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Author: Christopher Peterson
Publisher: U of Minnesota Press
ISBN: 1452913366
Category :
Languages : en
Pages : 201
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Book Description
The refusal to recognize kinship relations among slaves, interracial couples, and same-sex partners is steeped in historical and cultural taboos. In Kindred Specters, Christopher Peterson explores the ways in which non-normative relationships bear the stigma of death that American culture vehemently denies. Probing Derrida’s notion of spectrality as well as Orlando Patterson’s concept of “social death,” Peterson examines how death, mourning, and violence condition all kinship relations. Through Charles Chesnutt’s The Conjure Woman, Peterson lays bare concepts of self-possession and dispossession, freedom and slavery. He reads Toni Morrison’s Beloved against theoretical and historical accounts of ethics, kinship, and violence in order to ask what it means to claim one’s kin as property. Using William Faulkner’s Absalom, Absalom! he considers the political and ethical implications of comparing bans on miscegenation and gay marriage. Tracing the connections between kinship and mourning in American literature and culture, Peterson demonstrates how racial, sexual, and gender minorities often resist their social death by adopting patterns of affinity that are strikingly similar to those that govern normative relationships. He concludes that socially dead “others” can be reanimated only if we avow the mortality and mourning that lie at the root of all kinship relations. Christopher Peterson is visiting assistant professor of literature at Claremont McKenna College.
Author: Christopher Peterson
Publisher: U of Minnesota Press
ISBN: 1452913366
Category :
Languages : en
Pages : 201
Get Book Here
Book Description
The refusal to recognize kinship relations among slaves, interracial couples, and same-sex partners is steeped in historical and cultural taboos. In Kindred Specters, Christopher Peterson explores the ways in which non-normative relationships bear the stigma of death that American culture vehemently denies. Probing Derrida’s notion of spectrality as well as Orlando Patterson’s concept of “social death,” Peterson examines how death, mourning, and violence condition all kinship relations. Through Charles Chesnutt’s The Conjure Woman, Peterson lays bare concepts of self-possession and dispossession, freedom and slavery. He reads Toni Morrison’s Beloved against theoretical and historical accounts of ethics, kinship, and violence in order to ask what it means to claim one’s kin as property. Using William Faulkner’s Absalom, Absalom! he considers the political and ethical implications of comparing bans on miscegenation and gay marriage. Tracing the connections between kinship and mourning in American literature and culture, Peterson demonstrates how racial, sexual, and gender minorities often resist their social death by adopting patterns of affinity that are strikingly similar to those that govern normative relationships. He concludes that socially dead “others” can be reanimated only if we avow the mortality and mourning that lie at the root of all kinship relations. Christopher Peterson is visiting assistant professor of literature at Claremont McKenna College.
Author: John D. Caputo
Publisher: Indiana University Press
ISBN: 0253063035
Category : Religion
Languages : en
Pages : 346
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Book Description
In Specters of God, John D. Caputo returns to the original impulse of his work, the "mystical element" in things, here under the name of an "anxious apophatics," as distinct from an "edifying apophatics" anchored in unity with God. In dialogue with Schelling, a new turn for him and the lynchpin of this argument, Caputo addresses the nocturnal powers in being, the specters that haunt our being and bring us up short. The result is an erudite and insightful analysis—in his usual lively and masterful style—of several key "spectral" figures from medieval angelology and Eckhart's Gottheit, through Luther's deus absconditus and Schelling's "Satanology," to the spectralization and virtualization of the world in the "posthuman" age. Arguing that the name of God is not the master name of a super-being who is going to save us but a placeholder for sources deep in our apophatic imaginary, he asks, Has "God" become a (holy) ghost of the past? A passing spectral effect of the ancient harmonies of the spheres? Does radical thinking culminate in a cosmopoetics beyond theism and its theology, in a doxology to the transient glory of the world, whatever it was in the beginning, however eerie its end, world without why?
Author: Ana M. Luszczynska
Publisher: Bloomsbury Publishing USA
ISBN: 144117009X
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
The Ethics of Community initiates a conversation between continental philosophy and cultural/literary studies that is long overdue. Illustrating that there is a fundamental ethics in deconstructionist approaches to community that can be provocatively traced in the context of cultural considerations central to African-American and U.S. Latino literature, this is a book about bridging gaps. Luszczynska nimbly traverses the complex terrain of preeminent French philosophers Jacques Derrida and Jean-Luc Nancy, offering a valuable introduction to the ethical components of their philosophical projects. Toni Morrison's Beloved and Ana Menendez's In Cuba I Was a German Shepherd serve as case studies through which Nancian community and Derridean bearing witness are elaborated. As Luszczynska demonstrates, Morrison's foregrounding of the distinct cultural sensibilities of her black and white characters and Menendez's preoccupation with geographical displacement and exile, themselves activate a deconstructive ethics. In this groundbreaking study, distinct cultural understandings and contexts provide a novel way of thinking through intricacies of Nancy and Derrida's thought while revealing the potential of the novel to re-imagine ways of being in the concrete world.
Author: Melanie Baak
Publisher: Springer
ISBN: 9463005889
Category : Education
Languages : en
Pages : 251
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Book Description
Belonging is an issue that affects us all, but for those who have been displaced, unsettled or made ‘homeless’ by the increased movements associated with the contemporary globalising era, belonging is under constant challenge. Migration throws into question not only the belongings of those who physically migrate, but also, particularly in a postcolonial context, the belongings of those who are indigenous to and ‘settlers’ in countries of migration, subsequent generations born to migrants, and those who are left behind in countries of origin. Negotiating Belongings utilises narrative, ethnographic and autoethnographic approaches to explore the negotiations for belonging for six women from Dinka communities originating in southern Sudan. It explores belonging, particularly in relation to migration, through a consideration of belonging to nation-states, ethnic groups, community, family and kin. In exploring how the journeys towards desired belongings are haunted by various social processes such as colonisation, power, ‘race’ and gender, the author argues that negotiating belonging is a continual movement between being and becoming. The research utilises and demands different ways of listening to and really hearing the narratives of the women as embedded within non-Western epistemologies and ontologies. Through this it develops an understanding of the relational ontology, cieng, that governs the ways in which the women exist in the world. The women’s narratives alongside the author’s experience within the Dinka community provide particular ways to interrogate the intersections of being and becoming on the haunted journey to belonging. The relational ontology of cieng provides an additional way of understanding belonging, becoming and being as always relational.
Author: Tamara Levitz
Publisher: Oxford University Press
ISBN: 0199730164
Category : Biography & Autobiography
Languages : en
Pages : 688
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Book Description
Here, Levitz demonstrates how a group of collaboratoring artists - Igor Stravinsky, Ida Rubenstein, Jacques Copeau, André Gide and others - used the myth of Perséphone to perform and articulate their most deeply held beliefs about four topics significant to modernism: religion, sexuality, death, and historical memory in art.
Author: Adrienne D. Davis
Publisher: University of Illinois Press
ISBN: 0252051491
Category : Social Science
Languages : en
Pages : 429
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Book Description
A daring collaboration among scholars, Black Sexual Economies challenges thinking that sees black sexualities as a threat to normative ideas about sexuality, the family, and the nation. The essays highlight alternative and deviant gender and sexual identities, performances, and communities, and spotlights the sexual labor, sexual economy, and sexual agency to black social life. Throughout, the writers reveal the lives, everyday negotiations, and cultural or aesthetic interventions of black gender and sexual minorities while analyzing the systems and beliefs that structure the possibilities that exist for all black sexualities. They also confront the mechanisms of domination and subordination attached to the political and socioeconomic forces, cultural productions, and academic work that interact with the energies at the nexus of sexuality and race. Contributors: Marlon M. Bailey, Lia T. Bascomb, Felice Blake, Darius Bost, Ariane Cruz, Adrienne D. Davis, Pierre Dominguez, David B. Green Jr., Jillian Hernandez, Cheryl D. Hicks, Xavier Livermon, Jeffrey McCune, Mireille Miller-Young, Angelique Nixon, Shana L. Redmond, Matt Richardson, L. H. Stallings, Anya M. Wallace, and Erica Lorraine Williams
Author: Melanie R. Anderson
Publisher: Univ. of Tennessee Press
ISBN: 1572339802
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
At first glance, Beloved would appear to be the only “ghost story” among Toni Morrison’s nine novels, but as this provocative new study shows, spectral presences and places abound in the celebrated author’s fiction. Melanie R. Anderson explores how Morrison uses specters to bring the traumas of African American life to the forefront, highlighting histories and experiences, both cultural and personal, that society at large too frequently ignores. Working against the background of magical realism, while simultaneously expanding notions of the supernatural within American and African American writing, Morrison peoples her novels with what Anderson identifies as two distinctive types of ghosts: spectral figures and social ghosts. Deconstructing Western binaries, Morrison uses the spectral to indicate power through its transcendence of corporality, temporality, and explication, and she employs the ghostly as a metaphor of erasure for living characters who are marginalized and haunt the edges of their communities. The interaction of these social ghosts with the spectral presences functions as a transformative healing process that draws the marginalized figure out of the shadows and creates links across ruptures between generations and between past and present, life and death. This book examines how these relationships become increasingly more prominent in the novelist’s canon—from their beginnings in The Bluest Eye and Sula, to their flowering in the trilogy that comprises Beloved, Jazz, and Paradise, and onward into A Mercy. An important contribution to the understanding of one of America’s premier fiction writers, Spectrality in the Novels of Toni Morrison demonstrates how the Nobel laureate’s powerful and challenging works give presence to the invisible, voice to the previously silenced, and agency to the oppressed outsiders who are refused a space in which to narrate their stories. Melanie R. Anderson is an Instructional Assistant Professor of American Literature at the University of Mississippi.
Author: Allen Tullos
Publisher: University of Georgia Press
ISBN: 0820330485
Category : History
Languages : en
Pages : 380
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Book Description
Tullos explores the recent history of one of the nation's most conservative states to reveal its political imaginary--the public shape of power, popular imagery, and individual opportunity--and asks if the coming years will see a transformation of the "Heart of Dixie."
Author: Micki McElya
Publisher: Harvard University Press
ISBN: 0674974069
Category : History
Languages : en
Pages : 282
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Book Description
Pulitzer Prize Finalist Winner of the John Brinckerhoff Jackson Book Prize Winner of the Sharon Harris Book Award Finalist, Jefferson Davis Award of the American Civil War Museum Arlington National Cemetery is one of America’s most sacred shrines, a destination for millions who tour its grounds to honor the men and women of the armed forces who serve and sacrifice. It commemorates their heroism, yet it has always been a place of struggle over the meaning of honor and love of country. Once a showcase plantation, Arlington was transformed by the Civil War, first into a settlement for the once enslaved, and then into a memorial for Union dead. Later wars broadened its significance, as did the creation of its iconic monument to universal military sacrifice: the Tomb of the Unknown Soldier. As Arlington took its place at the center of the American story, inclusion within its gates became a prerequisite for claims to national belonging. This deeply moving book reminds us that many brave patriots who fought for America abroad struggled to be recognized at home, and that remembering the past and reckoning with it do not always go hand in hand. “Perhaps it is cliché to observe that in the cities of the dead we find meaning for the living. But, as McElya has so gracefully shown, such a cliché is certainly fitting of Arlington.” —American Historical Review “A wonderful history of Arlington National Cemetery, detailing the political and emotional background to this high-profile burial ground.” —Choice
Author: Bonnie Honig
Publisher: Oxford University Press
ISBN: 0190600209
Category : Political Science
Languages : en
Pages : 470
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Book Description
Lars von Trier's intense, disturbing, and sometimes funny films have led many to condemn him as misogynist or misanthropic. The same films inspire this collection's reflections on how our fears and desires regarding gender, power, race, finitude, family, and fate often thwart -- and sometimes feed -- our best democratic aspirations. The essays in this volume attend to von Trier's role as provocateur, as well as to his films' techniques, topics, and storytelling. Where others accuse von Trier of being clichéd, the editors argue that he intensifies the "clichés of our times" in ways that direct our political energies towards apprehending and repairing a shattered world. The book is certainly for von Trier lovers and haters but, at the same time, political, critical, and feminist theorists entirely unfamiliar with von Trier's films will find this volume's essays of interest. Most of the contributors tarry with von Trier to develop new readings of major thinkers and writers, including Agamben, Bataille, Beauvoir, Benjamin, Deleuze, Euripides, Freud, Kierkegaard, Ranciére, Nietzsche, Winnicott, and many more. Von Trier is both central and irrelevant to much of this work. Writing from the fields of classics, literature, gender studies, philosophy, film and political theory, the authors stage an interdisciplinary intervention in film studies.
