Author: Julia Pirotte
Publisher:
ISBN:
Category : Portrait photography
Languages : en
Pages : 306
Book Description
Julia Pirotte est née à Konskowola en Pologne. Elle se réfugie en Belgique en 1934. Elle y étudie la photographie et le journalisme, travaille pour l'agence de presse Foto Waro. De 1940 à 1946, elle vit à Marseille où elle fait partie de la résistance. Ce livre d'images témoigne de son engagement en France et en Pologne.
Julia Pirotte : une photographe dans la resistance - a woman photographer in the resistance
Author: Julia Pirotte
Publisher:
ISBN:
Category : Portrait photography
Languages : en
Pages : 306
Book Description
Julia Pirotte est née à Konskowola en Pologne. Elle se réfugie en Belgique en 1934. Elle y étudie la photographie et le journalisme, travaille pour l'agence de presse Foto Waro. De 1940 à 1946, elle vit à Marseille où elle fait partie de la résistance. Ce livre d'images témoigne de son engagement en France et en Pologne.
Publisher:
ISBN:
Category : Portrait photography
Languages : en
Pages : 306
Book Description
Julia Pirotte est née à Konskowola en Pologne. Elle se réfugie en Belgique en 1934. Elle y étudie la photographie et le journalisme, travaille pour l'agence de presse Foto Waro. De 1940 à 1946, elle vit à Marseille où elle fait partie de la résistance. Ce livre d'images témoigne de son engagement en France et en Pologne.
She-documentalists
Author: Karolina Lewandowska
Publisher:
ISBN:
Category : Documentary photography
Languages : en
Pages : 232
Book Description
She-Documentalists - Polish Women Photographers of the 20th Century is one of the possible reconstructions, or rather constructions, of alternative maps of documentary photography in Poland. Instead of following a well-worn track of famous names, established canons, and clear generic divisions, we are taking the risk of building a new, uncertain space based, above all, on that which has been repressed. Such marginalised, or repressed, phenomena include, for instance, the Polish school of photojournalism, the, still too one-sidedly revised, concept of 'homeland photography', or the, repressed like the worst trauma, aesthetic of socialist realism, and the subjects marginalised by history that are women photographers. -- from back cover.
Publisher:
ISBN:
Category : Documentary photography
Languages : en
Pages : 232
Book Description
She-Documentalists - Polish Women Photographers of the 20th Century is one of the possible reconstructions, or rather constructions, of alternative maps of documentary photography in Poland. Instead of following a well-worn track of famous names, established canons, and clear generic divisions, we are taking the risk of building a new, uncertain space based, above all, on that which has been repressed. Such marginalised, or repressed, phenomena include, for instance, the Polish school of photojournalism, the, still too one-sidedly revised, concept of 'homeland photography', or the, repressed like the worst trauma, aesthetic of socialist realism, and the subjects marginalised by history that are women photographers. -- from back cover.
Histories of the Aftermath
Author: Frank Biess
Publisher: Berghahn Books
ISBN: 9781845457327
Category : History
Languages : en
Pages : 338
Book Description
In 1945, Europeans confronted a legacy of mass destruction and death: millions of families had lost their homes and livelihoods; millions of men had lost their lives; and millions more had been displaced by the war's destruction. This volume explores how Europeans came to terms with these multiple pasts.
Publisher: Berghahn Books
ISBN: 9781845457327
Category : History
Languages : en
Pages : 338
Book Description
In 1945, Europeans confronted a legacy of mass destruction and death: millions of families had lost their homes and livelihoods; millions of men had lost their lives; and millions more had been displaced by the war's destruction. This volume explores how Europeans came to terms with these multiple pasts.
The Image of the Popular Front
Author: Simon Dell
Publisher: Springer
ISBN: 023028695X
Category : History
Languages : en
Pages : 216
Book Description
During the 1930s Europe was convulsed by political violence. The National Socialists rose to power in Germany and Fascists campaigned in Britain, Spain and France. Yet Europe was also transformed in this decade through new applications of film, photography and radio. In fact, these political and technological developments were closely intertwined.
Publisher: Springer
ISBN: 023028695X
Category : History
Languages : en
Pages : 216
Book Description
During the 1930s Europe was convulsed by political violence. The National Socialists rose to power in Germany and Fascists campaigned in Britain, Spain and France. Yet Europe was also transformed in this decade through new applications of film, photography and radio. In fact, these political and technological developments were closely intertwined.
A Hundred Years of Photography, 1839-1939
Author: Lucia Moholy
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 218
Book Description
Photography & Society
Author: Gisèle Freund
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 248
Book Description
"This landmark study explores the intricate and ever-changing relationship between the photographer and the surrounding society. It considers the ubiquitous commercial, social, and political demands with which the photographer must deal and examines how the photographic reactions to these demands have in turn changed the society they reflect"--Cover.
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 248
Book Description
"This landmark study explores the intricate and ever-changing relationship between the photographer and the surrounding society. It considers the ubiquitous commercial, social, and political demands with which the photographer must deal and examines how the photographic reactions to these demands have in turn changed the society they reflect"--Cover.
Raw Histories
Author: Elizabeth Edwards
Publisher: Routledge
ISBN: 1000181294
Category : Social Science
Languages : en
Pages : 207
Book Description
Photographs have had an integral and complex role in many anthropological contexts, from fieldwork to museum exhibitions. This book explores how approaching anthropological photographs as 'history' can offer both theoretical and empirical insights into these roles. Photographs are thought to make problematic history because of their ambiguity and 'rawness'. In short, they have too many meanings. The author refutes this prejudice by exploring, through a series of case studies, precisely the potential of this raw quality to open up new perspectives. Taking the nature of photography as her starting point, the author argues that photographs are not merely pictures of things but are part of a dynamic and fluid historical dialogue, which is active not only in the creation of the photograph but in its subsequent social biography in archive and museum spaces, past and present. In this context, the book challenges any uniform view of anthropological photography and its resulting archives. Drawing on a variety of examples, largely from the Pacific, the book demonstrates how close readings of photographs reveal not only western agendas, but also many layers of differing historical and cross-cultural experiences. That is, photographs can 'spring leaks' to show an alternative viewpoint. These themes are developed further by examining the dynamics of photographs and issues around them as used by contemporary artists and curators and presented to an increasingly varied public. This book convincingly demonstrates photographs' potential to articulate histories other than those of their immediate appearances, a potential that can no longer be neglected by scholars and institutions.
Publisher: Routledge
ISBN: 1000181294
Category : Social Science
Languages : en
Pages : 207
Book Description
Photographs have had an integral and complex role in many anthropological contexts, from fieldwork to museum exhibitions. This book explores how approaching anthropological photographs as 'history' can offer both theoretical and empirical insights into these roles. Photographs are thought to make problematic history because of their ambiguity and 'rawness'. In short, they have too many meanings. The author refutes this prejudice by exploring, through a series of case studies, precisely the potential of this raw quality to open up new perspectives. Taking the nature of photography as her starting point, the author argues that photographs are not merely pictures of things but are part of a dynamic and fluid historical dialogue, which is active not only in the creation of the photograph but in its subsequent social biography in archive and museum spaces, past and present. In this context, the book challenges any uniform view of anthropological photography and its resulting archives. Drawing on a variety of examples, largely from the Pacific, the book demonstrates how close readings of photographs reveal not only western agendas, but also many layers of differing historical and cross-cultural experiences. That is, photographs can 'spring leaks' to show an alternative viewpoint. These themes are developed further by examining the dynamics of photographs and issues around them as used by contemporary artists and curators and presented to an increasingly varied public. This book convincingly demonstrates photographs' potential to articulate histories other than those of their immediate appearances, a potential that can no longer be neglected by scholars and institutions.
The Lasting War
Author: Monica Riera
Publisher: Palgrave MacMillan
ISBN:
Category : History
Languages : en
Pages : 304
Book Description
The Second World War brought suffering and trauma to the people of Europe on an unprecedented scale. While Europeans were not strangers to the harsh realities of international conflict, World War II galvanized a new range of destructive forces that shook the continent to its intellectual, psychological and material foundations. This volume addresses World War II as a common European trauma by focusing on key trans-national developments and comparing the different wars as experienced by three similar civilian populations.
Publisher: Palgrave MacMillan
ISBN:
Category : History
Languages : en
Pages : 304
Book Description
The Second World War brought suffering and trauma to the people of Europe on an unprecedented scale. While Europeans were not strangers to the harsh realities of international conflict, World War II galvanized a new range of destructive forces that shook the continent to its intellectual, psychological and material foundations. This volume addresses World War II as a common European trauma by focusing on key trans-national developments and comparing the different wars as experienced by three similar civilian populations.
Lucia Moholy (1894-1989)
Author: Lucia Moholy
Publisher: Silvana Editoriale
ISBN:
Category : Photography
Languages : it
Pages : 204
Book Description
Photographer, writer and intellectual, Lucia Moholy (born Lucia Schulz, Karolinenthal, Prague, 1894 - Zollikon, Zurich, 1989) is a central figure in the 20th century history of photography, although the fame of her husband, the renowned artist László Moholy-Nagy, overshadowed her work for a long time. Through her photographs, an example of the German avant-garde and of the Neue Sachlichkeit (New Objectivity), it is possible to understand the complexity of her artistic personality and to reconstruct the role she played in the cultural history of the past century. Her major photographic work is on the Bauhaus: pictures of the school, of teachers, objects and furniture are considered as true icons of modern times. The essays published in this volume allow us to understand and outline Lucia Moholy's complex artistic personality, thus giving her the correct place she is due in 20th century culture. 0Exhibition: Museo MAX, Chiasso, Italy (24.11.2012-31.1.2013).
Publisher: Silvana Editoriale
ISBN:
Category : Photography
Languages : it
Pages : 204
Book Description
Photographer, writer and intellectual, Lucia Moholy (born Lucia Schulz, Karolinenthal, Prague, 1894 - Zollikon, Zurich, 1989) is a central figure in the 20th century history of photography, although the fame of her husband, the renowned artist László Moholy-Nagy, overshadowed her work for a long time. Through her photographs, an example of the German avant-garde and of the Neue Sachlichkeit (New Objectivity), it is possible to understand the complexity of her artistic personality and to reconstruct the role she played in the cultural history of the past century. Her major photographic work is on the Bauhaus: pictures of the school, of teachers, objects and furniture are considered as true icons of modern times. The essays published in this volume allow us to understand and outline Lucia Moholy's complex artistic personality, thus giving her the correct place she is due in 20th century culture. 0Exhibition: Museo MAX, Chiasso, Italy (24.11.2012-31.1.2013).
Crowds and Democracy
Author: Stefan Jonsson
Publisher: Columbia University Press
ISBN: 0231535791
Category : Philosophy
Languages : en
Pages : 337
Book Description
Between 1918 and 1933, the masses became a decisive preoccupation of European culture, fueling modernist movements in art, literature, architecture, theater, and cinema, as well as the rise of communism and fascism and experiments in radical democracy. Spanning aesthetics, cultural studies, intellectual history, and political theory, this volume unpacks the significance of the shadow agent known as "the mass" during a critical period in European history. It follows its evolution into the preferred conceptual tool for social scientists, the ideal slogan for politicians, and the chosen image for artists and writers trying to capture a society in flux and a people in upheaval. This volume is the second installment in Stefan Jonsson's epic study of the crowd and the mass in modern Europe, building on his work in A Brief History of the Masses, which focused on monumental artworks produced in 1789, 1889, and 1989.
Publisher: Columbia University Press
ISBN: 0231535791
Category : Philosophy
Languages : en
Pages : 337
Book Description
Between 1918 and 1933, the masses became a decisive preoccupation of European culture, fueling modernist movements in art, literature, architecture, theater, and cinema, as well as the rise of communism and fascism and experiments in radical democracy. Spanning aesthetics, cultural studies, intellectual history, and political theory, this volume unpacks the significance of the shadow agent known as "the mass" during a critical period in European history. It follows its evolution into the preferred conceptual tool for social scientists, the ideal slogan for politicians, and the chosen image for artists and writers trying to capture a society in flux and a people in upheaval. This volume is the second installment in Stefan Jonsson's epic study of the crowd and the mass in modern Europe, building on his work in A Brief History of the Masses, which focused on monumental artworks produced in 1789, 1889, and 1989.