Kurt Weill Newsletter PDF Download
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Author:
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Category : Music
Languages : en
Pages : 36
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Book Description
Author:
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ISBN:
Category :
Languages : de
Pages : 60
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Book Description
Author:
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ISBN:
Category : Music
Languages : en
Pages : 36
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Book Description
Author: Kurt-Weill-Gesellschaft
Publisher:
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Category :
Languages : de
Pages :
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Book Description
Author: Fodor's Travel Publications, Inc.
Publisher: Fodors Travel Publications
ISBN: 0307928675
Category : Travel
Languages : en
Pages : 433
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Book Description
A practical illustrated guide that brings Germany to life. Essential information about sightseeing, dining, and hotels is all conveniently organized by region.making it easy for you to find the details you need when you are on the go.
Author: Carolyn Weber
Publisher:
ISBN:
Category :
Languages : en
Pages : 124
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Book Description
Author: Kurt Weill Foundation for Music
Publisher:
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Category :
Languages : en
Pages : 52
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Book Description
Author:
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ISBN:
Category :
Languages : de
Pages : 68
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : de
Pages : 60
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : de
Pages : 24
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Book Description
Author: Robert Gordon
Publisher: Oxford University Press
ISBN: 0190909757
Category : Music
Languages : en
Pages : 1001
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Book Description
The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.
