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Author: R. B. Kershner
Publisher: UNC Press Books
ISBN: 1469616211
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
The sheer mass of allusion to popular literature in the writings of James Joyce is daunting. Using theories developed by Russian critic Mikhail Bakhtin, R. B. Kershner analyzes how Joyce made use of popular literature in such early works as Stephen Hero, Dubliners, A Portrait of an Artist as a Young Man, and Exiles. Kershner also examines Joyce's use of rhetoric, the relationship between narrator and protagonist, and the interplay of voices, whether personal, literary, or subliterary, in Joyce's writing. In pointing out the prolific allusions in Joyce to newspapers, children's books, popular novels, and even pornography, Kershner shows how each of these contributes to the structures of consciousness of Joyce's various characters, all of whom write and rewrite themselves in terms of the texts they read in their youth. He also investigates the intertextual role of many popular books to which Joyce alludes in his writings and letters, or which he owned -- some well known, others now obscure. Kershner presents Joyce as a writer with a high degrees of social consciousness, whose writings highlight the conflicting ideologies of the Irish bourgeoisie. In exploring the social dimension of Joyce's writing, he calls upon such important contemporary thinkers as Jameston, Althusser, Barthes, and Lacan in addition to Bakhtin. Joyce's literary response to his historical situation was not polemical, Kershner argues, but, in Bakhtin's terms, dialogical: his writings represent an unremitting dialogue with the discordant but powerful voices of his day, many inaudible to us now. Joyce, Bakhtin, and Popular Literature places Joyce within the social and intellectual context of his time. Through stylistic, social, and ideological analysis, Kersner gives us a fuller grasp of the the complexity of Joyce's earlier writings.
Author: R. B. Kershner
Publisher: UNC Press Books
ISBN: 1469616211
Category : Literary Criticism
Languages : en
Pages : 353
Get Book
Book Description
The sheer mass of allusion to popular literature in the writings of James Joyce is daunting. Using theories developed by Russian critic Mikhail Bakhtin, R. B. Kershner analyzes how Joyce made use of popular literature in such early works as Stephen Hero, Dubliners, A Portrait of an Artist as a Young Man, and Exiles. Kershner also examines Joyce's use of rhetoric, the relationship between narrator and protagonist, and the interplay of voices, whether personal, literary, or subliterary, in Joyce's writing. In pointing out the prolific allusions in Joyce to newspapers, children's books, popular novels, and even pornography, Kershner shows how each of these contributes to the structures of consciousness of Joyce's various characters, all of whom write and rewrite themselves in terms of the texts they read in their youth. He also investigates the intertextual role of many popular books to which Joyce alludes in his writings and letters, or which he owned -- some well known, others now obscure. Kershner presents Joyce as a writer with a high degrees of social consciousness, whose writings highlight the conflicting ideologies of the Irish bourgeoisie. In exploring the social dimension of Joyce's writing, he calls upon such important contemporary thinkers as Jameston, Althusser, Barthes, and Lacan in addition to Bakhtin. Joyce's literary response to his historical situation was not polemical, Kershner argues, but, in Bakhtin's terms, dialogical: his writings represent an unremitting dialogue with the discordant but powerful voices of his day, many inaudible to us now. Joyce, Bakhtin, and Popular Literature places Joyce within the social and intellectual context of his time. Through stylistic, social, and ideological analysis, Kersner gives us a fuller grasp of the the complexity of Joyce's earlier writings.
Author: M. Keith Booker
Publisher: University of Michigan Press
ISBN: 9780472085217
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
Illuminates James Joyce's relationship to his literary predecessors in new and important ways
Author: R. B. Kershner
Publisher:
ISBN: 9780813013961
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
"Gathers together impressive, prominent voices in the field of Joycean studies and popular culture. . . . I was impressed by the elegance with which I was introduced to the idea that Tom Swifties, Marilyn Monroe, and electronic media all have something to offer to the study of Joyce (and vice versa). . . . Delightful new materials. . . . All Joyceans will want to own this volume. . . . Those interested in popular culture per se will also have to see what's happening now in the Joycean arena."--Cheryl Herr, University of Iowa Joyce not only used popular culture, he contributed to it. These essays employ a variety of sophisticated critical techniques to bring out his surprising involvement in the popular culture of his time. Treating all of Joyce's work from Dubliners through Finnegans Wake, they question the conventional idea that popular culture is the inverse of modernist high art, showing instead how popular culture intertwines with modernist (and postmodernist) art. In a general historical introduction, R. B. Kershner the entire question of Joyce and popular culture within the context of Joyce criticism and the cultural studies movement. Contents Introduction, by R. B. Kershner THEORETICAL APPROACHES 1. Theoretical Approaches to Popular Culture, by Derek Attridge 2. A Tale of "Unwashed Joyceans": James Joyce, Popular Culture, and Popular Theory, by David Glover 3. A(dorna) to Z(izek): From the Culture Industry to the Joyce Industry, and Beyond, by Michael Walsh POPULAR SOURCES AND PARADIGMS 4. Should Boys Have Sweethearts?, by Chester G. Anderson 5. Molly Bloom and Lady Hester Stanhope, by Michael H. Begnal 6. "Nothing for a Woman in That": James Lovebirch and Masochistic Fantasy in Ulysses, by Stephen Watt 7. Dr. J. Collins Looks at J. J.: The Invention of a Shaun, by David Hayman THE CONTEXT OF CULTURE 8. Wilde about Joyce, by Zack Bowen 9. The (Tom) Swiftean Comedy of "Scylla and Charybdis," by Thomas Jackson Rice 10. Advertising and Religion in James Joyce's Fiction: The New (Improved!) Testament, by Garry M. Leonard 11. Joyce's Techno-Poetics of Artifice: Machines, Media, Memory, and Modes of Communication in Ulysses and Finnegans Wake, by Donald Theall JOYCE IN POPULAR CULTURE 12. Appropriating the Master Appropriator: "The James Joyce Murder" as Feminist Critique, by Helene Meyers 13. James Joyce as Woman: Fionnula Flanagan, Joyce, and Film, by Adrian Peever 14. Marilyn Monroe Reading Ulysses: Goddess or Postcultural Cyborg? by Richard Brown 15. The Joycean Unconscious, or Getting Respect in the Real World, by Vincent J. Cheng R. B. Kershner is professor of English at the University of Florida and an advisory editor for the James Joyce Quarterly. He is the author of Joyce, Bakhtin and Popular Literature: Chronicles of Disorder (1989) and Dylan Thomas: The Poet and His Critics (1977) and the editor of the St. Martin's Press case studies edition of A Portrait of the Artist as a Young Man (1992).
Author: Dominic Manganiello
Publisher: Routledge
ISBN: 1317288122
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
The object of this study, first published in 1980, is to dispel the view that James Joyce had no political views. Although not a political novelist like D. H. Lawrence or Joseph Conrad, political issues and discussions are central to Joyce’s major novels. This title links that political content with Joyce’s own views, and examines the evolution of those views and attitudes. A number of unusual and fascinating sources for Joyce’s thought are uncovered. Joyce’s Politics is thus a thorough review of a neglected aspect of Joyce and his writings, and will be of interest to students of literature.
Author: Stanley Sultan
Publisher:
ISBN: 0195362543
Category : Literary Criticism
Languages : en
Pages : 346
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Book Description
This study explores the relations of T.S. Eliot and James Joyce with certain antecedents, such as Dante, Flaubert and Baudelaire; with contemporaries including Pound and Yeats; and with their readers, in order to illuminate the authors' historic mutual venture in English literature.
Author: John S. Rickard
Publisher: Duke University Press
ISBN: 9780822321705
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
DIVDiscusses Ulysses arguing that through the operation of memory, it mimics the working of the human mind and achieves its status as one of the most intellectual achievements of the 20th century./div
Author: Richard Brown
Publisher: John Wiley & Sons
ISBN: 1444342940
Category : Literary Criticism
Languages : en
Pages : 464
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Book Description
A Companion to James Joyce offers a unique composite overview and analysis of Joyce's writing, his global image, and his growing impact on twentieth- and twenty-first-century literatures. Brings together 25 newly-commissioned essays by some of the top scholars in the field Explores Joyce's distinctive cultural place in Irish, British and European modernism and the growing impact of his work elsewhere in the world A comprehensive and timely Companion to current debates and possible areas of future development in Joyce studies Offers new critical readings of several of Joyce's works, including Dubliners, A Portrait of the Artist as a Young Man, and Ulysses
Author: Kevin J. H. Dettmar
Publisher: Univ of Wisconsin Press
ISBN: 9780299150648
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
For nearly three quarters of a century, the modernist way of reading has been the only way of reading Joyce - useful, yes, and powerful but, like all frameworks, limited. This book takes a leap across those limits into postmodernism, where the pleasures and possibilities of an unsuspected Joyce are yet to be found. Kevin J. H. Dettmar begins by articulating a stylistics of postmodernism drawn from the key texts of Roland Barthes, Mikhail Bakhtin, and Jean-Francois Lyotard. Read within this framework, Dubliners emerges from behind its modernist facade as the earliest product of Joyce's proto-post-modernist sensibility. Dettmar exposes these stories as tales of mystery, not mastery, despite the modernist earmarks of plentiful symbols, allusions, and epiphanies. Ulysses, too, has been inadequately served by modernist critics. Where they have emphasized the work's ingenious Homeric structure, Dettmar focuses instead upon its seams, those points at which the narrative willfully, joyfully overflows its self-imposed bounds. Finally, he reads A Portrait of the Artist and Finnegans Wake as less playful, less daring texts - the first constrained by the precious, would be poet at its center, the last marking a surprising retreat from the constantly evolving, vertiginous experience of Ulysses.
Author: John McCourt
Publisher: Cambridge Scholars Publishing
ISBN: 1443815519
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
The essays gathered in Joyce in Progress are the fruit of the First Annual Graduate Conference in Joyce Studies held at the Università Roma Tre in February 2008, and organized by the Italian James Joyce Foundation. They are a testament to the enduring fascination of Joyce's writings and the ongoing liveliness of debate about the writer and his works and contexts. There is a wide array of genuine research on show here, which looks at Joyce from a variety of angles, focusing on his deeply complex autobiographical fiction through genetic studies, post-colonial studies, eco-criticism and intertextual and multi-modal approaches. This volume offers ground-breaking multi-disciplinary readings and usefully connects Joyce’s work with that of contemporary writers, rivals, followers, and successors.
Author: Mark A. Wollaeger
Publisher: University of Michigan Press
ISBN: 9780472107346
Category : Historicism
Languages : en
Pages : 268
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Book Description
Eleven essays that open tantalizing questions about Joyce and history
