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Author: Michael P. Steinberg
Publisher:
ISBN:
Category : History
Languages : en
Pages : 292
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Book Description
Modernity gave rise to a Jewish consciousness that has increasingly distanced itself from the sacred in favor of worldliness and secularity. Judaism Musical and Unmusical traces the formulation of this secular Jewishness from its Enlightenment roots through the twentieth century to explore the infinite variations of modern Jewish experience in Central Europe and beyond. Engaging the work of such figures as Sigmund Freud, Walter Benjamin, Hannah Arendt, Charlotte Salomon, Arnaldo Momigliano, Leonard Bernstein, and Daniel Libeskind, Michael Steinberg shows how modern Jews advanced cosmopolitanism and multiplicity by helping to loosen--whether by choice or by necessity--the ties that bind any culture to accounts of its origins. In the process, Steinberg composes a mosaic of texts and events, often distant from one another in time and place, that speak to his theme of musicality. As both a literal value and a metaphorical one, musicality opens the possibility of a fusion of aesthetics and analysis--a coupling analogous to European modernity's twin concerns of art and politics.
Author: Michael P. Steinberg
Publisher:
ISBN:
Category : History
Languages : en
Pages : 292
Get Book Here
Book Description
Modernity gave rise to a Jewish consciousness that has increasingly distanced itself from the sacred in favor of worldliness and secularity. Judaism Musical and Unmusical traces the formulation of this secular Jewishness from its Enlightenment roots through the twentieth century to explore the infinite variations of modern Jewish experience in Central Europe and beyond. Engaging the work of such figures as Sigmund Freud, Walter Benjamin, Hannah Arendt, Charlotte Salomon, Arnaldo Momigliano, Leonard Bernstein, and Daniel Libeskind, Michael Steinberg shows how modern Jews advanced cosmopolitanism and multiplicity by helping to loosen--whether by choice or by necessity--the ties that bind any culture to accounts of its origins. In the process, Steinberg composes a mosaic of texts and events, often distant from one another in time and place, that speak to his theme of musicality. As both a literal value and a metaphorical one, musicality opens the possibility of a fusion of aesthetics and analysis--a coupling analogous to European modernity's twin concerns of art and politics.
Author: Ruth HaCohen
Publisher: Yale University Press
ISBN: 0300177992
Category : History
Languages : en
Pages : 572
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Book Description
This deeply imaginative and wide-ranging book shows how, since the first centuries of the Christian era, gentiles have associated Jews with noise. Ruth HaCohen focuses her study on a "musical libel"--a variation on the Passion story that recurs in various forms and cultures in which an innocent Christian boy is killed by a Jew in order to silence his "harmonious musicality." In paying close attention to how and where this libel surfaces, HaCohen covers a wide swath of western cultural history, showing how entrenched aesthetic-theological assumptions have persistently defined European culture and its internal moral and political orientations.Ruth HaCohen combines in her comprehensive analysis the perspectives of musicology, literary criticism, philosophy, psychology, and anthropology, tracing the tensions between Jewish "noise" and idealized Christian "harmony" and their artistic manifestations from the high Middle Ages through Nazi Germany and beyond. She concludes her book with a passionate and moving argument for humanizing contemporary soundspaces.
Author: Michael Cherlin
Publisher: Cambridge University Press
ISBN: 1108500951
Category : Music
Languages : en
Pages : 285
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Book Description
Irony, one of the most basic, pervasive, and variegated of rhetorical tropes, is as fundamental to musical thought as it is to poetry, prose, and spoken language. In this wide-ranging study of musical irony, Michael Cherlin draws upon the rich history of irony as developed by rhetoricians, philosophers, literary scholars, poets, and novelists. With occasional reflections on film music and other contemporary works, the principal focus of the book is classical music, both instrumental and vocal, ranging from Mozart to Mahler. The result is a surprising array of approaches toward the making and interpretation of irony in music. Including nearly ninety musical examples, the book is clearly structured and engagingly written. This interdisciplinary volume will appeal to those interested in the relationship between music and literature as well as to scholars of musical composition, technique, and style.
Author: Caroline A. Kita
Publisher: Indiana University Press
ISBN: 0253040566
Category : Performing Arts
Languages : en
Pages : 226
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Book Description
During the mid-19th century, the works of Arthur Schopenhauer and Richard Wagner sparked an impulse toward German cultural renewal and social change that drew on religious myth, metaphysics, and spiritualism. The only problem was that their works were deeply antisemitic and entangled with claims that Jews were incapable of creating compassionate art. By looking at the works of Jewish composers and writers who contributed to a lively and robust biblical theatre in fin de siècle Vienna, Caroline A. Kita shows how they reimagined myths of the Old Testament to offer new aesthetic and ethical views of compassion. These Jewish artists, including Gustav Mahler, Siegfried Lipiner, Richard Beer-Hofmann, Stefan Zweig, and Arnold Schoenberg, reimagined biblical stories through the lens of the modern Jewish subject to plead for justice and compassion toward the Jewish community. By tracing responses to antisemitic discourses of compassion, Kita reflects on the explicitly and increasingly troubled political and social dynamics at the end of the Habsburg Empire.
Author: Michael P. Steinberg
Publisher: University of Chicago Press
ISBN: 022659422X
Category : History
Languages : en
Pages : 162
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Book Description
In this unique and hybrid book, cultural and music historian Michael P. Steinberg combines a close analysis of Wagnerian music drama with a personal account of his work as a dramaturg on the bicentennial production of The Ring of the Nibelung for the Teatro alla Scala Milan and the Berlin State Opera. Steinberg shows how Wagner uses the power of a modern mythology to heighten music’s claims to knowledge, thereby fusing not only art and politics, but truth and lies as well. Rather than attempting to separate value and violence, or “the good from the bad,” as much Wagner scholarship as well as popular writing have tended to do, Steinberg proposes that we confront this paradox and look to the capacity of the stage to explore its depths and implications. Drawing on decades of engagement with Wagner and of experience teaching opera across disciplines, The Trouble with Wagner is packed with novel insights for experts and interested readers alike.
Author: Carl Niekerk
Publisher: Camden House
ISBN: 1571134670
Category : Music
Languages : en
Pages : 324
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Book Description
Examines literary, philosophical, and cultural influences on Mahler's thought and work from the standpoint of the composer's position in German-Jewish culture.
Author: Joshua S. Walden
Publisher: Cambridge University Press
ISBN: 1107023459
Category : Music
Languages : en
Pages : 311
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Book Description
A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars.
Author: Yaniv Feller
Publisher: Cambridge University Press
ISBN: 1009321897
Category : History
Languages : en
Pages : 253
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Book Description
Shows how the German imperial enterprise affected modern Judaism, through the life and thought of Leo Baeck.
Author: Lisa Silverman
Publisher: Oxford University Press
ISBN: 0199942722
Category : History
Languages : en
Pages : 347
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Book Description
The collapse of Austria-Hungary in 1918 left all Austrians in a state of political, social, and economic turmoil, but Jews in particular found their lives shaken to the core. Although Jews' former comfort zone suddenly disappeared, the dissolution of the Dual Monarchy also created plenty of room for innovation and change in the realm of culture. Jews eagerly took up the challenge to fill this void, and they became heavily invested in culture as a way to shape their new, but also vexed, self-understandings. By isolating the years between the World Wars and examining formative events in both Vienna and the provinces, Becoming Austrians: Jews and Culture between the World Wars demonstrates that an intensified marking of people, places, and events as "Jewish" accompanied the crises occurring in the wake of Austria-Hungary's collapse, with profound effects on Austria's cultural legacy. In some cases, the consequences of this marking resulted in grave injustices. Philipp Halsmann, for example, was wrongfully imprisoned for the murder of his father years before he became a world-famous photographer. And the men who shot and killed writer Hugo Bettauer and philosopher Moritz Schlick received inadequate punishment for their murderous deeds. But engagements with the terms of Jewish difference also characterized the creation of culture, as shown in Hugo Bettauer's satirical novel The City without Jews and its film adaptation, other texts by Veza Canetti, David Vogel, A.M. Fuchs, Vicki Baum, and Mela Hartwig, and performances at the Salzburg Festival and the Yiddish theater in Vienna. By examining the lives, works, and deeds of a broad range of Austrians, Lisa Silverman reveals how the social codings of politics, gender, and nation received a powerful boost when articulated along the lines of Jewish difference.
Author: June J. Hwang
Publisher: Northwestern University Press
ISBN: 0810129825
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
June J. Hwang’s provocative Lost in Time explores discourses of timelessness in the works of central figures of German modernity such as Walter Benjamin, Georg Simmel, Siegfried Kracauer, and Helmuth Plessner, as well as those of Alfred Döblin, Joseph Roth, and Hugo Bettauer. Hwang argues that in the Weimar Republic the move toward ahistoricization is itself a historical phenomenon, one that can be understood by exploring the intersections of discourses about urban modernity, the stranger, and German Jewish identity. These intersections shed light on conceptions of German Jewish identity that rely on a negation of the specific and temporal as a way to legitimize a historical outsider position, creating a dynamic position that simultaneously challenges and acknowledges the limitations of an outsider’s agency. She reads these texts as attempts to transcend the particular, attempts that paradoxically reveal the entanglement of the particular and the universal.
