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Author:
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 320
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Book Description
Author:
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 320
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 86
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Book Description
Author: Emily Merson
Publisher: Rowman & Littlefield
ISBN: 1785523228
Category : Political Science
Languages : en
Pages : 231
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Book Description
Historically, artwork has played a powerful role in shaping settler colonial subjectivity and the political imagination of Westphalian sovereignty through the canonization of particular visual artworks, aesthetic theories, and art institutions’ methods of display. Creative Presence contributes a transnational feminist intersectional analysis of visual and performance artwork by Indigenous contemporary artists who directly engage with colonialism and decolonization. This book makes the case that decolonial aesthetics is a form of labour and knowledge production that calls attention to the foundational violence of settler colonialism in the formation of the world order of sovereign states. Creative Presence analyzes how artists’ purposeful selection of materials, media forms, and place-making in the exhibitions and performances of their work reveals the limits of conventional International Relations theories, methods, and debates on sovereignty and participates in Indigenous reclamations of lands and waterways in world politics. Brian Jungen’s sculpture series Prototypes for New Understanding and Rebecca Belmore’s filmed performances Vigil and Fountain exhibit how colonial power has been imagined, visualized and institutionalized historically and in contemporary settler visual culture. These contemporary visual and performance artworks by Indigenous artists that name the political violence of settler colonial claims to exclusive territorial sovereignty introduce possibilities for decolonizing audiences’ sensibilities and political imagination of lands and waterways.
Author: Rachel Rivenc
Publisher: Getty Publications
ISBN: 1606067672
Category : Art
Languages : en
Pages : 528
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Book Description
This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or genetically engineered organisms. Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk, bacteria, living organisms—these are just a few of the biological materials that contemporary artists are using to make art. But how can works made from such perishable ingredients be preserved? And what logistical, ethical, and conceptual dilemmas might be posed by doing so? Because they are prone to rapid decay, even complete disappearance, biological materials used in art pose a range of unique conservation challenges. This groundbreaking book probes the issues associated with displaying, collecting, and preserving these unique works of art. The twenty-four papers from the conference present a range of case studies, prominently featuring artists’ perspectives, as well as conceptual discussions, thereby affording a comprehensive and richly detailed overview of current thinking and practices on this topic. Living Matter is the first publication to explore broadly the role of biological materials in the creative process and present a variety of possible approaches to their preservation. The free online edition of this open-access publication is available at www.getty.edu/publications/living-matter/ and includes videos and zoomable illustrations. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
Author: Jeanne Boden
Publisher: PUNCT
ISBN: 9464590327
Category : Art
Languages : en
Pages : 249
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Book Description
In the early 1990s artist Xu Bing stamped two pigs with respectively nonsensical Latin words and fake Chinese characters and allowed them to mate in an art gallery. The performance of ‘two creatures, devoid of human consciousness, yet carrying on their bodies the marks of human civilization’, engaging in the ‘most primal form of social intercourse’ confronted the public with the tension between nature and civilization. The work also addresses the tension between China and the West and therefore perfectly fits the core message of this book. Contemporary art in China takes place in a post-socialist (post-Mao) context, and at the same time a post-traditional one, searching for balance between aesthetic legacy and modernization. It also tries to find its position in the post-colonial globalized arena. This book explores the tension between individual artistic freedom and a dominant discourse of central Chinese government, between China’s cultural legacy and modernization, and between China and a global art world still dominated by a Western canon. As a case study it focuses on the artists who participated in the Venice Biennale in 1993, which was the first time contemporary art from mainland China was structurally invited to participate in a global art context. Jeanne Boden has a PhD in Oriental Languages and Cultures. Her research focuses on Eurocentrism, Sinocentrism and contemporary Chinese art. (jeanneboden.com) Cover picture: Xu Bing, A Case Study of Transference, 1993-94
Author: La Biennale di Venezia. esposizione internationale d'arte
Publisher:
ISBN: 9788831792561
Category :
Languages : en
Pages : 100
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Book Description
Author: Maura Reilly
Publisher: Gregory R. Miller & Co.
ISBN: 9780980024203
Category : Art
Languages : en
Pages : 320
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Book Description
Text by Maura Reilly, Laurie Ann Farrell. Interview with Martine Antle.
Author: Leonora Carrington
Publisher: New York Review of Books
ISBN: 1681370956
Category : Juvenile Fiction
Languages : en
Pages : 57
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Book Description
In English for the first time, a wild and darkly funny book that combines Surrealist painter Leonora Carringon's fantastical writing and illustrations for children The maverick surrealist Leonora Carrington was an extraordinary painter and storyteller who loved to make up stories and draw pictures for her children. She lived much of her life in Mexico, and her sons remember sitting in a big room whose walls were covered with images of wondrous creatures, towering mountains, and ferocious vegetation while she told fabulous and funny tales. That room was later whitewashed, but some of its wonders were preserved in the little notebook that Carrington called The Milk of Dreams. John, who has wings for ears, Humbert the Beautiful, an insufferable kid who befriends a crocodile and grows more insufferable yet, and the awesome Janzamajoria are all to be encountered in The Milk of Dreams, a book that is as unlikely, outrageous, and dreamy as dreams themselves.
Author: Okwui Enwezor
Publisher: Actar D
ISBN:
Category : Art
Languages : en
Pages : 342
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Book Description
Published in conjunction with the SecondInternational Biennial of Contemporary Art of Seville (Biacs 2), The Unhomely: Phantom Scenes in Global Society functions as more than simply a catalog for the exhibition. The book features essays by Judith Butler, Okwui Enwezor, Martin Heidegger, Thomas Keenan, Achilles Mbembe, Retort, Alberto Ruiz de Samaniego, Terry Smith, and Ruti Teitel, as well as featuring images from the artwork of the ninety-one artists featured in the biennial. Focusing on the contemporary confluence of aesthetics and politics, The Unhomely: Phantom Scenes in Global Society is concerned with the complexities of intimacy, proximity, antagonism, and renews the call for neighborliness in the present condition. Edited by Okwui Enwezor, Artistic Director of Biacs 2.
Author: Stan Douglas
Publisher: Omaha, Neb. : Joslyn Art Museum
ISBN:
Category : Art
Languages : en
Pages : 164
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Book Description
Picture a six-minute conversation filmed by 20 cameras, then sliced, diced and reshuffled by computer into a film that's 157-hours long. (Yes, that's more than a week, but you don't have to watch the whole thing at once.) It's the essence of Stan Douglas, who "witholds the artificial neatness of conclusion and gives us instead a sense of the interminable," as one admiring critic wrote. In Inconsolable Memories, Douglas uses photos he took in Cuba as the base for his unique approach to narrative, putting together a look at exile and identity against the backdrop of the 1980 Mariel Boatlift. Includes essays by Svon Luttiken and Phillip Monk, the lavishly illustrated screenplay, and 40 color plates of recent photographs.
