Karl Kraus, Apocalyptic Satirist [Vol. 1] PDF Download
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Author: Edward Timms
Publisher:
ISBN:
Category : Vienna (Austria)
Languages : en
Pages : 0
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![Karl Kraus, Apocalyptic Satirist [Vol. 1] PDF](https://books.google.com/books/content/images/frontcover/CeeF0AEACAAJ?fife=w80-h100)
Author: Edward Timms
Publisher:
ISBN:
Category : Vienna (Austria)
Languages : en
Pages : 0
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Author: Edward Timms
Publisher: Yale University Press
ISBN: 9780300044836
Category : History
Languages : en
Pages : 464
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This is a fascinating study of the life and work of Karl Kraus, brilliant Austrian writer, satirist and personality of fin de siecle Vienna. This encyclopaedic study of his life, his work and his generation will be of great interest to both the enthusiast and the general student of European culture. Drawing on unfamiliar sources, Edward Timms analyses Kraus's involvement in the fundamental ideological issues of his time, and shows that Kraus's political position - caught between traditional Habsburg loyalties and new democratic commitments - was far more complex than has previously been suspected. 'A major landmark in Kraus studies, and an important contribution to our understanding of the culture of the early twentieth century. It abounds in discoveries and insights.' Times Higher Education Supplement 'Timm's lucid prose, his masterly organization of the voluminous material he treats, his excellent translations of the documents he cites and his broad, readable portrayal of Viennese fin-de-siecle culture makes this study accessible to the average reader and a pleasure for the literary professional ... An example of German studies at its best.' European Studies Journal 'This study, which takes us to the end of the Great War, is unquestionably the most detailed and thoughtful book about him in amy language. Edward Timms' account skilfully interweaves his life, times and work.' The Listener 'Timms successfully weaves a colourful, and thoroughly researched and documented account of essential cultural currents in Habsburg Vienna around his central figure. Copious illustrations and photographs enhance a most enjoyable text, making this an ideal introduction to Kraus and his work.' Choice Edward Timms is lecturer in German at the University of Cambridge and a fellow of Gonville and Caius College.
Author: Frederic Raphael
Publisher: Pantheon
ISBN: 0307378160
Category : Biography
Languages : en
Pages : 369
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"An audacious history of Josephus (37-c.100), the Jewish general turned Roman historian, whose emblematic betrayal is a touchstone for the Jew alone in the Gentile world"--Dust jacket flap.
Author: Frederic J. Schwartz
Publisher: MIT Press
ISBN: 0262047705
Category : Art
Languages : en
Pages : 427
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Book Description
How artists in twentieth-century Germany adapted the idea of the medical or legal case as an artistic strategy to push to the fore sexualities, scandals, and crimes that were otherwise concealed. In early twentieth-century Germany, the artistic avant-garde borrowed procedures from the medical and juridical realms to expose and debate matters that society preferred remain hidden and unspoken. Frederic J. Schwartz explores how the evocation or creation of a “case” provided artists with a means to engage themes that ranged from blasphemy to Lustmord, or sexual murder. Shedding light on the case as a cultural form, Schwartz shows its profound effect on artists and the ways it dovetailed with methods used by these figures to exploit fundamental changes taking place across the mass media of their time. As Schwartz shows, the case was a common denominator that connected seemingly disparate works. George Grosz and Rudolf Schlichter drew on it for their violent visual art, as did architect Adolf Loos when he equated ornament with crime. Expressionists, meanwhile, approached the question of whether the so-called “mad” shared a right of public expression with those deemed sane, and examined medical and legal approaches to what society labeled as insanity. The case also took on a personal dimension when artists found themselves confronted with, or chose to engage with, the legal system. German courts prosecuted John Heartfield and others for their provocative works, while Bertolt Brecht created publicity for himself by suing the firm to whom he sold the film rights to The Threepenny Opera. Provocative and insightful, The Culture of the Case offers a privileged view of the spaces of representation in which images—in some instances, as cases—functioned at a key moment of modernity.
Author: Reiner Stach
Publisher: Princeton University Press
ISBN: 069123356X
Category : Biography & Autobiography
Languages : en
Pages : 592
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Book Description
This is the acclaimed central volume of the definitive biography of Franz Kafka. Reiner Stach spent more than a decade working with over four thousand pages of journals, letters, and literary fragments, many never before available, to re-create the atmosphere in which Kafka lived and worked from 1910 to 1915, the most important and best-documented years of his life. This period, which would prove crucial to Kafka's writing and set the course for the rest of his life, saw him working with astonishing intensity on his most seminal writings--The Trial, The Metamorphosis, The Man Who Disappeared (Amerika), and The Judgment. These are also the years of Kafka's fascination with Zionism; of his tumultuous engagement to Felice Bauer; and of the outbreak of World War I. Kafka: The Decisive Years is at once an extraordinary portrait of the writer and a startlingly original contribution to the art of literary biography.
Author: Marjorie Perloff
Publisher: University of Chicago Press
ISBN: 022632849X
Category : Literary Criticism
Languages : en
Pages : 229
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Among the brilliant writers and thinkers who emerged from the multicultural and multilingual world of the Austro-Hungarian Empire were Joseph Roth, Robert Musil, and Ludwig Wittgenstein. For them, the trauma of World War I included the sudden loss of the geographical entity into which they had been born: in 1918, the empire was dissolved overnight, leaving Austria a small, fragile republic that would last only twenty years before being annexed by Hitler’s Third Reich. In this major reconsideration of European modernism, Marjorie Perloff identifies and explores the aesthetic world that emerged from the rubble of Vienna and other former Habsburg territories—an “Austro-Modernism” that produced a major body of drama, fiction, poetry, and autobiography. Perloff explores works ranging from Karl Kraus’s drama The Last Days of Mankind and Elias Canetti’s memoir The Tongue Set Free to Ludwig Wittgenstein’s notebooks and Paul Celan’s lyric poetry. Throughout, she shows that Austro-Modernist literature is characterized less by the formal and technical inventions of a modernism familiar to us in the work of Joyce and Pound, Dada and Futurism, than by a radical irony beneath a seemingly conventional surface, an acute sense of exile, and a sensibility more erotic and quixotic than that of its German contemporaries. Skeptical and disillusioned, Austro-Modernism prefers to ask questions rather than formulate answers.
Author: Christian J. Emden
Publisher: Berghahn Books
ISBN: 0857455001
Category : History
Languages : en
Pages : 217
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Book Description
British and US scholars of German literature and culture assess the nature of public communications and the molding of public opinion in historical situations ranging from the late Middle Ages to the 20th century. In particular they look at the representation of the public sphere in literary writing a half century after the German original of Jürgen Habermas' The Structural Transformation of the Public Sphere was published. Their overall themes are publics before the public sphere, thinking about Enlightenment publics, and cultural politics and literary publics. Annotation ©2012 Book News, Inc., Portland, OR (booknews.com).
Author: Janek Wasserman
Publisher: Cornell University Press
ISBN: 0801455227
Category : History
Languages : en
Pages : 265
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Interwar Vienna was considered a bastion of radical socialist thought, and its reputation as "Red Vienna" has loomed large in both the popular imagination and the historiography of Central Europe. However, as Janek Wasserman shows in this book, a “Black Vienna” existed as well; its members voiced critiques of the postwar democratic order, Jewish inclusion, and Enlightenment values, providing a theoretical foundation for Austrian and Central European fascist movements. Looking at the complex interplay between intellectuals, the public, and the state, he argues that seemingly apolitical Viennese intellectuals, especially conservative ones, dramatically affected the course of Austrian history. While Red Viennese intellectuals mounted an impressive challenge in cultural and intellectual forums throughout the city, radical conservatism carried the day. Black Viennese intellectuals hastened the destruction of the First Republic, facilitating the establishment of the Austrofascist state and paving the way for Anschluss with Nazi Germany. Closely observing the works and actions of Viennese reformers, journalists, philosophers, and scientists, Wasserman traces intellectual, social, and political developments in the Austrian First Republic while highlighting intellectuals' participation in the growing worldwide conflict between socialism, conservatism, and fascism. Vienna was a microcosm of larger developments in Europe—the rise of the radical right and the struggle between competing ideological visions. By focusing on the evolution of Austrian conservatism, Wasserman complicates post–World War II narratives about Austrian anti-fascism and Austrian victimhood.
Author: Nelson-Atkins Museum of Art
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
Accompanies the catalogue for the 1997 exhibition "Albert Bloch: The American Blue Rider" held in Kansas City, Munich, and Delaware. Collects essays by American and German scholars, published in their respective languages, discussing Bloch's relationship with other artists and the predominant influences and themes in his literary and artistic work. The oversize (9x11.25") volume contains numerous color and bandw illustrations. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Andrea Reiter
Publisher: A&C Black
ISBN: 1847144225
Category : History
Languages : en
Pages : 321
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In this literary study of memoirs describing at first hand the horrors of German concentration camps, the principal question asked is: How did the survivors find the words to talk about experiences hitherto unknown, even unimaginable? Beyond being a mere analysis of discourse, Narrating the Holocaust reflects the situations in camp that triggered these responses, and shows how the professional authors adapted certain literary genres (e.g. the travel story, the Hassidic tale) to serve as models for communication, while the vast majority who were not trained as writers merely used the form of the report. A comparison between these memoirs and the more frequently discussed camp novel identifies the different narrative strategies by which the two are determined. Most of the 130 texts discussed here were published in German between l934 and the present; some famous Italian, French and Polish texts have also been included for comparison.
