape the practice of exhibiting today. Bringing together a broad range of perspectives from history, art history, critical theory and sociology, the contributors to this new collection argue that museums have become a central institution and metaphor in contemporary society. Discussing exhibition histories and practice in Western Europe, the former Soviet Union, Israel and the United States, the authors explore the ways in which museums assign meaning to art through various kinds of exhibitions and display strategies, examining the political implications of these strategies and the forms of knowledge they invoke and construct. The collection also discusses alternative exhibition forms, the involvement of some museums with the more spectacular practices of mass media culture, and looks at how museums construct their public.
The Pope's Body
Author: Agostino Paravicini-Bagliani
Publisher: University of Chicago Press
ISBN: 9780226034379
Category : History
Languages : en
Pages : 448
Book Description
In contrast to the role traditionally fulfilled by secular rulers, the pope has been perceived as an individual person existing in a body subject to decay and death, yet at the same time a corporeal representation of Christ and the Church, eternity and salvation. Using an array of evidence from the eleventh through the fifteenth centuries, Agostino Paravicini- Bagliani addresses this paradox. He studies the rituals, metaphors, and images of the pope's body as they developed over time and shows how they resulted in the expectation that the pope's body be simultaneously physical and metaphorical. Also included is a particular emphasis on the thirteenth century when, during the pontificate of Boniface VIII (1294-1303), the papal court became the focus of medicine and the natural sciences as physicians devised ways to protect the pope's health and prolong his life. Masterfully translated from the Italian, this engaging history of the pope's body provides a new perspective for readers to understand the papacy, both historically and in our own time.
Publisher: University of Chicago Press
ISBN: 9780226034379
Category : History
Languages : en
Pages : 448
Book Description
In contrast to the role traditionally fulfilled by secular rulers, the pope has been perceived as an individual person existing in a body subject to decay and death, yet at the same time a corporeal representation of Christ and the Church, eternity and salvation. Using an array of evidence from the eleventh through the fifteenth centuries, Agostino Paravicini- Bagliani addresses this paradox. He studies the rituals, metaphors, and images of the pope's body as they developed over time and shows how they resulted in the expectation that the pope's body be simultaneously physical and metaphorical. Also included is a particular emphasis on the thirteenth century when, during the pontificate of Boniface VIII (1294-1303), the papal court became the focus of medicine and the natural sciences as physicians devised ways to protect the pope's health and prolong his life. Masterfully translated from the Italian, this engaging history of the pope's body provides a new perspective for readers to understand the papacy, both historically and in our own time.