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Author: Samuel Beckett
Publisher: Grove Press
ISBN: 9780802159519
Category : Drama
Languages : en
Pages : 512
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Book Description
"The publication of Samuel Beckett's Theatrical Notebooks . . . is a major event which casts fascinating light on the thought processes of a great writer."--Review of English Studies From the mid-1960s, Samuel Beckett himself directed all his major plays in Berlin, Paris, or London. For most of these productions he meticulously prepared notebooks for his personal use. The Theatrical Notebooks of Beckett that are reproduced in facsimile here are translated and annotated and thus offer a remarkable record of his own involvement with the staging of his texts. They present his solutions to practical problems but also provide a unique insight into the ways he envisaged his plays. With additional information taken from Beckett's own annotated and corrected copies, the editors have been able to constitute a new revised text for each of the major plays. Beckett directed Krapp's Last Tape on four separate occasions: this volume offers a facsimile of his 1969 Schiller Theater notebook, which contains some of the most explicit analysis by the playwright of his own work ever revealed. The revised text incorporates many of the changes he made in the 1969 Schiller production, as well as subsequent changes in later productions. It reveals a flexibility and openness of approach often considered alien to Beckett's ways of working in the theatre.
Author: Samuel Beckett
Publisher: Grove Press
ISBN: 9780802159519
Category : Drama
Languages : en
Pages : 512
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Book Description
"The publication of Samuel Beckett's Theatrical Notebooks . . . is a major event which casts fascinating light on the thought processes of a great writer."--Review of English Studies From the mid-1960s, Samuel Beckett himself directed all his major plays in Berlin, Paris, or London. For most of these productions he meticulously prepared notebooks for his personal use. The Theatrical Notebooks of Beckett that are reproduced in facsimile here are translated and annotated and thus offer a remarkable record of his own involvement with the staging of his texts. They present his solutions to practical problems but also provide a unique insight into the ways he envisaged his plays. With additional information taken from Beckett's own annotated and corrected copies, the editors have been able to constitute a new revised text for each of the major plays. Beckett directed Krapp's Last Tape on four separate occasions: this volume offers a facsimile of his 1969 Schiller Theater notebook, which contains some of the most explicit analysis by the playwright of his own work ever revealed. The revised text incorporates many of the changes he made in the 1969 Schiller production, as well as subsequent changes in later productions. It reveals a flexibility and openness of approach often considered alien to Beckett's ways of working in the theatre.
Author: Samuel Beckett
Publisher: Faber & Faber Plays
ISBN: 9780571348725
Category :
Languages : en
Pages : 0
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Book Description
Vol III of the four-volume series reproducing Beckett's theatrical notebooks in facsimile - now in affordable paperback edition.
Author: Samuel Beckett
Publisher:
ISBN: 9780571145638
Category : English drama
Languages : en
Pages : 286
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Book Description
Samuel Beckett directed Krapp's Last Tape on four separate occasions, and this volume offers a facsimile of his 1969 Schiller-Theater notebook. The notebook contains what is probably some of the most explicit analysis by Beckett of his own work ever revealed.
Author: Samuel Beckett
Publisher: Clipper Audio
ISBN: 9781471233845
Category :
Languages : en
Pages :
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Book Description
Samuel Beckett, one of the great avant-garde Irish dramatists and writers of the second half of the twentieth century, was born on 13 April 1906. His centenary will be celebrated throughout 2006 with performances of his major plays, including Waiting for Godot. Here are the two most famous plays for solo voice. Krapp's Last Tape finds an old man, with his tape recorder, musing over the past and future. Not I is a remarkable tour de force for a single actress, as a woman emits memories and fears. Also included are two other singular short dramas for single voice, That Time read by John Moffatt and A Piece of Monologue read by Peter Marinker.
Author: Samuel Beckett
Publisher: Grove Press
ISBN: 9780802149107
Category : Drama
Languages : en
Pages : 304
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Book Description
"Packed with wonderful details illustrating Beckett's literary and dramatic brilliance and providing fascinating interpretive aids to these important plays."--David E. Liss
Author: Samuel Beckett
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 141
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Book Description
Author: Eugene O'Neill
Publisher: Dramatists Play Service Inc
ISBN: 9780822205432
Category : Drama
Languages : en
Pages : 36
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Book Description
THE STORY: Originally produced on Broadway, revived to sellout houses in 1996 starring Al Pacino, HUGHIE was one of O'Neill's last works. It was originally intended as part of a series of short plays, but it became the lone survivor when O'Neill de
Author: Samuel Beckett
Publisher: Faber & Faber
ISBN: 0571297005
Category : Drama
Languages : en
Pages : 145
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Book Description
Krapp's Last Tape was first performed by Patrick Magee at the Royal Court Theatre in October 1958, and described as 'a solo, if that is the word, for one voice and two organs: one human, one mechanical. It fills few pages. It is perhaps the most original and important play of its length ever written.' (Roy Walker) The present volume brings together Krapp's Last Tape and Beckett's other shorter works or 'dramaticules' written for the stage. It will be complemented by a forthcoming Faber edition of dramatic works written for radio and screen. Arranged in chronological order of composition, these shorter plays exhibit the laconic means and compassionate ends of Beckett's dramatic vision. KRAPP 'Here I end this reel. Box - [ Pause.] - three, spool - [ Pause.] - five. [ Pause.] Perhaps my best years have gone. When there was a chance of happiness. But I wouldn't want them back. Not with the fire in me now. No, I wouldn't want them back. [ Staring motionless before him.]
Author: Burç İdem Dinçel
Publisher: Cambridge Scholars Publishing
ISBN: 1443835471
Category : Performing Arts
Languages : en
Pages : 140
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Book Description
Samuel Beckett’s theatrical works maintain a prominent position within contemporary theatre. His plays provide a prodigious potential to study several forms of acting, staging, and dramaturgy, as well as language and translation, thereby setting a fertile ground to tackle the problematic issue of the relationship between theatre criticism and theatre-translation criticism. That is precisely what this study examines by drawing attention to the fundamental characteristics of translated theatre texts as blueprints for productions and taking several aspects into account from directing to acting, from staging to performance, together with the language factor. To that end, Burç İdem Dinçel focuses on one of Beckett’s most significant plays, namely, Krapp’s Last Tape, situating it within the author’s oeuvre and along the way scrutinising not only the theatrical pieces but also the prose. By looking into the Turkish translations and productions of the play, this book brings forth a new dimension into approaching theatre through translation.
Author: Daniel Sack
Publisher: Taylor & Francis
ISBN: 1317335368
Category : Drama
Languages : en
Pages : 74
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Book Description
"We lay there without moving. But under us all moved, and moved us." - Krapp Samuel Beckett’s most accessible play is also one of the twentieth century’s most moving dramas about aging, memory, and disappointment. Daniel Sack offers the first comprehensive survey of Krapp’s Last Tape (1958) with a general reader in mind. Structured around a series of questions, five approachable sections contextualize the play in the larger career of its Nobel-Prize-winning writer, explore its major thematic concerns, and offer comparative analyses with Beckett’s other signal works. Sack also uses discussions of significant productions, including those directed by the playwright himself, to ground interpretation of the play in terms of its performance and provide a useful resource to directors and actors. Both a critical and personal exploration of this haunting play, this volume is a must-read for anyone with an interest in Beckett’s work.
