Author: Lope de Vega
Publisher:
ISBN:
Category :
Languages : es
Pages :
Book Description
La fortuna adversa del Infante don Fernando de Portugal
Author: Lope de Vega
Publisher:
ISBN:
Category :
Languages : es
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : es
Pages :
Book Description
La fortuna adversa del Infante Don Fernando de Portugal
Author: Albert E. Sloman
Publisher:
ISBN:
Category :
Languages : en
Pages : 254
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 254
Book Description
The Sources of Calderón's El Príncipe Constante. With a Critical Edition of Its Immediate Source La Fortuna Adversa Del Infante Don Fernando de Portugal, a Play Attributed to Lope de Vega
Author: Albert Edward SLOMAN
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Sources of Calderón's Príncipe Constante
Author: Albert E. Sloman
Publisher:
ISBN:
Category :
Languages : en
Pages : 628
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 628
Book Description
The Sources of Calderon's El Principe Constante; With a Critical Edition of Its Immediate Source, La Fortuna Adversa Del Infante Don Fernando De Portugal (A Play Attributed to Lope De Vega) by Albert E. Sloman
Author: Albert E. Sloman
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
Book Description
La fortuna adversa del Infante Don Fernando de Portugal
Author: Albert E. Sloman
Publisher:
ISBN:
Category :
Languages : es
Pages : 248
Book Description
Publisher:
ISBN:
Category :
Languages : es
Pages : 248
Book Description
The Sources of Calder.on's El Pr.incipe Constante
Author: Albert E. Sloman
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
Book Description
A History of Spanish Golden Age Drama
Author: Henry K. Ziomek
Publisher: University Press of Kentucky
ISBN: 0813183561
Category : Literary Criticism
Languages : en
Pages : 323
Book Description
Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius—the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater. A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.
Publisher: University Press of Kentucky
ISBN: 0813183561
Category : Literary Criticism
Languages : en
Pages : 323
Book Description
Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius—the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater. A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.
Discursive “Renovatio” in Lope de Vega and Calderón
Author: Joachim Küpper
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110563576
Category : Literary Criticism
Languages : en
Pages : 483
Book Description
This volume presents a new approach to Spanish Baroque drama, inspired by Foucauldian discourse archeology, whose rare fusion of meticulous philology and ambitious theory will be exciting and fruitful both for specialists of Spanish literature and for anyone invested in the history of European thought. Detailed readings are dedicated to some of the most prominent plays by Lope de Vega and Calderón de la Barca, both autos sacramentales (El viaje del alma; El divino Orfeo; La lepra de Constantino) and comedias (El castigo sin venganza; El príncipe constante; El médico de su honra). The "archeological" perspective cast on the plays implies an integration of their discourse-historical "foils", from pagan antiquity through the Middle Ages and the Renaissance, as well as a discussion of related discourses, mainly theological, philosophical and historiographical. A separate "excursus" suggests a reconsideration of the common manner in which the discursive relation between the Middle Ages, the Renaissance, Mannerism and the Baroque is conceptualized.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110563576
Category : Literary Criticism
Languages : en
Pages : 483
Book Description
This volume presents a new approach to Spanish Baroque drama, inspired by Foucauldian discourse archeology, whose rare fusion of meticulous philology and ambitious theory will be exciting and fruitful both for specialists of Spanish literature and for anyone invested in the history of European thought. Detailed readings are dedicated to some of the most prominent plays by Lope de Vega and Calderón de la Barca, both autos sacramentales (El viaje del alma; El divino Orfeo; La lepra de Constantino) and comedias (El castigo sin venganza; El príncipe constante; El médico de su honra). The "archeological" perspective cast on the plays implies an integration of their discourse-historical "foils", from pagan antiquity through the Middle Ages and the Renaissance, as well as a discussion of related discourses, mainly theological, philosophical and historiographical. A separate "excursus" suggests a reconsideration of the common manner in which the discursive relation between the Middle Ages, the Renaissance, Mannerism and the Baroque is conceptualized.
The King Within
Author: Anita Howard
Publisher: Peter Lang
ISBN: 9783039115303
Category : Kings and rulers in literature
Languages : en
Pages : 214
Book Description
This book contrasts the portrayal of kings and kingship in the drama of William Shakespeare (1564-1616) and the Spanish playwright Pedro Calderón de la Barca (1600-81), concentrating on the ways in which both dramatists use the individual complexities of their kingly characters to address the intellectual and moral dilemmas of the ideological backgrounds that helped to create them. Against the background of seventeenth-century Europe, when religious and political reformation was leading to reconstructions of concepts of authority and personal and national identity, these two dramatists of early modern England and Spain use the increasingly theatrical facades of absolutist power to explore the internal drama of individual psychology and the kinship of flawed humanity.
Publisher: Peter Lang
ISBN: 9783039115303
Category : Kings and rulers in literature
Languages : en
Pages : 214
Book Description
This book contrasts the portrayal of kings and kingship in the drama of William Shakespeare (1564-1616) and the Spanish playwright Pedro Calderón de la Barca (1600-81), concentrating on the ways in which both dramatists use the individual complexities of their kingly characters to address the intellectual and moral dilemmas of the ideological backgrounds that helped to create them. Against the background of seventeenth-century Europe, when religious and political reformation was leading to reconstructions of concepts of authority and personal and national identity, these two dramatists of early modern England and Spain use the increasingly theatrical facades of absolutist power to explore the internal drama of individual psychology and the kinship of flawed humanity.