Author: Henry Sutherland Edwards
Publisher: Boston : O. Ditson ; New York : C.H. Ditson
ISBN:
Category : Composers
Languages : en
Pages : 370

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Author: H. Sutherland Edwards
Publisher: BoD – Books on Demand
ISBN: 3752340630
Category : Fiction
Languages : en
Pages : 142

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Book Description
Reproduction of the original: The Life of Rossini by H. Sutherland Edwards

Author: Henry Sutherland Edwards
Publisher: London : S. Low, Marston, Searle & Rivington
ISBN:
Category : Composers
Languages : en
Pages : 136

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Author: Henry Sutherland Edwards
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 162

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Book Description

Author: Clarissa Lablache Cheer
Publisher: Xlibris Corporation
ISBN: 1450003044
Category : Biography & Autobiography
Languages : en
Pages : 723

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Book Description
During the Golden Age of Italian opera, Luigi Lablache triumphed as one of the most admired and accomplished international superstars. Born in Naples in 1795, his unprecedented forty-five year singing career dominated the glorious bel canto period when opera flourished as the principal form of entertainment. Now his direct descendant, Clarissa Lablache Cheer, puts forth this remarkable and long overdue biography of Lablache – the first ever to be written in English. Page by page, Lablache’s extraordinary story unfolds as the author guides the reader through the hectic and glamorous era of Italian opera and European high society. We follow Lablache as he conquers the dazzling nineteenth century opera world, singing Rossini roles from Napoleon’s time, through the Romantic Age, to become the special favorite of the Victorians in hundreds of Donizetti and Bellini’s bel canto productions. A vocal Hercules, everything about him is larger-than-life: his huge size, powerful voice, good looks, dramatic flare, and irresistible humor and charm. The foremost bass of his time, he rules the stage from London to Vienna, from Paris to St. Petersburg. Notably, Britain’s Queen Victoria singles out Lablache to be her beloved singing teacher for 20 years. Garnered from rare unpublished family memorabilia as well as primary source material across Europe and America, this fascinating family saga does not end with Lablache. Herein the author also recounts how Lablache’s well-known descendents of opera singers and actors carve out their brilliant careers on the stages of Europe, New York and Hollywood.

Author: Henry Edwards
Publisher: Litres
ISBN: 5040757549
Category : Fiction
Languages : en
Pages : 125

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Author:
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 1424

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Author: Stendhal
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 396

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Book Description

Author: Marianne Williams Tobias
Publisher: Indiana University Press
ISBN: 0253353408
Category : Music
Languages : en
Pages : 497

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Book Description
From operas presented in reconfigured army barracks to those mounted on a stage rivaling that of New York's Metropolitan Opera House, Indiana University Opera Theater has grown into a world-class training ground for opera's next generation. This illustrated history captures the excitement, hard work, and talent that distinguish each performance and that have made IU Opera Theater what it is today. It includes six decades of opera production from the inaugural Tales of Hoffman, a legendary Parsifal, and a performance of Martinů's Greek Passion at the Met, to the 2008 La Bohème--the first opera streamed live on the internet from Indiana University to a worldwide audience.

Author: Philip Gossett
Publisher: University of Chicago Press
ISBN: 0226304884
Category : Music
Languages : en
Pages : 699

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Book Description
Winner of the 2007 Otto Kinkeldey Award from the American Musicological Society and the 2007 Deems Taylor Award from the American Society of Composers, Authors, and Publishers. Divas and Scholars is a dazzling and beguiling account of how opera comes to the stage, filled with Philip Gossett’s personal experiences of triumphant—and even failed—performances and suffused with his towering and tonic passion for music. Writing as a fan, a musician, and a scholar, Gossett, the world's leading authority on the performance of Italian opera, brings colorfully to life the problems, and occasionally the scandals, that attend the production of some of our most favorite operas. Gossett begins by tracing the social history of nineteenth-century Italian theaters in order to explain the nature of the musical scores from which performers have long worked. He then illuminates the often hidden but crucial negotiations opera scholars and opera conductors and performers: What does it mean to talk about performing from a critical edition? How does one determine what music to perform when multiple versions of an opera exist? What are the implications of omitting passages from an opera in a performance? In addition to vexing questions such as these, Gossett also tackles issues of ornamentation and transposition in vocal style, the matters of translation and adaptation, and even aspects of stage direction and set design. Throughout this extensive and passionate work, Gossett enlivens his history with reports from his own experiences with major opera companies at venues ranging from the Metropolitan and Santa Fe operas to the Rossini Opera Festival at Pesaro. The result is a book that will enthrall both aficionados of Italian opera and newcomers seeking a reliable introduction to it—in all its incomparable grandeur and timeless allure.