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Author: John A. Rice
Publisher: Cambridge University Press
ISBN: 9780521369497
Category : Music
Languages : en
Pages : 198
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Book Description
The first book to be devoted to Mozart's opera, La clemenza di Tito, with historical and critical analysis.
Author: John A. Rice
Publisher: Cambridge University Press
ISBN: 9780521369497
Category : Music
Languages : en
Pages : 198
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Book Description
The first book to be devoted to Mozart's opera, La clemenza di Tito, with historical and critical analysis.
Author: H. C. Robbins Landon
Publisher: Thames & Hudson
ISBN: 9780500281079
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
The premature death of Mozart is the subject of 1791, a study based upon Professor Landon's unrivalled understanding of source material relating to Mozart, his music and the events that became an enigma, a tragedy and a source of great controversy.
Author: Fred Plotkin
Publisher: Hyperion
ISBN:
Category : Music
Languages : en
Pages : 520
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Book Description
Written by an opera insider and featuring an introduction by Placido Domingo, here is a thorough, friendly, and truly complete guide to learning how to love and appreciate the opera. After a brief history of opera, the book includes a guide to operatic terms, a minute-by-minute listener's guide to 11 central works, a list of recommended books and recordings and much more.
Author: Daniel Heartz
Publisher: Univ of California Press
ISBN: 9780520078727
Category : Art
Languages : en
Pages : 392
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Book Description
Renowned Mozart scholar Daniel Heartz brings his deep knowledge of social history, theater, and art to a study of the last and great decade of Mozart's operas. Mozart specialists will recognize some of Heartz's best-known essays here; but six pieces are new for the collection, and others have been revised and updated with little-known documents on the librettist's, composer's, and stage director's craft. All lovers of opera will value the elegance and wit of Professor Heartz's writing, enhanced by thirty-seven illustrations, many from his private collection. The volume includes Heartz's classic essay on Idomeneo (1781), the work that continued to inspire and sustain Mozart through his next, and final, six operas. Thomas Bauman brings his special expertise to a discussion of Die Entführung aus dem Serail (1782). The ten central chapters are devoted to the three great operas composed to librettos by Lorenzo da Ponte—Le nozze di Figaro (l786), Don Giovanni (l787), and Così fan tutte (l790). The reader is treated to fresh insights on da Ponte's role as Mozart's astute and stage-wise collaborator, on the singers whose gifts helped shape each opera, and on the musical connections among the three works. Parallels are drawn with some of the greatest creative artists in other fields, such as Molière, Watteau, and Fragonard. The world of the dance, one of Heartz's specialties, lends an illuminating perspective as well. Finally, the essays discuss the deep spirituality of Mozart's last two operas, Die Zauberflöte and La Clemenza di Tito (both l79l). They also address the pertinence of opera outside Vienna at the end of the century, the fortunes and aspirations of Freemasonry in Austria, and the relation of Mozart's overtures to the dramaturgy of the operas.
Author: Jan Swafford
Publisher: HarperCollins
ISBN: 0062433598
Category : Biography & Autobiography
Languages : en
Pages : 1068
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Book Description
From the acclaimed composer and biographer Jan Swafford comes the definitive biography of one of the most lauded musical geniuses in history, Wolfgang Amadeus Mozart. At the earliest ages it was apparent that Wolfgang Mozart’s singular imagination was at work in every direction. He hated to be bored and hated to be idle, and through his life he responded to these threats with a repertoire of antidotes mental and physical. Whether in his rabidly obscene mode or not, Mozart was always hilarious. He went at every piece of his life, and perhaps most notably his social life, with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun. Mozart was known to be an inexplicable force of nature who could rise from a luminous improvisation at the keyboard to a leap over the furniture. He was forever drumming on things, tapping his feet, jabbering away, but who could grasp your hand and look at you with a profound, searching, and melancholy look in his blue eyes. Even in company there was often an air about Mozart of being not quite there. It was as if he lived onstage and off simultaneously, a character in life’s tragicomedy but also outside of it watching, studying, gathering material for the fabric of his art. Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: a man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521001922
Category : Music
Languages : en
Pages : 324
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Book Description
Table of contents
Author: Wolfgang Amadeus Mozart
Publisher: Penguin
ISBN: 110149395X
Category : Literary Collections
Languages : en
Pages : 382
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Book Description
The letters of one of the world’s greatest composers Wolfgang Amadeus Mozart—seen variously as a child prodigy, musical genius, tragic Romantic artist, and cultural icon—is among the most written-about of all composers. This fascinating set of his letters offers a new understanding of his life story—his marriage, compositions, performances, occasional money worries, opinions of fellow musicians, and complex relationship with his father—and a revealing portrait of both the man and the musician.
Author: Brigid Brophy
Publisher: Faber & Faber
ISBN: 0571304729
Category : Biography & Autobiography
Languages : en
Pages : 334
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Book Description
Brigid Brophy first published her passionate, profoundly original Mozart the Dramatist in 1964, revisiting it subsequently in 1988. Organised by theme, the text offers brilliant readings of Mozart's five most famous operas - Die Entführung aus dem Serail, Le Nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte - while a 1988 preface reconsiders Idomeneo and La Clemenza di Tito. Brophy's analysis is richly informed by her readings and interests in psychoanalysis, myth, and relations between the sexes, but her stress above all is on Mozart's 'unique excellence', his 'double supremacy' both as a 'classical' and 'psychological' artist. 'An illuminating, invigorating, thought-provoking and profoundly human book, of immense value to any lover of Mozart.' Jane Glover
Author: Philip Whitmore
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 256
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Book Description
This book is a history of the cadenza in the Classical keyboard concerto. Whitmore focuses attention on the changing relations between performer and composer and between performer and audience in the course of the Classical period. The greater part of the book consists of an attempt to situate the concertos and cadenzas produced during the period within the broad historical development outlined in the first few chapters, placing particular emphasis on the contributions of C.P.E. Bach, Mozart, and Beethoven.
Author: John A. Rice
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 304
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Book Description
Telling the story of Mozart's operas from concept to stage, this book outlines Mozart's achievements as an operatic composer.
