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Author: James H. Stubblebine
Publisher: W. W. Norton & Company
ISBN: 9780393314069
Category : Art
Languages : en
Pages : 244
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Book Description
"An introduction to Giotto's frescoes in Padua with an analytical essay, documents, and source materials ..."--Cover.
Author: James H. Stubblebine
Publisher: W. W. Norton & Company
ISBN: 9780393314069
Category : Art
Languages : en
Pages : 244
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Book Description
"An introduction to Giotto's frescoes in Padua with an analytical essay, documents, and source materials ..."--Cover.
Author: Giuseppe Basile
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 664
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Book Description
Accompanying CD-ROM ... "contains 750 photos, 660 tables of graphic mapping covering 2,100 subjects relating to preservation and previous restoration work."--Inside back cover.
Author: Anne Derbes
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
At the turn of the fourteenth century, Enrico Scrovegni constructed the most opulent palace that the city of Padua had seen, and he engaged the great Florentine painter, Giotto, to decorate the walls of his private chapel (1303-5). In that same decade, Dante consigned Enrico's father, a notorious usurer, to the seventh circle of hell. The frescoes rank with Dante's Divine Comedy as some of the great monuments of late medieval Italian culture, and yet much about the fresco program is incompletely understood. Most traditional studies of the Arena Chapel have examined the frescoes as individual compositions, largely divorced from their original context, almost as if they were panels detached from an altarpiece and hung on a museum wall for the viewing pleasure of the connoisseur. Anne Derbes and Mark Sandona, in contrast, consider each image as part of an intricate network of visual and theological associations comparable to that of Dante's poem. The authors show how this remarkable ensemble of paintings offers complex meanings, meanings shaped by several interested parties--patron, confessor, and painter. The Usurer's Heart pieces together new historical evidence on the chapel's origins and describes the fresco program as, in part, an attempt to ameliorate the Scrovegni family's reputation. It interprets the chapel's fresco program and the chapel's place in the heart of an ambitious and guilt-ridden moneylender.
Author: Claudio Bellinati
Publisher: Grafiche Vianello srl
ISBN: 9788872001448
Category : Art
Languages : en
Pages : 156
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Book Description
Giotto di Bondone is best known for the frescoes he painted in the Arena Chapel, Padua, his best preserved work. In this exquisite, magnificently illustrated volume, Claudio Bellinati's texts help the reader to discover the literal, poetic and artistic significance of every scene.
Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205217357
Category : Art
Languages : en
Pages : 1454
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Book Description
Vol. 1: Life Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist. Vol. 2: Works The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again. Vol. 3: Survival Giotto is considered by many to be the founder of modern painting. This thesis is discussed and modified in the present volume on an empirical basis. What emerges is that Giotto's impact cannot be reduced simply to the introduction of the study of nature. Rather, his art was involved in the development of pictorial idioms that were attuned to the skills and interests of their audiences. The new approaches in his painting contributed in particular to the possibility of examining and communicating psychological, narrative and allegorical content of great complexity outside the media of language and text, which not only changed the face of European art but certainly contributed to the intellectual opening of Western societies.
Author: Andrea Moschetti
Publisher:
ISBN:
Category : Mural painting and decoration
Languages : en
Pages : 194
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Book Description
Author: Henrike Christiane Lange
Publisher: Cambridge University Press
ISBN: 1009041657
Category : Art
Languages : en
Pages : 581
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Book Description
In this book, Henrike Lange takes the reader on a tour through one of the most beloved and celebrated monuments in the world – Giotto's Arena Chapel. Paying close attention to previously overlooked details, Lange offers an entirely new reading of the stunning frescoes in their spatial configuration. The author also asks fundamental questions that define the chapel's place in Western art history. Why did Giotto choose an ancient Roman architectural frame for his vision of Salvation? What is the role of painted reliefs in the representation of personal integrity, passion, and the human struggle between pride and humility familiar from Dante's Divine Comedy? How can a new interpretation regarding the influence of ancient reliefs and architecture inform the famous “Assisi controversy” and cast new light on the debate around Giotto's authorship of the Saint Francis cycle? Illustrated with almost 200 color plates, this volume invites scholars and students to rediscover a key monument of art and architecture history and to see it with new eyes.
Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205217314
Category : Art
Languages : en
Pages : 595
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Book Description
The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again.
Author: Raimond van Marle
Publisher:
ISBN:
Category :
Languages : en
Pages : 718
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Book Description
Author: Alberto Argenton
Publisher: Routledge
ISBN: 042988852X
Category : Psychology
Languages : en
Pages : 478
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Book Description
Perception of expression distinguishes our cognitive activity in a pervasive, significant and peculiar way, and manifests itself paradigmatically in the vast world of artistic production. Art and Expression examines the cognitive processes involved in artistic production, aesthetic reception, understanding and enjoyment. Using a phenomenological theoretical and methodological framework, developed by Rudolf Arnheim and other important scholars interested in expressive media, Alberto Argenton considers a wide range of artistic works, which span the whole arc of the history of western graphic and pictorial art. Argenton analyses the representational strategies of a dynamic and expressive character that can be reduced to basic aspects of perception, like obliqueness, amodal completion, and the bilateral function of contour, giving new directions relative to the functioning of cognitive activity. Art and Expression is a monument to the fruitful collaboration of art history and psychology, and Argenton has taken great care to construct a meaningful psychological approach to the arts based also on a knowledge of pictorial genres that allows him to systematically situate the works under scrutiny. Art and Expression is an essential resource for postgraduate researchers and scholars interested in visual perception, art, and gestalt psychology.
