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Author: Caroline Schneider
Publisher: Sternberg Press
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
Always There offers a comprehensive survey of American artist Julia Scher's work. The artist's installations and performances have always featured a complex relation to techno-social control, demonstrating our complicity in the proliferating technologies used to surveil both our physical and virtual identities. As Brian Wallis writes in his introduction, "Scher's work breaks linguistic codes of security, analyzing the rhetorics of surveillance discourse to allow the savvy user to manipulate and reconstitute those 'bits'. This approach is... akin to that of hackers, who, like Scher, invert the notion of usability, turning the practical on its head. On one level, this radical reversibility undoubtedly stems from some fundamental technoskepticism, but it also shows the artist's more complicated skepticism about the visual and geographical determinants of contemporary space and how they impact the practices of everyday life." The texts discuss how in the aftermath of 9-11, issues of surveillance, data harvesting and scoptophilia have acquired a new meaning. According to author Andrew Ross, "Scher is a wholly political artist with a keen eye and ear for the iconography and poetry of power, especially when it crystallizes into the operational jargon of aggressive intelligence systems." Contributors Bill Horrigan, Andrew Hultkrans, Giovanni Intra, Avital Ronell, Andrew Ross
Author: Caroline Schneider
Publisher: Sternberg Press
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
Always There offers a comprehensive survey of American artist Julia Scher's work. The artist's installations and performances have always featured a complex relation to techno-social control, demonstrating our complicity in the proliferating technologies used to surveil both our physical and virtual identities. As Brian Wallis writes in his introduction, "Scher's work breaks linguistic codes of security, analyzing the rhetorics of surveillance discourse to allow the savvy user to manipulate and reconstitute those 'bits'. This approach is... akin to that of hackers, who, like Scher, invert the notion of usability, turning the practical on its head. On one level, this radical reversibility undoubtedly stems from some fundamental technoskepticism, but it also shows the artist's more complicated skepticism about the visual and geographical determinants of contemporary space and how they impact the practices of everyday life." The texts discuss how in the aftermath of 9-11, issues of surveillance, data harvesting and scoptophilia have acquired a new meaning. According to author Andrew Ross, "Scher is a wholly political artist with a keen eye and ear for the iconography and poetry of power, especially when it crystallizes into the operational jargon of aggressive intelligence systems." Contributors Bill Horrigan, Andrew Hultkrans, Giovanni Intra, Avital Ronell, Andrew Ross
Author: Giovanni Intra
Publisher: MIT Press
ISBN: 1635901650
Category : Art
Languages : en
Pages : 241
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Book Description
Artist, gallerist, and writer Giovanni Intra’s inventive approach to art writing provides a guide to the New Zealand and Los Angeles art scenes of his era. Everything you read about Los Angeles is true. The city adapts to its own mythology. It’s such a ludicrously discussed place that I always feel slightly idiotic in my attempts to produce a serious discourse about it. Raves in the desert, however, are superb. And ecstasy is a great drug. Also, if you hadn’t heard, music sounds better when you’re high. And the desert surrounding LA is wondrous. —Giovanni Intra, “LA Politics” Before his early death in 2002, Giovanni Intra enjoyed a rollercoaster ride through the art world. He was an artist and gallerist—cofounding two legendary galleries, the artist-run space Teststrip in Auckland and China Art Objects Galleries in Los Angeles—as well as a writer. Clinic of Phantasms provides a guide to the New Zealand and Los Angeles art scenes of the day, including texts on key artists from New Zealand (John Hurrell, Fiona Pardington, Denise Kum, Ava Seymour, Ann Shelton, Gavin Hipkins, Daniel Malone, and Slave Pianos) and Los Angeles (Charles Ray, Mike Kelley, Paul McCarthy, Dave Muller, Evan Holloway, John McCracken, and Julia Scher). What makes Intra’s work of enduring significance is his inventive approach to art writing, which was informed by his interest in punk, surrealism, and Daniel Paul Schreber, the famous case study in paranoia and hallucination. This volume features writing on Intra from Chris Kraus and Mark von Schlegell, Andrew Berardini, Roberta Smith, Tessa Laird, Will Bradley, Joel Mesler, and Robert Leonard. “He emerged the radically elegant punk, whip-crack smart and charming as hell . . . The hilarious honesty and sharp intelligence of Giovanni was to me a breeze, a knife, a wonder.” —Andrew Berardini, “Everything You Read About Giovanni Intra is True” Published by Bouncy Castle and Semiotext(e).
Author: Avital Ronell
Publisher: University of Illinois Press
ISBN: 0252092295
Category : Literary Criticism
Languages : en
Pages : 403
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Book Description
"Avital Ronell has put together what must be one of the most remarkable critical oeuvres of our era... Zeugmatically yoking the slang of pop culture with philosophical analysis, forcing the confrontation of high literature and technology or drug culture, Avital Ronell produces sentences that startle, irritate, illuminate. At once hilarious and refractory, her books are like no others.”--Jonathan Culler, Diacritics For twenty years Avital Ronell has stood at the forefront of the confrontation between literary study and European philosophy. She has tirelessly investigated the impact of technology on thinking and writing, with groundbreaking work on Heidegger, dependency and drug rhetoric, intelligence and artificial intelligence, and the obsession with testing. Admired for her insights and breadth of field, she has attracted a wide readership by writing with guts, candor, and wit. Coyly alluding to Nietzsche’s “gay science,” The ÜberReader presents a solid introduction to Avital Ronell’s later oeuvre. It includes at least one selection from each of her books, two classic selections from a collection of her early essays (Finitude’s Score), previously uncollected interviews and essays, and some of her most powerful published and unpublished talks. An introduction by Diane Davis surveys Ronell’s career and the critical response to it thus far. With its combination of brevity and power, this Ronell “primer” will be immensely useful to scholars, students, and teachers throughout the humanities, but particularly to graduate and undergraduate courses in contemporary theory.
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 112
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Book Description
Author: Julia Scher
Publisher:
ISBN:
Category : Installations (Art)
Languages : en
Pages : 240
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Book Description
Author: Franz Ackermann
Publisher: Cercle d'Art
ISBN:
Category : Art and geography
Languages : en
Pages : 244
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Book Description
Artistes présentés dans le cadre de cette exposition : Franz Ackermann ; Bureau d'Etudes ; Nathan Carter ; Wim Delvoye ; Dominique Gonzalez-Foerster ; Thomas Hirschhorn ; Laura Horelli ; Pierre Huyghe ; Pierre Joseph ; Jakob Kolding ; Matthieu Laurette ; Mark Lombardi ; Julie Mehretu ; John Menick ; Aleksandra Mir ; Ocean Earth (Peter Fend) ; Henrik Olesen ; Kirsten Pieroth ; Marjetica Potrc ; Matthew Ritchie ; Pia Rönicke ; Sean Snyder ; Stalker ; Simon Starling.
Author: PMF Publishers
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Galerie Georg Kargl
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 334
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Book Description
Georg Kargl founded the respected Galerie Metropol in Vienna in 1978, and in 1998 he opened Kargl Fine Arts, now called BOX. This history of Kargl's visionary take on contemporary art over the years includes John Baldessari, Dan Flavin, Christopher Williams, Collier Schorr, Raymond Pettibon and John Waters to name just a few.
Author: Nina Felshin
Publisher: Independent Curators International
ISBN:
Category : Art
Languages : en
Pages : 86
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Book Description
Since the 1980s, with the advent of multiple public crises such as AIDS, homelessness, the politics of sexual identity and abortion rights, the bed has taken on a greater symbolic weight, becoming a pivotal metaphor for the intersection of private and public boundaries. This themed survey includes work by Bob Flanagan, Zoe Leonard and Carrie Mae Weems among others.
Author: Metahaven
Publisher:
ISBN: 9783956790065
Category : Architecture
Languages : en
Pages : 0
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Book Description
A Google executive once said: "If you want to liberate a society just give them the Internet." But how does one liberate a society that already has the Internet? Publicly, modern government adheres to the twin ideals of institutional transparency and personal privacy. In reality, while citizens are subjected to mass surveillance, government practice goes unchecked. A new generation has taken to the Internet to defend the right to governance without secrets. From Bradley Manning and WikiLeaks to LulzSec and Anonymous, from the Icelandic Modern Media Initiative to the revelations of Edward Snowden, a coalition is breaking through the secrecy that lies at the core of the modern state. The story gets more complex when open government is contrasted with black transparency, and when a geopolitical rift between the West and Russia becomes the dividing line for whistleblowers and transparency activists seeking refuge. What is transparency for one may be propaganda for the other.
