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Author: Barbaro Martinez-Ruiz
Publisher: Temple University Press
ISBN: 1439908184
Category : Art
Languages : en
Pages : 240
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Book Description
Written symbols, religious objects, oral traditions, and body language have long been integrated into the Kongo system of graphic writing of the Bakongo people in Central Africa as well as their Cuban descendants. This book provides a significant overview of the social, religious, and historical contexts in which the Kongo kingdom developed and spread to the Caribbean.
Author: Barbaro Martinez-Ruiz
Publisher: Temple University Press
ISBN: 1439908184
Category : Art
Languages : en
Pages : 240
Get Book Here
Book Description
Written symbols, religious objects, oral traditions, and body language have long been integrated into the Kongo system of graphic writing of the Bakongo people in Central Africa as well as their Cuban descendants. This book provides a significant overview of the social, religious, and historical contexts in which the Kongo kingdom developed and spread to the Caribbean.
Author: Cécile Fromont
Publisher: UNC Press Books
ISBN: 1469618710
Category : Art
Languages : en
Pages : 304
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Book Description
Art of Conversion: Christian Visual Culture in the Kingdom of Kongo
Author: Renée Larrier
Publisher: Lexington Books
ISBN: 1498501648
Category : Literary Criticism
Languages : en
Pages : 427
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Book Description
Writing Through the Visual and Virtual: Inscribing Language, Literature, and Culture in Francophone Africa and the Caribbean interrogates conventional notions of writing. The contributors—whose disciplines include anthropology, art history, education, film, history, linguistics, literature, performance studies, philosophy, sociology, translation, and visual arts—examine the complex interplay between language/literature/arts and the visual and virtual domains of expressive culture. The twenty-five essays explore various patterns of writing practices arising from contemporary and historical forces that have impacted the literatures and cultures of Benin, Cameroon, Côte d’Ivoire, Egypt, Guadeloupe, Haiti, Martinique, Morocco, Niger, Reunion Island, and Senegal. Special attention is paid to how scripts, though appearing to be merely decorative in function, are often used by artists and performers in the production of material and non-material culture to tell “stories” of great significance, co-mingling words and images in a way that leads to a creative synthesis that links the local and the global, the “classical” and the “popular” in new ways
Author: Ramon Sarró
Publisher: Cambridge University Press
ISBN: 1009199455
Category : History
Languages : en
Pages : 219
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Book Description
In 1978, Congolese inventor David Wabeladio Payi (1958–2013) proposed a new writing system, called Mandombe. Since then, Mandombe has grown and now has thousands of learners in not only the Democratic Republic of Congo, but also France, Angola and many other countries. Drawing upon Ramon Sarró's personal friendship with Wabeladio, this book tells the story of Wabeladio, his alphabet and the creativity that both continue to inspire. A member of the Kimbanguist church, which began as an anticolonial movement in 1921, Wabeladio and his script were deeply influenced by spirituality and Kongo culture. Combining biography, art, and religion, Sarró explores a range of ideas, from the role of pilgrimage and landscape in Wabeladio's life, to the intricacies and logic of Mandombe. Sarró situates the creative individual within a rich context of anthropological, historical and philosophical scholarship, offering a new perspective on the relationships between imagination, innovation and revelation.
Author: Gale P. Jackson
Publisher: U of Nebraska Press
ISBN: 1496217683
Category : Social Science
Languages : en
Pages : 246
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Book Description
In a gathering of griot traditions fusing storytelling, cultural history, and social and literary criticism, Put Your Hands on Your Hips and Act Like a Woman “re-members” and represents how women of the African diaspora have drawn on ancient traditions to record memory, history, and experience in performance. These women’s songs and dances provide us with a wealth of polyphonic text that records their reflections on identity, imagination, and agency, providing a collective performed autobiography that complements the small body of pre-twentieth-century African and African American women’s writing. Gale P. Jackson engages with a range of vibrant traditions to provide windows into multiple discourses as well as “new” and old paradigms for locating the history, philosophy, pedagogy, and theory embedded in a lineage of African diaspora performance and to articulate and address the postcolonial fragmentation of humanist thinking. In lyrically interdisciplinary movement, across herstories, geographies, and genres, cultural continuities, improvisation, and transformative action, Put Your Hands on Your Hips and Act Like a Woman offers a fresh perspective on familiar material and an expansion of our sources, reading, and vision of African diaspora, African American, and American literatures.
Author: Sharrell D. Luckett
Publisher: Rutgers University Press
ISBN: 168448152X
Category : Art
Languages : en
Pages : 345
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Book Description
Trans Identity as Embodied Afrofuturism / Amber Johnson -- "I Luh God" : Erica Campbell, Trap Gospel and the Moral Mask of Language Discrimination / Sammantha McCalla -- The Conciliation Project as a Social Experiment : Behind the Mask of Uncle Tomism and the Performance of Blackness / Jasmine Coles & Tawnya Pettiford-Wates.
Author: Jonathan Berliner
Publisher: Cambridge University Press
ISBN: 1009222341
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
William Faulkner and the Materials of Writing examines the many physical texts in Faulkner's novels and stories from letters and telegrams to Bibles, billboards, and even the alphabetic shape of airport runways. Current investigations in print culture, book history, and media studies often emphasize the controlling power of technological form; instead, this book demonstrates how media should be understood in the context of its use. Throughout Faulkner's oeuvre, various kinds of writing become central to characters forming a sense of the self as well as bonds of intimacy, while ideologies of race and gender connect to the body through the vehicle of writing. This book combines close reading analysis of Faulkner's fiction with the publication history of his works that together offer a case study about what it means to live in a world permeated by media.
Author: Zainabu Jallo
Publisher: Taylor & Francis
ISBN: 1000847993
Category : Social Science
Languages : en
Pages : 204
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Book Description
Material Culture in Transit: Theory and Practice constellates curators and scholars actively working with material culture within academic and museal institutions through theory and practice. The rich collection of essays critically addresses the multivalent ways in which mobility reshapes the characteristics of artefacts, specifically under prevailing issues of representation and colonial liabilities. The volume attests to material culture as central to understanding the repercussions of problematic histories and proposes novel ways to address them. It offers valuable reading for scholars of anthropology, museum studies, history and others with an interest in material culture.
Author: Martin S. Shanguhyia
Publisher: Springer
ISBN: 1137594268
Category : History
Languages : en
Pages : 1360
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Book Description
This wide-ranging volume presents the most complete appraisal of modern African history to date. It assembles dozens of new and established scholars to tackle the questions and subjects that define the field, ranging from the economy, the two world wars, nationalism, decolonization, and postcolonial politics to religion, development, sexuality, and the African youth experience. Contributors are drawn from numerous fields in African studies, including art, music, literature, education, and anthropology. The themes they cover illustrate the depth of modern African history and the diversity and originality of lenses available for examining it. Older themes in the field have been treated to an engaging re-assessment, while new and emerging themes are situated as the book’s core strength. The result is a comprehensive, vital picture of where the field of modern African history stands today.
Author: Delinda Collier
Publisher: U of Minnesota Press
ISBN: 1452945373
Category : Art
Languages : en
Pages : 235
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Book Description
Repainting the Walls of Lunda chronicles the publication and dissemination of an anthropology book, Paredes Pintadas da Lunda (Painted Walls of Lunda), which was published in Portuguese in 1953. The book featured illustrations of wall murals and sand drawings of the Chokwe peoples of northeastern Angola. These reproductions were adapted in postindependence Angolan nationalist art and post–civil war contemporary art. As Delinda Collier recounts, the pictorial narrative foregrounds the complex relationships between content, distribution, and politicization. The result is a nuanced look at the practices of art entangled in political economies as much as in issues of aesthetics. After historicizing the drastic changes in media for the Chokwe images, from sand and dwelling to book and from analog to digital, Collier analyzes the formal and infrastructural logic of the two-dimensional images in their subsequent formats, from postindependence canvas paintings to Internet images. Collier does not view any of these iterations as a negation or obliteration of the previous one. Instead, she argues that the logic of reproductive media envelops the past: each mediation adds another layer of context and content. As Collier sees it, the images’ historicity is embedded within these media layers, which many Angolan postindependence artists speak of in terms of ghosts or ancestors when describing their encounter with reproductions of the Chokwe art. If, as Collier contends, “Africa troubles media,” this book troubles facile theories and romantic constructions of “analog Africa,” boundaries between art and cybernetics, and the firewall between the colonial and the postcolonial.
