Author: Cristina Contilli
Publisher: Lulu.com
ISBN: 1291687424
Category : Reference
Languages : en
Pages : 105
Book Description
Questo terzo ed ultimo volume si propone di completare i due precedenti offrendo una panoramica delle attrici, cantanti liriche, ballerine e musiciste che sono state muse e modelle dei pittori attivi nella Francia della Bella Epoque.COVER: Emilienne D'Alencon in una photo / carte postale dello studio Reutlinger e in un manifesto di un suo spettacolo.
La Paris des impressionistes / La Parigi degli impressionisti Terzo volume
Author: Cristina Contilli
Publisher: Lulu.com
ISBN: 1291687424
Category : Reference
Languages : en
Pages : 105
Book Description
Questo terzo ed ultimo volume si propone di completare i due precedenti offrendo una panoramica delle attrici, cantanti liriche, ballerine e musiciste che sono state muse e modelle dei pittori attivi nella Francia della Bella Epoque.COVER: Emilienne D'Alencon in una photo / carte postale dello studio Reutlinger e in un manifesto di un suo spettacolo.
Publisher: Lulu.com
ISBN: 1291687424
Category : Reference
Languages : en
Pages : 105
Book Description
Questo terzo ed ultimo volume si propone di completare i due precedenti offrendo una panoramica delle attrici, cantanti liriche, ballerine e musiciste che sono state muse e modelle dei pittori attivi nella Francia della Bella Epoque.COVER: Emilienne D'Alencon in una photo / carte postale dello studio Reutlinger e in un manifesto di un suo spettacolo.
Revue roumaine d'histoire de l'art
Author:
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 308
Book Description
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 308
Book Description
Dante and the Victorians
Author: Alison Milbank
Publisher: Manchester University Press
ISBN: 9780719037009
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Milbank (English, U. of Cambridge) argues that an understanding of Victorianism's reception of Dante is essential for understanding its notions of history, nationalism, aesthetics, and gender as well as the often strange intersections between any two or more of them. She offers a new genealogy of literature in modern times, substituting a continuous Dantism for the conventional tale of Victorian realism and historicism challenged by modernist symbolism. She also finds Dante to be the first writer to historicize, fictionalize, and humanize the eternal realm, and therefore the route through which history, secularized fiction, and positivist humanism can be traced to a lost transcendent. Distributed in the US by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Manchester University Press
ISBN: 9780719037009
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Milbank (English, U. of Cambridge) argues that an understanding of Victorianism's reception of Dante is essential for understanding its notions of history, nationalism, aesthetics, and gender as well as the often strange intersections between any two or more of them. She offers a new genealogy of literature in modern times, substituting a continuous Dantism for the conventional tale of Victorian realism and historicism challenged by modernist symbolism. She also finds Dante to be the first writer to historicize, fictionalize, and humanize the eternal realm, and therefore the route through which history, secularized fiction, and positivist humanism can be traced to a lost transcendent. Distributed in the US by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR
The Rural Architect
Author: Joseph Gandy
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : en
Pages : 254
Book Description
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : en
Pages : 254
Book Description
The Private Collection of Edgar Degas
Author: Julie A. Steiner
Publisher: Metropolitan Museum of Art
ISBN: 0870998374
Category : Art
Languages : en
Pages : 154
Book Description
"The art collection assembled by Edgar Degas was remarkable not only for its quality, size, and depth but also for its revelation of Degas's artistic affinities. He acquired great numbers of works by the nineteenth-century French masters Ingres, Delacroix, and Daumier; he bought (or bartered his own pictures for) art by many of his contemporaries, particularly Manet, Cezanne, Gauguin, and Cassatt; and he acquired works by a wide range of other artists, from eminent to little known. The extent of Degas's holdings was not recognized until after his death, when the collection came up for auction in Paris in 1918 and, in what was called the sale of the century, was widely dispersed." "Extensive research has made it possible to "reassemble" that collection in book form. This summary catalogue contains information on the more than five thousand works owned by Degas. For each work catalogued the entry includes, to the extent possible: a description with medium and dimensions; provenance information about Degas's acquisition and ownership of the work; information pertaining to the sale of the work in 1918 (or its disposal earlier), including the purchaser, purchase price, and other data; the current location; selected references; and an illustration. In a concordance, collection sale lot numbers are listed with their corresponding summary catalogue numbers." "This catalogue and its companion volume of essays are published in conjunction with the exhibition "The Private Collection of Edgar Degas," held at The Metropolitan Museum of Art, New York, from October 1, 1997, to January 11, 1998."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Metropolitan Museum of Art
ISBN: 0870998374
Category : Art
Languages : en
Pages : 154
Book Description
"The art collection assembled by Edgar Degas was remarkable not only for its quality, size, and depth but also for its revelation of Degas's artistic affinities. He acquired great numbers of works by the nineteenth-century French masters Ingres, Delacroix, and Daumier; he bought (or bartered his own pictures for) art by many of his contemporaries, particularly Manet, Cezanne, Gauguin, and Cassatt; and he acquired works by a wide range of other artists, from eminent to little known. The extent of Degas's holdings was not recognized until after his death, when the collection came up for auction in Paris in 1918 and, in what was called the sale of the century, was widely dispersed." "Extensive research has made it possible to "reassemble" that collection in book form. This summary catalogue contains information on the more than five thousand works owned by Degas. For each work catalogued the entry includes, to the extent possible: a description with medium and dimensions; provenance information about Degas's acquisition and ownership of the work; information pertaining to the sale of the work in 1918 (or its disposal earlier), including the purchaser, purchase price, and other data; the current location; selected references; and an illustration. In a concordance, collection sale lot numbers are listed with their corresponding summary catalogue numbers." "This catalogue and its companion volume of essays are published in conjunction with the exhibition "The Private Collection of Edgar Degas," held at The Metropolitan Museum of Art, New York, from October 1, 1997, to January 11, 1998."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Iconografia Dantesca
Author: Ludwig Volkmann
Publisher:
ISBN:
Category :
Languages : en
Pages : 342
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 342
Book Description
Women in Impressionism
Author: Susan Elizabeth Strauber
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
Book Description
This title presents a thorough analysis of how the concepts of 'woman' and 'femininity' unfold inside the broader spectrum of Impressionist painting by male as well as female artists.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
Book Description
This title presents a thorough analysis of how the concepts of 'woman' and 'femininity' unfold inside the broader spectrum of Impressionist painting by male as well as female artists.
Original Treatises
Author: Mary Philadelphia Merrifield
Publisher:
ISBN:
Category : Artists' materials
Languages : en
Pages : 610
Book Description
Publisher:
ISBN:
Category : Artists' materials
Languages : en
Pages : 610
Book Description
Renoir Landscapes, 1865-1883
Author: Colin B. Bailey
Publisher:
ISBN:
Category : Landscape painting, French
Languages : en
Pages : 302
Book Description
This stunning book, published to accompany a major touring exhibition, examines Renoir's landscape art in depth, demonstrating that he was one of the most audacious and original landscape artists of his age.
Publisher:
ISBN:
Category : Landscape painting, French
Languages : en
Pages : 302
Book Description
This stunning book, published to accompany a major touring exhibition, examines Renoir's landscape art in depth, demonstrating that he was one of the most audacious and original landscape artists of his age.
The Influence of Pre-Raphaelitism on Fin de Siècle Italy
Author: Giuliana Pieri
Publisher: MHRA
ISBN: 1904350445
Category : History
Languages : en
Pages : 212
Book Description
This volume is the first comprehensive study of the influence of English Pre-Raphaelitism on Italian art and culture in the late nineteenth century. Analysis of the cultural relations between Italy and Britain has focused traditionally on the special place that Italy had in the British imagination, but the cultural and artistic exchanges between the two countries have been much misunderstood. This book aims to correct this imbalance by placing Pre-Rapahelitism in its European context. It explores the nature of its influence on Italy, how it was transmitted, and how it was manifested, by focusing on the role of Italian Anglophiles, the English communities in Florence and Rome, the writings of Gabriele D'Annunzio, and a number of Italian artists active in Tuscany and Rome. The works of Cellini, Ricci, Gioja, De Carolis, and Sartorio in particular fully demonstrate the impact of Pre-Raphaelitism on the young Italian school of painting which found in the English movement an ideal link with its glorious past on which it could build a new artistic identity. These artists show that English Pre-Raphaelitism was one of the most powerful single influences on fin-de-siecle Italian culture.
Publisher: MHRA
ISBN: 1904350445
Category : History
Languages : en
Pages : 212
Book Description
This volume is the first comprehensive study of the influence of English Pre-Raphaelitism on Italian art and culture in the late nineteenth century. Analysis of the cultural relations between Italy and Britain has focused traditionally on the special place that Italy had in the British imagination, but the cultural and artistic exchanges between the two countries have been much misunderstood. This book aims to correct this imbalance by placing Pre-Rapahelitism in its European context. It explores the nature of its influence on Italy, how it was transmitted, and how it was manifested, by focusing on the role of Italian Anglophiles, the English communities in Florence and Rome, the writings of Gabriele D'Annunzio, and a number of Italian artists active in Tuscany and Rome. The works of Cellini, Ricci, Gioja, De Carolis, and Sartorio in particular fully demonstrate the impact of Pre-Raphaelitism on the young Italian school of painting which found in the English movement an ideal link with its glorious past on which it could build a new artistic identity. These artists show that English Pre-Raphaelitism was one of the most powerful single influences on fin-de-siecle Italian culture.