Concerto No. 1 in E Minor (Two-Piano Score)

Concerto No. 1 in E Minor (Two-Piano Score) PDF Author: Frederic Chopin
Publisher: Franklin Classics
ISBN: 9780342600052
Category :
Languages : en
Pages : 110

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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Piano Concerto in E Minor Op. 11

Piano Concerto in E Minor Op. 11 PDF Author: Ignacy Jan Paderewski
Publisher: Pwm
ISBN: 9781480390720
Category : Music
Languages : en
Pages : 0

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Book Description
PWM

Chopin: The Piano Concertos

Chopin: The Piano Concertos PDF Author: John Rink
Publisher: Cambridge University Press
ISBN: 9780521446600
Category : Music
Languages : en
Pages : 154

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Book Description
Chopin's E minor and F minor Piano Concertos played a vital role in his career as a composer-pianist. Praised for their originality and genius when he performed them, the concertos later attracted censure for ostensible weaknesses in form, development and orchestration. They also suffered at the hands of editors and performers, all the while remaining enormously popular. This handbook re-evaluates the concertos against the traditions that shaped them so that their many outstanding qualities can be fully appreciated. It describes their genesis, Chopin's own performances and his use of them as a teacher. A survey of their critical, editorial and performance histories follows, in preparation for an analytical 're-enactment' of the music - that is, a narrative account of the concertos as embodied in sound, rather than in the score. The final chapter investigates Chopin's enigmatic 'third concerto', the Allegro de concert. Chopin: The Piano Concertos has won the Wilk Book Prize for Research in Polish Music.

Konzert für Violine, Violoncello und Orchester a-moll, op. 102

Konzert für Violine, Violoncello und Orchester a-moll, op. 102 PDF Author: Johannes Brahms
Publisher:
ISBN:
Category : Concertos (Violin and cello)
Languages : en
Pages : 88

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Book Description


Ballades

Ballades PDF Author: FRDRIC. CHOPIN
Publisher: Koenemann
ISBN: 9783741914324
Category :
Languages : en
Pages : 0

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Book Description
Soft bound music score for piano.

Piano Concerto No. 1 in G Minor, Op. 25

Piano Concerto No. 1 in G Minor, Op. 25 PDF Author: Felix Mendelssohn
Publisher: Alfred Music
ISBN: 9781457475467
Category : Music
Languages : en
Pages : 48

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Book Description
Expertly arranged Piano Duet by Felix Mendelssohn from the Kalmus Edition series. This Advanced Piano Duet (2 Pianos, 4 Hands) is from the Romantic era. 2 copies are required for performance.

Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston

Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston PDF Author: Boston Public Library. Allen A. Brown Collection of Music
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 606

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Book Description


Rethinking Brahms

Rethinking Brahms PDF Author: Nicole Grimes
Publisher: Oxford University Press
ISBN: 0197541739
Category : Music
Languages : en
Pages : 585

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Book Description
As one of the most significant and widely performed composers of the nineteenth century, Brahms continues to command our attention. Rethinking Brahms counterbalances prevailing scholarly assumptions that position him as a conservative composer (whether musically or politically) with a wide-ranging exploration and re-evaluation of his significance today. Drawing on German- and English-language scholarship, it deploys original approaches to his music and pursues innovative methodologies to interrogate the historical, cultural, and artistic contexts of his creativity. Empowered by recent theoretical work on form and tonality, it offers fresh analytical insights into his music, including a number of corpus studies that interrogate the relationships between Brahms and other composers, past and present. The book brings into sharp focus the productive tension that exists between the perceived fixedness of musical texts and the ephemerality of performance by considering how historical and modern performers shape established understandings of Brahms and his music. Rethinking Brahms invites the reader to hear familiar pieces anew as they are refracted through historical, artistic, and philosophical prisms. Bringing us up to the present day, it also gives sustained attention to the resounding impact of Brahms's compositions on new music by exploring works by recent composers who have engaged deeply with his oeuvre. Combining awareness of overarching contexts with perceptive insights into Brahms's music, this book enlivens our understanding of Brahms, providing a dynamic, multifaceted, complex, and invigoratingly fresh portrait of the composer.

Expressive Intersections in Brahms

Expressive Intersections in Brahms PDF Author: Heather Platt
Publisher: Indiana University Press
ISBN: 0253005256
Category : Music
Languages : en
Pages : 317

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Book Description
“This exceptionally fine collection brings together many of the best analysts of Brahms, and nineteenth-century music generally, in the English-speaking world today.” —Nineteenth-Century Music Review Contributors to this exciting volume examine the intersection of structure and meaning in Brahms’s music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual re-framing is a new awareness of the meaningfulness of even Brahms’s most “absolute” works. “Through its unique combination of historical narrative, expressive content, and technical analytical approaches, the essays in Expressive Intersections in Brahms will have a profound impact on the current scholarly discourse surrounding Brahms analysis.” —Notes

The Cambridge Companion to the Concerto

The Cambridge Companion to the Concerto PDF Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521834834
Category : Music
Languages : en
Pages : 344

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Book Description
A rare volume dedicated entirely to scholarship on the genre of the concerto.