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Author: Virginia Woolf
Publisher: Oxford University Press
ISBN: 0198838131
Category : Fiction
Languages : en
Pages : 161
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Book Description
'The ponderous woman looked through the pattern of falling words at the flowers standing cool, firm, and upright in the earth, with a curious expression. . .So heavy the woman came to a standstill opposite the oval shaped flowerbed, and ceased even to pretend to listen to what the other woman was saying.' Virginia Woolf's short fiction has long been acknowledged as the place where she tried out some of her more experimental techniques before adopting and adapting them for use in her novel-length works. While this is certainly true, it is also the case that these short pieces are now increasingly being recognized as important works of art in their own right, rather than simply flights of experimental fancy awaiting their full actualization in the novel form. This new edition edited by Bryony Randall emphasises the startling variety in Woolf's experimentation during the most productive period of short fiction writing in Woolf's life, the late 1910s through to the end of the 1920s. It draws readers' attention to the deep political engagements evident across the range of her work and on the recent burgeoning of work in modernist print culture to set out the importance of the material context of these works' initial publication and reception.
Author: Virginia Woolf
Publisher: Oxford University Press
ISBN: 0198838131
Category : Fiction
Languages : en
Pages : 161
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Book Description
'The ponderous woman looked through the pattern of falling words at the flowers standing cool, firm, and upright in the earth, with a curious expression. . .So heavy the woman came to a standstill opposite the oval shaped flowerbed, and ceased even to pretend to listen to what the other woman was saying.' Virginia Woolf's short fiction has long been acknowledged as the place where she tried out some of her more experimental techniques before adopting and adapting them for use in her novel-length works. While this is certainly true, it is also the case that these short pieces are now increasingly being recognized as important works of art in their own right, rather than simply flights of experimental fancy awaiting their full actualization in the novel form. This new edition edited by Bryony Randall emphasises the startling variety in Woolf's experimentation during the most productive period of short fiction writing in Woolf's life, the late 1910s through to the end of the 1920s. It draws readers' attention to the deep political engagements evident across the range of her work and on the recent burgeoning of work in modernist print culture to set out the importance of the material context of these works' initial publication and reception.
Author: Virginia Woolf
Publisher: Modernista
ISBN: 9181080360
Category :
Languages : en
Pages : 11
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Book Description
»Kew Gardens« is a short story by Virginia Woolf, first published in 1919. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
Author: Virginia Woolf
Publisher:
ISBN:
Category :
Languages : en
Pages : 34
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Book Description
Kew Gardens" is a short story by the English author Virginia Woolf.It was first published privately in 1919, [1] then more widely in 1921 in the collection Monday or Tuesday, [1] and subsequently in the posthumous collection A Haunted House (1944). Originally accompanying illustrations by Vanessa Bell, its visual organisation has been described as analogous to a post-impressionist paintin
Author: Posy Lovell
Publisher: Penguin
ISBN: 0593328248
Category : Fiction
Languages : en
Pages : 320
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Book Description
A heart-warming novel inspired by real life events, about the brave women during WWI who worked in the historic grounds of London's Kew Gardens. Can the women of Kew keep the gardens alive in the midst of war? London, 1916. England is at war. Desperate to help in whatever way they can, Ivy and Louisa enlist as gardeners at Kew, the Royal Botanic Gardens, taking on the jobs of the men who have gone to fight. Under their care, the gardens begin to flourish and become a safe haven for those seeking solace--but not everyone wants women working at Kew. The pair begin to face challenges on the home front. When a tragedy overseas affects the people closest to them, can the women of Kew pull together to support themselves and their country through the darkest of times?
Author: K. Benzel
Publisher: Springer
ISBN: 1403981841
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
In Trespassing Boundaries , ten contemporary Woolf scholars discuss a broad range of Woolf's short stories. Despite being now easily available these stories have not yet received the attention they deserve. Complex yet involving, they deserve to be read not only for the light they shed on the novels, but in their own right, as major contributions to the short fiction as a genre. This volume places Woolf's short stories in the context of modernist experimentalism, then explores them as ambitious attempts to challenge generic boundaries, undercutting traditional distinctions between short fiction and the novel, between experimental and popular fiction, between fiction and nonfiction. Collectively the essays suggest that Woolf's contribution to the short story is as important as her contribution to the novel.
Author: Virginia Woolf
Publisher: e-artnow
ISBN: 8074844986
Category : Fiction
Languages : en
Pages : 127
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Book Description
This carefully crafted ebook: "A Haunted House and Other Short Stories (The Original Unabridged Posthumous Edition of 18 Short Stories)" is formatted for your eReader with a functional and detailed table of contents. A Haunted House is a 1944 collection of 18 short stories by Virginia Woolf. It was produced by her husband Leonard Woolf after her death. The first six stories appeared in her only previous collection Monday or Tuesday in 1921: "A Haunted House" "Monday or Tuesday" "An Unwritten Novel" "The String Quartet" "Kew Gardens" "The Mark on the Wall" The next six appeared in magazines between 1922 and 1941 : "The New Dress" "The Shooting Party" "Lappin and Lappinova" "Solid Objects" "The Lady in the Looking-Glass" "The Duchess and the Jeweller" The final six were unpublished, although only "Moments of Being" and "The Searchlight" were finally revised by Virginia Woolf herself : "Moments of Being" "The Man who Loved his Kind" "The Searchlight" "The Legacy" "Together and Apart" "A Summing Up"
Author: Virginia Woolf
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 42
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Book Description
Author: Caroline Zoob
Publisher: Jacqui Small
ISBN: 9781909342132
Category : Gardening
Languages : en
Pages : 0
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Book Description
This chronological account takes you through the key events in the lives of Virginia and Leonard Woolf through a history of their home, Monk’s House in Sussex, where Virginia wrote most of her major novels. The story of this magical garden includes selected quotations from the writings of the Woolfs which reveal how important a role the garden played in their lives, as a source of both pleasure and inspiration. Bought by them in 1919 as a country retreat, Monk's House was somewhere they came to read, write and work in the garden. Virginia wrote first in a converted tool shed, and later in her purpose-built wooden writing lodge tucked into a corner of the orchard. Enriched with rare archive images and embroidered garden plans, the book takes the reader on a journey through the various garden ‘rooms’, (including the Italian Garden, the Fishpond Garden, the Millstone Terrace and the Walled Garden), each presented in the context of the lives of the Woolfs, with fascinating glimpses into their daily routines at Rodmell.
Author: Virginia Woolf
Publisher: Oxford University Press, USA
ISBN: 9780192839695
Category : Fiction
Languages : en
Pages : 164
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Book Description
'I shall never forget the day I wrote "The Mark on the Wall" - all in a flash, as if flying, after being kept stone breaking for months. "The Unwritten Novel" was the great discovery, however. That - again in one second - showed me how I could embody all my deposit of experience in a shapethat fitted it... I saw, branching out of the tunnel I made, when I discovered that method of approach, Jacob's Room, Mrs Dalloway etc - How I trembled with excitement.' The thrill Woolf got from these stories is readily apparent to the reader. She wrote them in defiance of convention, with a heady feeling of liberation and with a clear sense that she was breaking new ground. Indeed, if she had not made her bold and experimental forays into the short story in theperiod leading up to the publication of Jacob's Room (1922), it seems certain that her arrival as a great modernist novelist would have been delayed. Quirky, unrestrained, disturbing and surprising, many of these stories, particularly the early ones, are essential to an understanding of Woolf'sdevelopment as a writer. She thought some of her short fiction might be 'unprintable' but, happily, she was mistaken.
Author: Dr Claire Drewery
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478645
Category : Fiction
Languages : en
Pages : 168
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Book Description
Taking on the neglected issue of the short story's relationship to literary Modernism, Claire Drewery examines works by Katherine Mansfield, Dorothy Richardson, May Sinclair, and Virginia Woolf. Drewery argues that the short story as a genre is preoccupied with transgressing boundaries, and thus offers an ideal platform from which to examine the Modernist fascination with the liminal. Embodying both liberation and restriction, liminal spaces on the one hand enable challenges to traditional cultural and personal identities, while on the other hand they entail the inevitable negative consequences of occupying the position of the outsider: marginality, psychosis, and death. Mansfield, Richardson, Sinclair, and Woolf all exploit this paradox in their short fiction, which typically explores literal and psychological borderline states that are resistant to rational analysis. Thus, their short stories offered these authors an opportunity to represent the borders of unconsciousness and to articulate meaning while also conveying a sense of that which is unsayable. Through their concern with liminality, Drewery shows, these writers contribute significantly to the Modernist aesthetic that interrogates identity, the construction of the self, and the relationship between the individual and society.
