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Author: Royal National Institute for the Blind. Braille music notation committee
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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Author: Royal National Institute for the Blind. Braille music notation committee
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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Book Description
Author: National Institute for the Blind (London, England)
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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Author: Braille Music Notation Committee
Publisher: Hassell Street Press
ISBN: 9781014311528
Category :
Languages : en
Pages : 116
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: L. W. Rodenberg
Publisher: Forgotten Books
ISBN: 9780282339005
Category : Music
Languages : en
Pages : 108
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Excerpt from Key to the Braille Music Notation, 1922: With Synopsis and Index, Together With a Foreword By means of this method, after almost a century Of experimentation, it is now possible adequately to transcribe into Braille the most elaborate musical score, whether originally written in the Staff or Tonic Sol-fa notations, or even in that Of Plainsong. Since the year 1868 the National Institute has taken a leading part in the world of the blind, not only in transcribing and publishing vast quantities Of Braille music, but also in preparing a series Of explanatory pamphlets, or Keys. These have appeared at various periods, as the system developed, and have always been issued in duplicate, i.e., in the embossed Braille-type for the blind, and in ink-print for the use of sighted persons who may have to help or instruct the blind in music. It is only to be expected that such a unique system of music notation (invented in 1829) would be considerably improved in the course Of years, and the periodic publication of these Keys represented so many efforts to standardise the notation when these improvements received official sanction. In this way a certain general uniformity Of practice was preserved. In America and on the Continent, however, considerable divergence gradually arose, and in 1913 the National Institute decided to appoint a special Committee of musicians of repute - all expert in their knowledge of Braille and of the existing conditions - to investigate the whole question, with power to adopt what should seem to them to be desirable in the practice Of the best Braillists at home and abroad. They were also instructed to revise the entire system, and at the same time to compile a new and comprehensive Key which should thereafter be accepted as authoritative so far as British methods were concerned, and which should represent as near an approach to the ideal Of international standardization as possible. Henceforward, therefore, all Braille music issued from the embossing presses Of the National Institute will be in the style elucidated in this 1922 Key. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author:
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ISBN:
Category : Braille music-notation
Languages : en
Pages : 212
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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 200
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Author: Edward Watson
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : Illinois
Languages : en
Pages : 1020
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Author: Edward Watson (Organist)
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 314
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