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Author: Moses Smith
Publisher: Pickle Partners Publishing
ISBN: 1789120055
Category : Music
Languages : en
Pages : 292
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Book Description
THE LIFE of Serge Koussevitzky reads like a modern fairy tale. Horatio Alger could not have fabricated a more glamorous tale than this real life-story of the poor, humbly-born lad. From a small town in darkest Tsarist Russia, he worked his way through a conservatory in Moscow, acquired tremendous proficiency on the double-bass, then met and wedded his fairy princess, who opened the door to a new career—conducting. Koussevitzky became a celebrated conductor in Russia, founding his own orchestra, not only giving concerts in Moscow and St. Petersburg, but also making three fabulous tours up and down the Volga, bringing the finest symphonic music to thousands who had never heard it. He persisted with his mission through the dark days of World War I, and the bitter early years of the Russian Revolution, before leaving Russia to become a glamorous figure in the concert halls of Paris and other western European capitals.
Author: Moses Smith
Publisher: Pickle Partners Publishing
ISBN: 1789120055
Category : Music
Languages : en
Pages : 292
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Book Description
THE LIFE of Serge Koussevitzky reads like a modern fairy tale. Horatio Alger could not have fabricated a more glamorous tale than this real life-story of the poor, humbly-born lad. From a small town in darkest Tsarist Russia, he worked his way through a conservatory in Moscow, acquired tremendous proficiency on the double-bass, then met and wedded his fairy princess, who opened the door to a new career—conducting. Koussevitzky became a celebrated conductor in Russia, founding his own orchestra, not only giving concerts in Moscow and St. Petersburg, but also making three fabulous tours up and down the Volga, bringing the finest symphonic music to thousands who had never heard it. He persisted with his mission through the dark days of World War I, and the bitter early years of the Russian Revolution, before leaving Russia to become a glamorous figure in the concert halls of Paris and other western European capitals.
Author: Arthur Lourie
Publisher: Read Books Ltd
ISBN: 1473386225
Category : Biography & Autobiography
Languages : en
Pages : 169
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Book Description
Arthur-Vincent Lourié was a significant Russian composer. Lourié played an important role in the earliest stages of the organization of Soviet music after the 1917 Revolution but later went into exile. His music reflects his close connections with contemporary writers and artists, and also his close relationship with Igor Stravinsky. Lourié gives a biographical sketch of Sergei Koussevitzky, with a chronicle of the musical life of his time as its setting, solely because the fifteen years during which they knew each other bound them together with the combined memories of so many important events, experienced simultaneously, though perhaps in a different way, and for ever unforgettable. From the author; 'What I have written is not a criticism nor a jubilee offering, but only, as I understand it, the objective testimony of one musician concerning another; the testimony of a friend and contemporary in regard to a period in which we met on a common path and in which we took an active part, each according to his abilities.'
Author: Joseph Horowitz
Publisher: W. W. Norton & Company
ISBN: 9780393057171
Category : History
Languages : en
Pages : 664
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Book Description
An award-winning scholar and leading authority on American symphonic culture argues that classical music in the United States is peculiarly performance-driven, and he traces a musical trajectory rising to its peak at the close of the 19th century and receding after World War I.
Author: Hugo Leichtentritt
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 236
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Book Description
Author: Joan Peyser
Publisher: Hal Leonard Corporation
ISBN: 9781423410263
Category : Music
Languages : en
Pages : 660
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Book Description
The symphonic orchestra is intriguingly considered in essays by 23 leading music authors and thinkers. Topics include historical beginnings, the role of the conductor, the orchestral audience, the nature of the repertoire, and how recordings have affected the modern orchestra. With a new editor's introduction for this 2006 edition and a glossary of terms.
Author: Peggy Daniel
Publisher: Hal Leonard Corporation
ISBN: 9781574671674
Category : Music
Languages : en
Pages : 264
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Book Description
The story of the summer home of the Boston Symphony since 1935 is told in first-person accounts by many of the leading musicians, critics, and music professionals who consider Tanglewood a second home, with contributions by Boris Goldovsky, Seiji Ozawa, and James Levine, among others.
Author: Klara Moricz
Publisher: Oxford University Press
ISBN: 0199829454
Category : Music
Languages : en
Pages : 320
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Book Description
Funeral Games in Honor of Arthur Vincent Lourié explores the varied aesthetic impulses and ever-evolving personal motivations of Russian composer Arthur Lourié. A St. Petersburg native allied with the Futurist movement and profoundly sympathetic to Silver Age decadence, Lourié was swept away by the Revolution; he surfaced as a Communist commissar of music before landing in Europe and America, where his career foundered. Making his way by serving others, he became Stravinsky's right-hand man, Serge Koussevitsky's ghostwriter, and philosopher Jacques Maritain's muse. Lourié left his mark on the poems of Anna Akhmatova, on the neoclassical aesthetics of Stravinsky, on Eurasianism, and on Maritain's NeoThomist musings about music. Lourié serves as a flawless lens through which aspects of Silver Age Russia, early Bolshevik rule, and the cultural space of exile come into sharper focus. But this interdisciplinary collection of essays, edited by musicologists Klára Móricz and Simon Morrison, also looks at Lourié himself as an artist and intellectual in his own right. Much of the aesthetic and technical discussion concerns his grandly eulogistic opera The Blackamoor of Peter the Great, understood as both a belated Symbolist work and as a NeoThomist exercise. Despite the importance Lourié attached to the opera as his masterwork, Blackamoor has never been performed, its fate thus serving as an emblem of Lourié's own. Yet even if Lourié seems to have been destined to be but a footnote in the pages of music history, he looms large in studies of emigration and cultural memory. Here Lourié's life, like his last opera, is presented as a meditation on the circumstances and psychology of exile. Ultimately, these essays recover a lost realm of musical and aesthetic possibilities-a Russia that Lourié, and the world, saw disappear.
Author: Louis K. Epstein
Publisher: Boydell & Brewer
ISBN: 178327669X
Category : Music
Languages : en
Pages : 256
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Book Description
Challenges the longstanding perception that modernist composers made art, not money, and that those who made money somehow failed to make art.Patrons have long appeared as colorful, exceptional figures in music history, but this book recasts patrons and patronage as creative forces that shaped the sounds and meanings of new French music between the world wars. Far from mere sources of funding, early twentieth-century patrons collaborated closely with composers, treating commissions for new music as opportunities to express their own artistry. Patrons developed new pathways to participate in music-making, going beyond commissions to establish ballet companies, manage performance venues, and establish state programs. The impressive variety of patronage activities led to an explosion of new music as well as new styles and -isms, indelibly marking the repertoire that this book examines, including a number of pieces frequently heard in concert halls today. In addition to offering new perspectives on well-known French repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons. as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.
Author: Paul R. Laird
Publisher: Rowman & Littlefield
ISBN: 1538113457
Category : Music
Languages : en
Pages : 364
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Book Description
Historical Dictionary of Leonard Bernstein contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries encompassing people whom he befriended or worked with, institutions, orchestras, performance venues, cities, compositional methods, and compositions.
Author: Jeremy Barham
Publisher: Oxford University Press
ISBN: 0199316112
Category : Music
Languages : en
Pages : 368
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Book Description
As one of the most popular classical composers in the performance repertoire of professional and amateur orchestras and choirs across the world, Gustav Mahler continues to generate significant interest, and the global appetite for his music, and for discussions of it, remains large. Editor Jeremy Barham brings together leading and emerging scholars in the field to explore Mahler's relationship with music, media, and ideas past and present, addressing issues in structural analysis, performance, genres of stage, screen and literature, cultural movements, aesthetics, history/historiography and temporal experience. Rethinking Mahler counterbalances prevailing scholarly assumptions and preferences that configure Mahler as proto-modernist, with hitherto neglected consideration of his debt to, and his re-imagining of, the legacies of his own historical past. Over the course of 17 chapters drawing from a variety of disciplinary perspectives, the book pursues ideas of nostalgia, historicism and 'pastness' in relation to an emergent modernity and subsequent musical-cultural developments, yielding a wide-ranging exploration and re-evaluation of Mahler's works, their historical reception and understanding, and their resounding impact within diverse cultural contexts. Rethinking Mahler will be an essential resource for scholars and students of Mahler and late Romantic era music more generally, and will also find an audience among the many devotees of Mahler's music.
