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Author: Edward Kienholz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 100
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Book Description
"Edward Kienholz and Nancy Reddin Kienholz have created some of the most directly challenging and provocative sculptural works of the last forty years. This publication traces the influence of the Kienholzes on other artists and explores the extraordinary relevance of their work today through essays by writers David Anfam and Rosetta Brooks and artist Edward Allington."--BOOK JACKET.
Author: Edward Kienholz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 100
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Book Description
"Edward Kienholz and Nancy Reddin Kienholz have created some of the most directly challenging and provocative sculptural works of the last forty years. This publication traces the influence of the Kienholzes on other artists and explores the extraordinary relevance of their work today through essays by writers David Anfam and Rosetta Brooks and artist Edward Allington."--BOOK JACKET.
Author: Matthew Biro
Publisher: U of Minnesota Press
ISBN: 1452966729
Category : Art
Languages : en
Pages : 429
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Book Description
The first comprehensive study of the artist Robert Heinecken and his critical views on the culture of mass media This is the first book-length study dedicated to the artist Robert Heinecken, whose innovative photographic practices sought to interrogate how mass media imagery facilitated the construction of individual and collective identities. Appropriating, rephotographing, and layering pictures culled from newspapers, advertisements, pornography, and television, Heinecken recombined and transformed the ubiquitous images of mass culture to encourage viewers to critically reflect on their sense of self. From the 1960s through the late 1990s, Heinecken’s controversial art continually challenged inherited ideas around consumerism, the facticity of reportage, and visual culture’s relationship to gender and identity politics. Embodying the evolution of contemporary art toward increasingly hybrid and conceptual approaches, his oeuvre includes examples of painting, sculpture, photomontage, performance, installation, time-based media, and artist’s books, all of which collectively exploit photography’s reproducibility to subvert society’s dominant ideologies and stereotypical modes of representation. Author Matthew Biro presents an exhaustive look at Heinecken’s life and art, locating him within a lineage that encompasses the activities of the early twentieth-century avant-gardes and the postmodern strategies of the Pictures Generation artists. Assessing his career within the specific political and historical contexts from which he gleaned his material, and illustrated throughout with vibrant full-color reproductions of his art, this in-depth examination demonstrates Robert Heinecken’s significance as a key figure of twentieth-century art and an incisive commentator on modern life in America.
Author: Sidra Stich
Publisher: Univ of California Press
ISBN: 9780520057579
Category : Art
Languages : en
Pages : 308
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Book Description
Looks at modern American art that makes use of such themes as flags, cities, freeways, television, and baseball
Author: Edward Kienholz
Publisher:
ISBN:
Category : Crucifixion in art
Languages : en
Pages : 100
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Book Description
Author: Joseph D. Ketner II
Publisher: Bloomsbury Publishing USA
ISBN: 1501331191
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
Witness to Phenomenon articulates a fresh examination of the German Group Zero-Heinz Mack, Otto Piene, and Günter Uecker-and other new tendency artists, who rejected painting and introduced new art media in postwar Europe. Group ZERO evolved into a network across Europe- Amsterdam, Milan, Paris, and Zagreb. This pan-European affiliation of artists generated a continuous stream of innovative artistic statements through the 1960s, incorporating non-traditional materials and new technologies to create kinetic art, light installations, performances, immersive multimedia installations, monumental land art, and the communication media of video and television. They transformed the visual arts from the inanimate objet d'art to a sensory experience by adopting the ascendant philosophy of Phenomenology as their conceptual foundation. Drawing from a decade of research on unpublished archives of the artists and critics of this period, this publication positions Group ZERO as a catalytic art moment in the transition from modern to contemporary art.
Author: David S. Rubin
Publisher: Center
ISBN:
Category : Religion
Languages : en
Pages : 68
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Book Description
Author: David E. Brauer
Publisher: Hatje Cantz
ISBN:
Category : Art
Languages : en
Pages : 276
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Book Description
The techniques utilized, however, varied: the Americans generally used a more reductive method, arriving at a centralized iconic image, while the British preferred an episodic approach that generated an implied narrative. As the essays in this book make clear, Pop Art promoted no specific agenda beyond the investigation of the prevailing American environment."--BOOK JACKET.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 782
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Book Description
Author: Mercedes Vicente
Publisher: Springer Nature
ISBN: 3031369033
Category : Art
Languages : en
Pages : 291
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Book Description
The Videography of Darcy Lange is a critical monograph of a pivotal figure in early analogue video. Trained as a sculptor at the Royal College of Art, Lange developed a socially engaged video practice with remarkable studies of people at work in industrial, farming, and teaching contexts that drew from conceptual art, social documentary and structuralist filmmaking. Lange saw in portable video a democratic tool for communication and social transformation, continuing the legacy of the revolutionary avant-garde projects that merged art with social life and turned audiences into producers. This book follows Lange's trajectory from his early observational studies to the crisis of representation and socially engaged video and activism, as it is shaped by, and resists, the artistic, cultural and political preoccupations of the 1970s and 1980s. It strikes a balance between being a monographic account providing a close analysis of Lange's oeuvre and drawing from unpublished archival materials—a sort of catalogue raisonné—whilst maintaining a breadth with theoretical discourses around the themes of labour and class, education, and indigenous struggles central to his work. The book's frameworks of Conceptual Art, structuralist and ethnographic film theory, social documentary and the critique of representation, video as social practice and the notion of 'feedback', participatory socially engaged art and postcolonial and indigenous theory,—expand our understanding of video outside the predominant structuralist tendencies. Lange's transnational and nomadic career introduces notions of alterity and challenges nationalistic accounts that excluded him in the past.
Author: Edward Kienholz
Publisher:
ISBN:
Category :
Languages : en
Pages : 176
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Book Description
