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Author: 森山大道
Publisher: Powershovel
ISBN: 9784434108020
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
This gorgeous, text-free, oversized collection of full-bleed color and black-and-white photographs compiles a host of previously unseen color nudes together with the collection that formed Daido Moriyama's extremely rare fourth solo book, Kagerou, published in 1972. Here, Moriyama captures bondage and nudity with a self-described "samurai tenderness"--a mood, an intimacy and yet also a distance--as if the artist might have snapped the photographs against his will. The stagings are not careful. They are rushed, immediate and mysteriously visceral. Even the knots seem to have been hastily tied. Each of the 60 photographs gathered here suggests that something has happened or something will happen--something furious, resonant or highly anticipated. There are no models smiling, no boasts of romantic conquest, rarely even a face, and certainly no hint of playfulness. Rather, this is a collection of desires, of mothers, sisters and lovers.
Author: 森山大道
Publisher: Powershovel
ISBN: 9784434108020
Category : Language Arts & Disciplines
Languages : en
Pages : 0
Get Book Here
Book Description
This gorgeous, text-free, oversized collection of full-bleed color and black-and-white photographs compiles a host of previously unseen color nudes together with the collection that formed Daido Moriyama's extremely rare fourth solo book, Kagerou, published in 1972. Here, Moriyama captures bondage and nudity with a self-described "samurai tenderness"--a mood, an intimacy and yet also a distance--as if the artist might have snapped the photographs against his will. The stagings are not careful. They are rushed, immediate and mysteriously visceral. Even the knots seem to have been hastily tied. Each of the 60 photographs gathered here suggests that something has happened or something will happen--something furious, resonant or highly anticipated. There are no models smiling, no boasts of romantic conquest, rarely even a face, and certainly no hint of playfulness. Rather, this is a collection of desires, of mothers, sisters and lovers.
Author:
Publisher: University of Michigan Press
ISBN: 0472901400
Category : Social Science
Languages : en
Pages : 433
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Book Description
Japan is the only country in the world where women writers laid the foundations of classical literature. The Kagerō Diary commands our attention as the first extant work of that rich and brilliant tradition. The author, known to posterity as Michitsuna’s Mother, a member of the middle-ranking aristocracy of the Heian period (794–1185), wrote an account of 20 years of her life (from 954–74), and this autobiographical text now gives readers access to a woman’s experience of a thousand years ago. The diary centers on the author’s relationship with her husband, Fujiwara Kaneie, her kinsman from a more powerful and prestigious branch of the family than her own. Their marriage ended in divorce, and one of the author’s intentions seems to have been to write an anti-romance, one that could be subtitled, “I married the prince but we did not live happily ever after.” Yet, particularly in the first part of the diary, Michitsuna’s Mother is drawn to record those events and moments when the marriage did live up to a romantic ideal fostered by the Japanese tradition of love poetry. At the same time, she also seems to seek the freedom to live and write outside the romance myth and without a husband. Since the author was by inclination and talent a poet and lived in a time when poetry was a part of everyday social intercourse, her account of her life is shaped by a lyrical consciousness. The poems she records are crystalline moments of awareness that vividly recall the past. This new translation of the Kagerō Diary conveys the long, fluid sentences, the complex polyphony of voices, and the floating temporality of the original. It also pays careful attention to the poems of the text, rendering as much as possible their complex imagery and open-ended quality. The translation is accompanied by running notes on facing pages and an introduction that places the work within the context of contemporary discussions regarding feminist literature and the genre of autobiography and provides detailed historical information and a description of the stylistic qualities of the text.
Author: Marek Murawski
Publisher:
ISBN: 9788362878840
Category :
Languages : en
Pages : 0
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Book Description
The latest addition to the 'Monographs Special Edition' series is devoted to the Messerschmitt Bf 109 E. This new book gives not only a thorough insight into the development, variants, technical features and camouflage of the 'Emil', but also an excellent overview of the aircraft's service with the Luftwaffe. Packed with period photos, color profiles and scale drawings, this title is a perfect guide for aviation modelers.
Author: Robert Wroblewski
Publisher: Mini Topcolors
ISBN: 9788362878345
Category :
Languages : en
Pages : 0
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Book Description
* 16 colorful profiles of one of the most popular World War II tanks Panther is the common name of a medium tank fielded by Nazi Germany in World War II that served from mid-1943 to the end of the European war in 1945. It was intended as a counter to the T-34, and to replace the Panzer III and Panzer IV; while never replacing the latter, it served alongside it as well as the heavier Tiger tanks until the end of the war. The Panther's excellent combination of firepower, mobility, and protection served as a benchmark for other nations' late war and immediate postwar tank designs, and it is frequently regarded as one of the best tank designs of World War II.
Author: Tomasz Szlagor
Publisher:
ISBN: 9788362878918
Category : Aeronautics
Languages : en
Pages : 0
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Book Description
The B-17 Flying Fortress epitomized the American airpower for most of the Second World War. It was by far the most effective weapon to carry out the strategic, daylight bombing campaign in Europe. The battles fought by B-17 crews during raids on such tough targets as Schweinfurt, Berlin or Ploesti were nothing short of epic. The combined effort of the two US Army Air Forces, 8th and 15th, stationed in England and Italy respectively, eventually denied the enemy the means to wage war and sealed the fate of the European Axis powers and their allies.
Author: William Carroll
Publisher: Columbia University Press
ISBN: 0231555504
Category : Performing Arts
Languages : en
Pages : 213
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Book Description
In 1968, Suzuki Seijun—a low-budget genre filmmaker known for movies including Branded to Kill, Tokyo Drifter, and Youth of the Beast—was unceremoniously fired by Nikkatsu Studios. Soon to be known as the “Suzuki Seijun Incident,” his dismissal became a cause for leftist student protestors and a burgeoning group of cinephiles to rally around. His films rapidly emerged as central to debates over politics and aesthetics in Japanese cinema. William Carroll offers a new account of Suzuki’s career that highlights the intersections of film theory, film production, cinephile culture, and politics in 1960s Japan. Carroll places Suzuki’s work between two factions that claimed him as one of their own after 1968: the New Left and its politicized theoretical practice on one hand, and the apparently apolitical cinephiles and their formalist criticism on the other. He considers how both of these strands of film theory shed light on the distinctive qualities of Suzuki’s films, and he explores how both Suzuki’s works and unheralded Japanese film theorists offer new ways of understanding world cinema. This book presents both a major reinterpretation of Suzuki’s work—which influenced directors such as John Woo, Jim Jarmusch, and Quentin Tarantino—and a new lens on postwar Japanese film culture and industry. Suzuki Seijun and Postwar Japanese Cinema also includes a complete production history of Suzuki’s filmography along with never-before-discussed information about his unfinished film projects.
Author: Mark Holborn
Publisher:
ISBN: 9780500544662
Category :
Languages : en
Pages : 424
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Book Description
Inspired by the work of an earlier generation of Japanese photographers, especially by Shomei Tomatsu, and by William Klein's seminal photographic book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval. His black and white pictures were marked by fierce contrast and fragmentary, even scratched, frames, which concealed his virtuoso printing. Between June 1972 and July 1973 he produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. Ten years ago he was able to resume publication of Record, which gradually expanded in extent. To date he has published thirty issues, a number of them including colour. The publication of Record as a book enables work from all thirty issues to be edited into a single sequence, punctuated by Moriyama's own text as it appeared in the magazines. It used to be assumed that Moriyama's peculiarly Japanese style was tied to his Tokyo roots. The evidence of the last ten years demonstrates that Moriyama, a restless world traveller, has been able to apply his unique vision to northern Europe, southern France, the cities of Florence, London, Barcelona, Taipei, Hong Kong, New York and Los Angeles as well as to the alleys of Osaka, and the landscape of Hokkaido. The book ends in Afghanistan.
Author: Maciej Goralczyk
Publisher:
ISBN: 9788361220787
Category :
Languages : en
Pages : 90
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Book Description
An invaluable modelers guide to the Bf 109 G and K variations When the Bf 109 was first designed in 1934, by a team led by Willy Messerschmitt and Robert Lusser, its primary role was that of a high-speed, short range bomber interceptor. The Bf 109 was also designed to take advantage of the most advanced aerodynamics of the time and embodied structural techniques which were an advance on its contemporaries. In the years of the Blitzkrieg, the Bf 109 was the only single engined fighter operated by the Luftwaffe, until the appearance of the Fw 190. The G series, or "Gustav," was introduced in mid-1942; its initial variants (G-1 through G-4) differed only in minor details from the Bf 109F, most notably in being powered by the more powerful 1475 PS DB 605 engine. The final production version of the Bf 109 was the K series, or "Kurfurst," powered by the DB 605D engine with up to 2,000 PS output, and introduced in the autumn of 1944. Though externally akin to the late production Bf 109G series, a large number of detail internal and aerodynamic improvements were incorporated to the design that improved its effectiveness and remedied existing flaws, keeping the fighter competitive with the latest Allied and Soviet fighters.
Author: Marek Katarzyński
Publisher:
ISBN: 9788362878659
Category : Mitchell (Bomber)
Languages : en
Pages : 0
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Book Description
This unique photo album contains numerous B-25J ,,Mitchell" photographs showing this particular B-25 version participating in air campaign in the skies over southern Europe (MTO). You will find 140 photos including 36 in color published on 80 pages. All images are captioned with author's descriptions both in English and Polish. Many of the photographs presented here have never been published before. Another interesting feature of this album worth attention highlights participation of Polish fliers among bombing crews. Moreover this publication includes not only 4 outstanding B-25J color profiles painted by Janusz Światłoń but also extremely rare decal sheet with individual markings for the following planes: B-25J-2 "MMR" - (Margaret Mary Rustin) - s/n 43-27751 - nr 50, B-25J-2 ,,Paper Doll" s/n 43-27473 - nr 73, B-25J-2 ,,My Naked Ass!" s/n 43-27704 - 7A.
Author: Rebecca L. Copeland
Publisher: University of Hawaii Press
ISBN: 9780824824389
Category : Literary Criticism
Languages : en
Pages : 404
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Book Description
This provocative collection of essays is a comprehensive study of the "father-daughter dynamic" in Japanese female literary experience. Its contributors examine the ways in which women have been placed politically, ideologically, and symbolically as "daughters" in a culture that venerates "the father." They weigh the impact that this daughterly position has had on both the performance and production of women's writing from the classical period to the present. Conjoining the classical and the modern with a unified theme reveals an important continuum in female authorship-a historical approach often ignored by scholars. The essays devoted to the literature of the classical period discuss canonical texts in a new light, offering important feminist readings that challenge existing scholarship, while those dedicated to modern writers introduce readers to little-known texts with translations and readings that are engaging and original. Contributors: Tomoko Aoyama, Sonja Arntzen, Janice Brown, Rebecca L. Copeland, Midori McKeon, Eileen Mikals-Adachi, Joshua S. Mostow, Sharalyn Orbaugh, Esperanza Ramirez-Christensen, Edith Sarra, Atsuko Sasaki, Ann Sherif.
