Kant and His English Critics PDF Download
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Author: John Watson
Publisher:
ISBN:
Category : Knowledge, Theory of
Languages : en
Pages : 426
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Book Description
Author: John Watson
Publisher:
ISBN:
Category : Knowledge, Theory of
Languages : en
Pages : 426
Get Book Here
Book Description
Author: John Watson
Publisher: BoD – Books on Demand
ISBN: 3385428165
Category : Fiction
Languages : en
Pages : 418
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Book Description
Reprint of the original, first published in 1881.
Author: John Watson
Publisher: Hardpress Publishing
ISBN: 9781313314558
Category :
Languages : en
Pages : 446
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: John Watson (professeur à l'Université de Kingston, Canada.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Ian Maclaren
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: John Watson
Publisher:
ISBN:
Category : Knowledge, Theory of
Languages : en
Pages : 440
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Book Description
Author: John Watson
Publisher: BoD – Books on Demand
ISBN: 3385428157
Category : Fiction
Languages : en
Pages : 418
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Book Description
Reprint of the original, first published in 1881.
Author: Bryan Hall
Publisher: Routledge
ISBN: 1317624041
Category : Philosophy
Languages : en
Pages : 231
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Book Description
In this book, Bryan Wesley Hall breaks new ground in Kant scholarship, exploring the gap in Kant’s Critical philosophy in relation to his post-Critical work by turning to Kant’s final, unpublished work, the so-called Opus Postumum. Although Kant considered this project to be the "keystone" of his philosophical efforts, it has been largely neglected by scholars. Hall argues that only by understanding the Opus Postumum can we fully comprehend both Kant’s mature view as well as his Critical project. In letters from 1798, Kant claims to have discovered a "gap" in the Critical philosophy that requires effecting a "transition from the metaphysical foundations of natural science to physics"; unfortunately, Kant does not make clear exactly what this gap is or how the transition is supposed to fill the gap. To resolve these issues, Hall draws on the Opus Postumum, arguing that Kant’s transition project can solve certain perennial problems with the Critical philosophy. This volume provides a powerful alternative to all current interpretations of the Opus Postumum, arguing that Kant’s transition project is best seen as the post-Critical culmination of his Critical philosophy. Hall carefully examines the deep connections between the Opus Postumum and the view Kant develops in the Critique of Pure Reason, to suggest that properly understanding the post-Critical Kant will significantly revise our view of Kant’s Critical period.
Author: Brigitte Sassen
Publisher: Cambridge University Press
ISBN: 9780521781671
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
This book, first published in 2000, offers translations of the initial critical reactions to Kant's philosophy.
Author: Immanuel Kant
Publisher: Newcomb Livraria Press
ISBN:
Category : Philosophy
Languages : en
Pages : 429
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Book Description
A new translation of Immanuel Kant’s 1790 "Critique of Judgement" in modern American English with the original German in the back for reference. This is Volume IX in the Complete Works of Immanuel Kant from Newcomb Livraria Press. "Herewith I end my whole critical business" Kant states in the preface to his third and final Critique in his core triad of critical philosophical treatises. In his old age, he turned from being Polemic to being prescriptive in his vision for a future of transcendental, rational morality. Here he recaps his whole critical system and breaks out his final thoughts between a Critique of Aesthetic and Teleological Judgment. Between Pure Reason (theoretical) and Practical Reason (law and ethics) stands the mediating Power of Judgement which recognizes the particular in the general and bridges the chasm between sensuality and morality, nature and freedom, manifesting itself to the senses. Kant's Teleological, dialectal understanding of the experience of art is still used today in Modern art theory. His analysis of sublimity as "disinterested pleasure" as an aesthetic experience between the dynamics of the cognitive faculties of sensuality and rationality, creates a paradox of judgment as both subjective and universal. To Kant, the correct recognition of what beauty is, and responding to it authentically (morally), is vital to his entire project.
