Piranesi Unbound

Piranesi Unbound PDF Author: Carolyn Yerkes
Publisher: Princeton University Press
ISBN: 0691206104
Category : Art
Languages : en
Pages : 240

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Book Description
Layers / by Heather Hyde Minor -- Lost and found / by Carolyn Yerkes -- Pages / by Carolyn Yerkes -- Dedicated and sent / by Heather Hyde Minor -- Bound / by Heather Hyde Minor -- Sold / by Carolyn Yerkes.

Piranesi Unbound

Piranesi Unbound PDF Author: Carolyn Yerkes
Publisher: Princeton University Press
ISBN: 0691206104
Category : Art
Languages : en
Pages : 240

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Book Description
Layers / by Heather Hyde Minor -- Lost and found / by Carolyn Yerkes -- Pages / by Carolyn Yerkes -- Dedicated and sent / by Heather Hyde Minor -- Bound / by Heather Hyde Minor -- Sold / by Carolyn Yerkes.

Giovanni Battista Piranesi, 1720-1778

Giovanni Battista Piranesi, 1720-1778 PDF Author: Giovanni Battista Piranesi
Publisher: Chicago, Ill. : R. S. Johnson International
ISBN:
Category : Prisons in art
Languages : en
Pages : 88

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Piranesi

Piranesi PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 200

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The Prisons / Le Carceri

The Prisons / Le Carceri PDF Author: Giovanni Battista Piranesi
Publisher: Courier Corporation
ISBN: 0486134008
Category : Art
Languages : en
Pages : 118

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Book Description
Reprinted from rare, expensive first and second editions, this version of Piranesi's masterwork presents side-by-side renderings of original and extensively revised drawings in a large format. 33 full-page illustrations.

Piranesi

Piranesi PDF Author: Malcolm Campbell
Publisher:
ISBN:
Category :
Languages : nl
Pages : 132

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Piranesi as Designer

Piranesi as Designer PDF Author: John Wilton-Ely
Publisher: Cooper Hewitt
ISBN:
Category : Architecture
Languages : en
Pages : 364

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Book Description
Renowned as one of the finest printmakers of the eighteenth century, Giovanni Battista Piranesi is best known for his etched views of Rome and its antiquities, as well as for his highly influential suite of drawings entitled Carceri, or Imaginary Prisons. Trained as an architect, Piranesi revolutionized architecture and design through his combination of decorative elements and ornamental motifs from the Egyptian, Etruscan, Greek, and Roman styles; yet his work as the designer of interiors and furnishings has been largely uncelebrated. Published in conjunction with a major exhibition at the Smithsonian's Cooper-Hewitt, National Design Museum, Piranesi as Designer explores the far-reaching impact of Piranesi's modernist style on three centuries of architecture and design. 144 pages nearly 200 integrated color photographs

The Piranesi Effect

The Piranesi Effect PDF Author: Kerrianne Stone
Publisher: NewSouth
ISBN: 1742247369
Category : Art
Languages : en
Pages : 332

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Book Description
The work of Italian printmaker Giovanni Battista Piranesi (1720–1778) has captivated artists, architects and designers for centuries. Although contemporary Australia is a long way from eighteenth-century Rome, it is home to substantial collections of his works, the largest being at the State Library of Victoria and the University of Melbourne. The Piranesi Effect is a collection of exquisitely illustrated essays on the impact of Piranesi’s work throughout the years. The book brings together Australian and international experts who investigate Piranesi’s world and its connections to the study of art and the practice of artists today. From curators and art historians, to contemporary artists like Bill Henson and Ron McBurnie, the contributors each bring their own passion and insight into the work of Piranesi, illuminating what it is about his work that still inspires such wonder.

Piranesi's Candelabra and the Presence of the Past

Piranesi's Candelabra and the Presence of the Past PDF Author: Caroline van Eck
Publisher: Oxford University Press
ISBN: 0192660578
Category : Art
Languages : en
Pages : 221

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Book Description
Near the end of his life, Giovanni Battista Piranesi (1720-78) created three colossal candelabra mainly from fragments of sculpture excavated near the Villa Hadriana in Tivoli, two of which are now in the Ashmolean Museum, and one in the Louvre. Although they were among the most sought-after and prestigious of his works, and fetched enormous prices during Piranesi's life, they suffered a steep decline in appreciation from the 1820s onwards, and even today they are among the least studied of his works. Piranesi's Candelabra and the Presence of the Past uncovers the intense investment, by artists, patrons, collectors, and the public around the start of the nineteenth century in objects that made Graeco-Roman Antiquity present again. Caroline van Eck's study examines how objects make their makers or viewers feel that they are again in the presence of Antiquity, that not only Antiquity has revived, but that classical statues become alive under their gaze. what it takes to make such objects, and what it costs to own them; and about the ramifications of such intense if not excessive attachments to artefacts. This book considers the three candelabra in depth, providing the biography of these objects, from the excavation of the Roman fragments to their entry into private and public collection. Van Eck considers the context that Piranesi gave them by including them in his Vasi, Candelabri e Cippi (1778), to rethink the processes that led to the development of neoclassicism from the perspective of the objects and objectscapes that came into being in Rome at the end of the eighteenth century.

Art Books

Art Books PDF Author: Wolfgang M. Freitag
Publisher: Taylor & Francis
ISBN: 9780824033262
Category : Art
Languages : en
Pages : 572

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Book Description
Expanded to twice as many entries as the 1985 edition, and updated with new publications, new editions of previous entries, titles missed the first time around, more of the artists' own writings, and monographs that deal with significant aspects or portions of an artist's work though not all of it. The listing is alphabetical by artist, and the index by author. The works cited include analytical and critical, biographical, and enumerative; their formats range from books and catalogues raisonnes to exhibition and auction sale catalogues. A selection of biographical dictionaries containing information on artists is arranged by country. Annotation copyrighted by Book News, Inc., Portland, OR

Piranesi and the Modern Age

Piranesi and the Modern Age PDF Author: Victor Plahte Tschudi
Publisher: MIT Press
ISBN: 0262047179
Category : Art
Languages : en
Pages : 291

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Book Description
The complex appropriation of Piranesi by modern literature, photography, art, film, and architecture. The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi’s visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In Piranesi and the Modern Age, Tschudi explores the complex appropriation and continual rediscoveries of Piranesi by modern literature, photography, art, film, and architecture. Tracing the ways that the modern age constructed itself and its origin through Piranesi across genres, he shows, for example, how Piranesi’s work formulates the ideas of “contrast” in photography, “abstraction” in painting and “montage” in cinema. Piranesi’s modern-day comeback, Tschudi argues, relied on new dimensions found within his work that inspired attempts to inscribe within them a world that was very modern. For more than a century, these interpretations have helped legitimize new forms, theories, technologies, and movements. Tschudi examines, among other things, how Piranesi’s disturbing prison interiors—the Carceri—became modern metaphors for the mind; how Alfred H. Barr and the Museum of Modern Art made the case for Piranesi’s alleged abstraction in the 1930s; and how Sergei Eisenstein reinvented Piranesi as a progenitor of his own innovative filmmaking techniques. Tschudi’s exploration of Piranesi’s influence on modern architectural discourse includes interviews with such distinguished architects as Peter Eisenman, Bernard Tschumi, Steven Holl, and Rem Koolhaas. Generously illustrated, Piranesi and the Modern Age offers an entirely new reading of Piranesi’s work.