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Author: Jack W. Weaver
Publisher:
ISBN: 9780813016085
Category : Literary Criticism
Languages : en
Pages : 148
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Book Description
"Breaks new ground for Joyceans. . . . Weaver's work embodies a perceptive, believable explication of Joyce's interpolation of verbal and musical modalities, and in the process makes the reader eminently aware of the interlocking nature of the two art forms."--Zack Bowen, University of Miami Jack Weaver explains all of Joyce's writing in terms of music and evaluates the music--its form, kind, and technique--in each work. Using Joyce's own rhetoric of theme and variation, Weaver moves from one character to another, through the poems, fiction, and drama, noting improvisations and finding intricate musical patterns throughout the canon. As Joyce's work grows in philosophical complexity, Weaver says, its music becomes more recognizable. In Chamber Music and part of Dubliners, Joyce at first merely mentions musical titles, instruments, and forms. In other stories in Dubliners, he alludes to them. His writing in A Portrait of the Artist as a Young Man begins to approximate musical techniques, and music reflects and dominates its story and characters. By the time of Finnegans Wake, it replaces both. Within the works, Weaver cites examples of musical augmentation, diminution, harmony, counterpoint, and key signatures, showing how the works become more experimental and increasingly dissonant in the manner of avant-garde composers. Exploring fresh territory in the study of Joyce and music and of music and literature, Weaver argues that Joyce's characters and works operate between the extremes of order and disorder, harmony and chaos, music and noise, and that these polarities both signal and contribute to the rhetoric within the texts. Finally, he says, Joyce's rhetoric itself becomes music. Jack W. Weaver, professor of English at Winthrop University in Rock Hill, South Carolina, has written numerous articles and book chapters on Joyce, music, and Irish literature.
Author: Jack W. Weaver
Publisher:
ISBN: 9780813016085
Category : Literary Criticism
Languages : en
Pages : 148
Get Book Here
Book Description
"Breaks new ground for Joyceans. . . . Weaver's work embodies a perceptive, believable explication of Joyce's interpolation of verbal and musical modalities, and in the process makes the reader eminently aware of the interlocking nature of the two art forms."--Zack Bowen, University of Miami Jack Weaver explains all of Joyce's writing in terms of music and evaluates the music--its form, kind, and technique--in each work. Using Joyce's own rhetoric of theme and variation, Weaver moves from one character to another, through the poems, fiction, and drama, noting improvisations and finding intricate musical patterns throughout the canon. As Joyce's work grows in philosophical complexity, Weaver says, its music becomes more recognizable. In Chamber Music and part of Dubliners, Joyce at first merely mentions musical titles, instruments, and forms. In other stories in Dubliners, he alludes to them. His writing in A Portrait of the Artist as a Young Man begins to approximate musical techniques, and music reflects and dominates its story and characters. By the time of Finnegans Wake, it replaces both. Within the works, Weaver cites examples of musical augmentation, diminution, harmony, counterpoint, and key signatures, showing how the works become more experimental and increasingly dissonant in the manner of avant-garde composers. Exploring fresh territory in the study of Joyce and music and of music and literature, Weaver argues that Joyce's characters and works operate between the extremes of order and disorder, harmony and chaos, music and noise, and that these polarities both signal and contribute to the rhetoric within the texts. Finally, he says, Joyce's rhetoric itself becomes music. Jack W. Weaver, professor of English at Winthrop University in Rock Hill, South Carolina, has written numerous articles and book chapters on Joyce, music, and Irish literature.
Author: Gerry Smyth
Publisher: Springer Nature
ISBN: 3030612066
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
Music and Sound in the Life and Literature of James Joyce: Joyces Noyces offers a fresh perspective on the Irish writer James Joyce’s much-noted obsession with music. This book provides an overview of a century-old critical tradition focused on Joyce and music, as well as six in-depth case studies which revisit material from the writer’s career in the light of new and emerging theories. Considering both Irish cultural history and the European art music tradition, the book combines approaches from cultural musicology, critical theory, sound studies and Irish studies. Chapters explore Joyce’s use of repetition, his response to literary Wagnerism, the role and status of music in the aesthetic and political debates of the fin de siècle, music and cultural nationalism, ubiquitous urban sound and ‘shanty aesthetics’. Gerry Smyth revitalizes Joyce’s work in relation to the ‘noisy’ world in which the author wrote (and his audience read) his work.
Author: James Joyce
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 56
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Book Description
Author: Marc C. Conner
Publisher: University Press of Florida
ISBN: 0813042232
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
To many, James Joyce is simply the greatest novelist of the twentieth century. Scholars have pored over every minutia of his public and private life from utility bills to deeply personal letters in search of new insights into his life and work. Yet, for the most part, they have paid scant attention to the two volumes of poetry he published. The nine contributors to The Poetry of James Joyce Reconsideredconvincingly challenge the critical consensus that Joyce’s poetry is inferior to his prose. They reveal how his poems provide entries into Joyce's most personal and intimate thoughts and ideas. They also demonstrate that Joyce's poetic explorations--of the nature of knowledge, sexual intimacy, the changing quality of love, the relations between writing and music, and the religious dimensions of the human experience--were fundamental to his development as a writer of prose. This exciting new work is sure to spark new interest in Joyce's poetry, and will become an essential and indispensable resource for students and scholars of his life and work.
Author: Richard Brown
Publisher: John Wiley & Sons
ISBN: 1444342940
Category : Literary Criticism
Languages : en
Pages : 464
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Book Description
A Companion to James Joyce offers a unique composite overview and analysis of Joyce's writing, his global image, and his growing impact on twentieth- and twenty-first-century literatures. Brings together 25 newly-commissioned essays by some of the top scholars in the field Explores Joyce's distinctive cultural place in Irish, British and European modernism and the growing impact of his work elsewhere in the world A comprehensive and timely Companion to current debates and possible areas of future development in Joyce studies Offers new critical readings of several of Joyce's works, including Dubliners, A Portrait of the Artist as a Young Man, and Ulysses
Author: Michelle Witen
Publisher: Bloomsbury Publishing
ISBN: 1350014230
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
Drawing on draft manuscripts and other archival material, James Joyce and Absolute Music, explores Joyce's deep engagement with musical structure, and his participation in the growing modernist discourse surrounding 19th-century musical forms. Michelle Witen examines Joyce's claim of having structured the “Sirens” episode of his masterpiece, Ulysses, as a fuga per canonem, and his changing musical project from his early works, such as Dubliners and A Portrait of the Artist as a Young Man. Informed by a deep understanding of music theory and history, the book goes on to consider the “pure music” of Joyce's final work, Finnegans Wake. Demonstrating the importance of music to Joyce, this ground-breaking study reveals new depths to this enduring body of work.
Author:
Publisher: BRILL
ISBN: 9004426191
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Joyce’s art is an art of idiosyncratic transformation, revision and recycling. More specifically, the work of his art lies in the act of creative transformation: the art of the paste that echoes Ezra Pound’s urge to make it new. The essays in this volume examine various modalities of the Joycean aesthetic metamorphosis: be it through the prism of Joyce engaging with other arts and artists, or through the prism of other arts and artists engaging with the Joycean aftermath. We have chosen the essays that best show the range of Joycean engagement with multiple artistic domains in a variety of media. Joyce’s art is multiform and protean: influenced by many, it influences many others.
Author: Josh Epstein
Publisher: JHU Press
ISBN: 1421415240
Category : Literary Criticism
Languages : en
Pages : 381
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Book Description
What is the significance of noise in modernist music and literature? When Stravinsky’s Rite of Spring premiered in Paris in 1913, the crowd rioted in response to the harsh dissonance and jarring rhythms of its score. This was noise, not music. In Sublime Noise, Josh Epstein examines the significance of noise in modernist music and literature. How—and why—did composers and writers incorporate the noises of modern industry, warfare, and big-city life into their work? Epstein argues that, as the creative class engaged with the racket of cityscapes and new media, they reconsidered not just the aesthetic of music but also its cultural effects. Noise, after all, is more than a sonic category: it is a cultural value judgment—a way of abating and categorizing the sounds of a social space or of new music. Pulled into dialogue with modern music’s innovative rhythms, noise signaled the breakdown of art’s autonomy from social life—even the “old favorites” of Beethoven and Wagner took on new cultural meanings when circulated in noisy modern contexts. The use of noise also opened up the closed space of art to the pressures of publicity and technological mediation. Building both on literary cultural studies and work in the “new musicology,” Sublime Noise examines the rich material relationship that exists between music and literature. Through close readings of modernist authors, including James Joyce, T. S. Eliot, Edith Sitwell, E. M. Forster, and Ezra Pound, and composers, including George Antheil, William Walton, Erik Satie, and Benjamin Britten, Epstein offers a radically contemporary account of musical-literary interactions that goes well beyond pure formalism. This book will be of interest to scholars of Anglophone literary modernism and to musicologists interested in how music was given new literary and cultural meaning during that complex interdisciplinary period.
Author: Rachel Joyce
Publisher: Bond Street Books
ISBN: 0385681240
Category : Fiction
Languages : en
Pages : 312
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Book Description
A love story and a journey through music. The exquisite and perfectly pitched new novel from the bestselling author of The Unlikely Pilgrimage of Harold Fry, Perfect and The Love Song of Miss Queenie Hennessy. It's 1988. The CD has arrived. Sales of the shiny new disks are soaring on high streets in cities across the England. Meanwhile, down a dead-end street, Frank's music shop stands small and brightly lit, jam-packed with records of every kind. It attracts the lonely, the sleepless, the adrift. There is room for everyone. Frank has a gift for finding his customers the music they need. Into this shop arrives Ilse Brauchmann--practical, brave, well-heeled. Frank falls for this curious woman who always dresses in green. But Ilse's reasons for visiting the shop are not what they seem. Frank's passion for Ilse seems as misguided as his determination to save vinyl. How can a man so in tune with other people's needs be so incapable of helping himself? And what will it take to show he loves her? The Music Shop is a story about good, ordinary people who take on forces too big for them. It's about falling in love and how hard it can be. And it's about music--how it can bring us together when we are divided and save us when all seems lost.
Author: Alan Shockley
Publisher: Routledge
ISBN: 1351557297
Category : Music
Languages : en
Pages : 206
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Book Description
There is a strong tradition of literary analyses of the musical artwork. Simply put, all musicology - any writing about music - is an attempt at making analogies between what happens within the world of sound and language itself. This study considers this analogy from the opposite perspective: authors attempting to structure words using musical forms and techniques. It's a viewpoint much more rarely explored, and none of the extant studies of novelists' musical techniques have been done by musicians. Can a novel follow the form of a symphony and still succeed as a novel? Can musical counterpoint be mimicked by words on a page? Alan Shockley begins looking for answers by examining music's appeal for novelists, and then explores two brief works, a prose fugue by Douglas Hofstadter, and a short story by Anthony Burgess modeled after a Mozart symphony. Analyses of three large, emblematic attempts at musical writing follow. The much debated 'Sirens' episode of James Joyce's Ulysses, which the author famously likened to a fugue, Burgess' largely ignored Napoleon Symphony: A Novel in Four Movements, patterned on Beethoven's Eroica, and Joyce's Finnegans Wake, which Shockley examines as an attempt at composing a fully musicalized language. After these three larger analyses, Shockley discusses two quite recent brief novels, William Gaddis' novella Agap gape and David Markson's This is not a novel, proposing that each of these confounding texts coheres elegantly when viewed as a musically-structured work. From the perspective of a composer, Shockley offers the reader fresh tools for approaching these dense and often daunting texts.
