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Author: Henri de Riedmatten
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111072738
Category : Antiques & Collectibles
Languages : en
Pages : 192
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Book Description
The aim of this publication is to clarify the relationships between material restoration and politics in Italian Renaissance art. The focus of this research is on the question of origin as a foothold for political, patrimonial, and cultural identity. These claims were enacted within a system which, rather than restoring the initial forms and meanings of existing objects, remodeled the past according to new identity requirements: spaces were reorganized, and works of art invested with new meanings. Their material and aesthetic reality was thus transformed and redefined. The aim is therefore to analyze the potential physical modifications of these artefacts in light of their symbolic recoding. Restoration practices in Italian Renaissance art Reassessing the concept of Renaissance Recording of ancient works for political purposes
Author: Henri de Riedmatten
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111072738
Category : Antiques & Collectibles
Languages : en
Pages : 192
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Book Description
The aim of this publication is to clarify the relationships between material restoration and politics in Italian Renaissance art. The focus of this research is on the question of origin as a foothold for political, patrimonial, and cultural identity. These claims were enacted within a system which, rather than restoring the initial forms and meanings of existing objects, remodeled the past according to new identity requirements: spaces were reorganized, and works of art invested with new meanings. Their material and aesthetic reality was thus transformed and redefined. The aim is therefore to analyze the potential physical modifications of these artefacts in light of their symbolic recoding. Restoration practices in Italian Renaissance art Reassessing the concept of Renaissance Recording of ancient works for political purposes
Author: Centre polonais de recherches scientifiques de Paris
Publisher:
ISBN:
Category : Learned institutions and societies
Languages : en
Pages : 648
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0810918692
Category : Art nouveau
Languages : en
Pages : 201
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Book Description
Author: Frick Art Reference Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 772
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Book Description
Author: Miruna Achim
Publisher: U of Nebraska Press
ISBN: 1496203976
Category : History
Languages : en
Pages : 346
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Book Description
From Idols to Antiquity explores the origins and tumultuous development of the National Museum of Mexico and the complicated histories of Mexican antiquities during the first half of the nineteenth century. Following independence from Spain, the National Museum of Mexico was founded in 1825 by presidential decree. Nationhood meant cultural as well as political independence, and the museum was expected to become a repository of national objects whose stories would provide the nation with an identity and teach its people to become citizens. Miruna Achim reconstructs the early years of the museum as an emerging object shaped by the logic and goals of historical actors who soon found themselves debating the origin of American civilizations, the nature of the American races, and the rightful ownership of antiquities. Achim also brings to life an array of fascinating characters—antiquarians, naturalists, artists, commercial agents, bureaucrats, diplomats, priests, customs officers, local guides, and academics on both sides of the Atlantic—who make visible the rifts and tensions intrinsic to the making of the Mexican nation and its cultural politics in the country’s postcolonial era.
Author: Jane Chick
Publisher: Cambridge Scholars Publishing
ISBN: 144381279X
Category : History
Languages : en
Pages : 318
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Book Description
Does the sea separate or connect? Are islands isolated or are they the stepping stones of connectivity? The Mediterranean is an all-but closed sea of seas, of marine locales around which ‘its inhabitants live like ants and frogs around a pond’. Cyprus, at its eastern end, is tucked between Asia Minor to the North, the Levant to the east, to Africa further south, and the wider Mediterranean to the west. From its vantage point, this island panopticon established connections across the Mediterranean in which it was either incorporated or remote in proportion to its integration into a variety of networks of exchange. The seventeen chapters in this volume explore aspects of the relationship between the island as an immutable geographical entity and its surrounding sea as an essentially transactional space. The chapters are grouped under four headings: Approaching Cyprus – Sea and Overseas; Artefacts – Production and Function; Sacralities – Practice and Setting; and finally, Collections – Private and Public. Chapters range from the Late Bronze Age to the twentieth century, and from Greece, the Aegean, Syro-Palestine, Egypt to Lusignan France. Approaching Cyprus describes and evokes a multi-directional convergence on the island in terms of both a physical and an intellectual journey – an inside viewed from an outside through the research of an international group of scholars, each of whom, however varied their viewpoint, period and topic, offers a contribution to our wider understanding of this remarkable island.
Author: Sven Dupré
Publisher: Routledge
ISBN: 1000553345
Category : Art
Languages : en
Pages : 300
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Book Description
This book traces the development of scientific conservation and technical art history. It takes as its starting point the final years of the nineteenth century, which saw the establishment of the first museum laboratory in Berlin, and ground-breaking international conferences on art history and conservation held in pre-World War I Germany. It follows the history of conservation and art history until the 1940s when, from the ruins of World War II, new institutions such as the Istituto Centrale del Restauro emerged, which would shape the post-war art and conservation world. The book will be of interest to scholars working in art history, conservation history, historiography, and history of science and humanities.
Author: Centre for Photographic Conservation
Publisher:
ISBN:
Category : Photographs
Languages : en
Pages : 404
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Book Description
Author: Loren Ruth Lerner
Publisher: University of Toronto Press
ISBN: 9780802058560
Category : Architecture
Languages : en
Pages : 1646
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Book Description
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Author: Hanna B Hölling
Publisher: Taylor & Francis
ISBN: 1000927881
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
This book focuses on performance and performance-based artworks as seen through the lens of conservation, which has long been overlooked in the larger theoretical debates about whether and how performance remains. Unraveling the complexities involved in the conservation of performance, Performance: The Ethics and the Politics of Conservation and Care (vol. 1) brings this new understanding to bear in examining performance as an object of study, experience, acquisition, and care. In so doing, it presents both theoretical frameworks and functional paradigms for thinking about—and enacting—the conservation of performance. Further, while the conservation of performance is undertheorized, performance is nevertheless increasingly entering the art market and the museum, meaning that there is an urgent need for discourse on how to care for these works long-term. In recent years, a few pioneering conservators, curators, and scholars have begun to create frameworks for the longterm care of performance. This volume presents, explicates, and contextualizes their work so that a larger discourse can commence. It will thus serve the needs of conservation students and professors, for whom literature on this subject is sorely needed. This interdisciplinary book thus implements a novel rethinking of performance that will challenge and revitalize its conception in many fields, such as art history, theater, performance studies, heritage studies, and anthropology.
