La Rochefoucauld, Mithridate, Frères et soeurs, Les Muses soeurs PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download La Rochefoucauld, Mithridate, Frères et soeurs, Les Muses soeurs PDF full book. Access full book title La Rochefoucauld, Mithridate, Frères et soeurs, Les Muses soeurs by North American Society for Seventeenth-Century French Literature. Conference. Download full books in PDF and EPUB format.
Author: North American Society for Seventeenth-Century French Literature. Conference
Publisher: Gunter Narr Verlag
ISBN: 9783823355236
Category : Literary Criticism
Languages : fr
Pages : 396
Get Book Here
Book Description
Author: North American Society for Seventeenth-Century French Literature. Conference
Publisher: Gunter Narr Verlag
ISBN: 9783823355236
Category : Literary Criticism
Languages : fr
Pages : 396
Get Book Here
Book Description
Author: North American society for seventeenth-century French literature. Congrès annuel
Publisher:
ISBN:
Category :
Languages : en
Pages : 386
Get Book Here
Book Description
Author:
Publisher: BRILL
ISBN: 9004695680
Category : Literary Criticism
Languages : en
Pages : 245
Get Book Here
Book Description
In Bajazet and Mithridate Racine depicts the tragedies of characters who either wield tyrannic power or are subjected to tyranny. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts. The contributors to this volume examine Racine’s stagecraft, his exploration of space, sound and silence, his language, and the psychology of those who exercise power or who attempt to maintain their freedom in the face of oppression. The reception and reworking of his plays by contemporaries and subsequent generations round off this wide-ranging study.
Author: Benedetta Craveri
Publisher: New York Review of Books
ISBN: 9781590172148
Category : History
Languages : en
Pages : 524
Get Book Here
Book Description
Now in paperback, an award-winning look at French salons and the women who presided over them In the seventeenth and eighteenth centuries, between the reign of Louis XIII and the Revolution, French aristocratic society developed an art of living based on a refined code of good manners. Conversation, which began as a way of passing time, eventually became the central ritual of social life. In the salons, freed from the rigidity of court life, it was women who dictated the rules and presided over exchanges among socialites, writers, theologians, and statesmen. They contributed decisively to the development of the modern French language, new literary forms, and debates over philosophical and scientific ideas. With a cast of characters both famous and unknown, ranging from the Marquise de Rambouillet to Madame de Sta‘l, and including figures like Ninon de Lenclos, the Marquise de Sevigne, and Madame de Lafayette, as well as Pascal, La Rochefoucauld, Diderot, and Voltaire, Benedetta Craveri traces the history of this worldly society that carried the art of sociability to its supreme perfection–and ultimately helped bring on the Revolution that swept it all away.
Author: Desmond Hosford
Publisher: Cambridge Scholars Publishing
ISBN: 144381492X
Category : Literary Criticism
Languages : en
Pages : 205
Get Book Here
Book Description
As an aesthetic notion and dramatic genre, tragedy has enjoyed a privileged place in French culture, particularly during the early modern period when debates over its nature and philosophy reflected fascination with a style whose fundamental principles were drawn from ancient Greek sources. Through the works of Pierre Corneille and Jean Racine, routinely cited for an alleged regularity of form and content exemplifying the academic notion of French Classicism, tragedy has grounded the French literary canon. Because of its place at the heart of canonical French literary studies, tragedy’s traditionally prescribed boundaries and interpretations have rarely been questioned. Fortune and Fatality: Performing the Tragic in Early Modern France challenges conventional notions of the nature and function of tragedy and the ends to which philosophical, theatrical, and performative aspects of the tragic were appropriated during the sixteenth and seventeenth centuries. The scope of material explored in this volume will be of interest not only to scholars and students of sixteenth- and seventeenth-century literature, but to those working in areas such as theater, gender studies, aesthetics, history, religion, philosophy, classics, and cultural studies.
Author: François duc de La Rochefoucauld
Publisher: University of Delaware Press
ISBN: 9780874138207
Category : Literary Criticism
Languages : en
Pages : 228
Get Book Here
Book Description
"In preparing his translation for an English audience, the anonymous translator made many references to English authors in his notes, among them More, Hobbes, Swift, and Milton. While he could also have used a variety of French comments on the duke's maximes as well, he deliberately chose to cater to his English readers by emphasizing English parallels and classical sources. In his introduction, Dr. Primer reviews the translation history of the duke's maxims and finds that some of the main characteristics of this translation were borrowed from the posthumously published French edition prepared by the Sieur Abraham-Nicholas Amelot de la Houssaye, whose presence in this edition is visible from time to time. The anonymous translator of selections from Amelot's edition adopted a more colloquial style than is generally associated with La Rochefoucauld's maxims; he also turns out to be significant not only as a translator but also as a reinterpreter of the central moral issue in the entire book. Most readers, including Jonathan Swift, had taken the duke's position on human nature to be the same as Hobbes's (stressing the human being's selfishness or natural egoism), but the translator/annotator finds that the duke's message is not inconsistent with the more positive view of human nature found in Lord Shaftesbury and in the poetry of Pope."--BOOK JACKET.
Author: Katharina Clausius
Publisher: Boydell & Brewer
ISBN: 1648250491
Category : Music
Languages : en
Pages : 265
Get Book Here
Book Description
A curated collection of Enlightenment operas, paintings, and literary works that were all marked by the "Telemacomania" scandal, a furious cultural frenzy with dangerous political stakes. Imaginatively structured as a guided tour, Opera and the Politics of Tragedy captures the tumultuous impact of the so-called Telemacomania crisis through its key artifacts: literary pamphlets, spoken dramas, paintings, engravings, and opera librettos (drammi per musica). Prominently featured in the gallery are two operas with direct ties to this aesthetic and political war: Mozart and Cigna-Santi's Mitridate (1770) and Mozart and Varesco's Idomeneo (1781). Reading and listening across the Enlightenment's cultural spaces (its new public museums, its first encyclopedias, and its ever-controversial operatic theater), this book showcases the Enlightenment's disorderly historical revisionism alongside its progressive politics to expose the fertile creativity that can emerge out of the ambiguous space between what is "ancient" and what is "modern."
Author: Roland Racevskis
Publisher: Associated University Presse
ISBN: 9780838756843
Category : Literary Criticism
Languages : en
Pages : 228
Get Book Here
Book Description
Presents a theoretically informed reading of Racine's nine secular tragedies, from La Thebaide (1664) to Phedre (1677). This study focuses on literary/theatrical constructions of space, time, and identity.
Author: Michèle Longino
Publisher: Cambridge University Press
ISBN: 9780521025171
Category : Drama
Languages : en
Pages : 296
Get Book Here
Book Description
Michèle Longino examines the ways in which Mediterranean exoticism inflects the themes represented in French classical drama. Longino explores plays by Corneille, Molière and Racine; Le Cid, Médée, and Le bourgeois gentilhomme among others. She offers a consideration of the role the staging of the near Orient played in shaping a sense of French colonial identity. Drawing on histories, travel journals, memoirs and correspondence, and bringing together literary and historical concerns, Longino considers these dramatisations in the context of French-Ottoman relations at the time of their production.
Author: Barbara R. Woshinsky
Publisher: Routledge
ISBN: 135192866X
Category : Literary Criticism
Languages : en
Pages : 536
Get Book Here
Book Description
Blending history and architecture with literary analysis, this ground-breaking study explores the convent's place in the early modern imagination. The author brackets her account between two pivotal events: the Council of Trent imposing strict enclosure on cloistered nuns, and the French Revolution expelling them from their cloisters two centuries later. In the intervening time, women within convent walls were both captives and refugees from an outside world dominated by patriarchal power and discourses. Yet despite locks and bars, the cloister remained "porous" to privileged visitors. Others could catch a glimpse of veiled nuns through the elaborate grills separating cloistered space from the church, provoking imaginative accounts of convent life. Not surprisingly, the figure of the confined religious woman represents an intensified object of desire in male-authored narrative. The convent also spurred "feminutopian" discourses composed by women: convents become safe houses for those fleeing bad marriages or trying to construct an ideal, pastoral life, as a counter model to the male-dominated court or household. Recent criticism has identified certain privileged spaces that early modern women made their own: the ruelle, the salon, the hearth of fairy tale-telling. Woshinsky's book definitively adds the convent to this list.
