Kunkel's Musical Review PDF Download
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Author:
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Category : Music
Languages : en
Pages : 386
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 386
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Book Description
Author: United States. Solicitor for the Post Office Department
Publisher:
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Category : Law reports, digests, etc
Languages : en
Pages : 1084
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Author:
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Category : American newspapers
Languages : en
Pages : 1026
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Book Description
Author: Pettingill, firm, newspaper advertising agents
Publisher:
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Category : Advertising
Languages : en
Pages : 1074
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Book Description
Containing a complete classified directory of the newspapers and periodicals published in the United States.
Author: Pettingill & Co
Publisher:
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Category : American newspapers
Languages : en
Pages : 1500
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Book Description
Author: Ernst Christopher Krohn
Publisher: Pendragon Press
ISBN: 9780899900438
Category : Language Arts & Disciplines
Languages : en
Pages : 156
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Author:
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ISBN:
Category : American newspapers
Languages : en
Pages : 640
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Author:
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ISBN:
Category :
Languages : en
Pages : 978
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Author:
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ISBN:
Category : American newspapers
Languages : en
Pages : 1056
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Book Description
Author: Judah M. Cohen
Publisher: Indiana University Press
ISBN: 0253040248
Category : Music
Languages : en
Pages : 328
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Book Description
This study of synagogue music in the United States in the second half of the nineteenth century “sets a high standard for historical musicology” (Musica Judaica). In Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack, Judah M. Cohen demonstrates that Jews constructed a robust religious musical conversation in the United States during the mid- to late-nineteenth century. While previous studies of American Jewish music history have looked to Europe as a source of innovation during this time, Cohen’s careful analysis of primary archival sources tells a different story. Far from seeing a fallow musical landscape, Cohen finds that Central European Jews in the United States spearheaded a major revision of the sounds and traditions of synagogue music during this period of rapid liturgical change. Focusing on the influences of both individuals and texts, Cohen demonstrates how American Jewish musicians sought to balance artistry and group singing, rather than “progressing” from solo chant to choir and organ. Congregations shifted between musical genres and practices during this period in response to such factors as finances, personnel, and communal cohesiveness. Cohen concludes that the “soundtrack” of nineteenth-century Jewish American music heavily shapes how we look at Jewish American music and life in the first part of the twenty-first century, arguing that how we see, and especially hear, history plays a key role in our understanding of the contemporary world around us. Supplemented with an interactive website that includes the primary source materials, recordings of the music discussed, and a map that highlights the movement of key individuals, Cohen’s research defines more clearly the sound of nineteenth-century American Jewry.
