Journal of Renaissance and Baroque Music PDF Download
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Author: Armen Carapetyan
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 374
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Author: Armen Carapetyan
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 374
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Author: Leo Schrade
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Institute of Renaissance and Baroque Music (CAMBRIDGE, Mass.)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Armen Carapetyan
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 360
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Author: Friedrich Blume
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Friedrich Blume
Publisher: W W Norton & Company Incorporated
ISBN: 9780393097108
Category : Music
Languages : en
Pages : 180
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Book Description
These two essays were written by Professor Blume for the monumental encyclopedia of which he was the editor, Die Musik in Geschichte und Gegenwart. In the first study he examines the concept of the term 'Renaissance, ' summing up the views of art historians and others; the Renaissance attitude toward music: the treatment of the Renaissance as a period in music history: the various national styles and the types of composition in that period (this section constitutes about half of the essay); and finally the accomplishments of the Renaissance in music.
Author: Jonathan Wainwright
Publisher: Routledge
ISBN: 1351566253
Category : Music
Languages : en
Pages : 507
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Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.
Author: Willi Apel
Publisher:
ISBN:
Category : Civilization, Baroque
Languages : en
Pages : 212
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Author: Hyun-Ah Kim
Publisher: Routledge
ISBN: 1317119584
Category : History
Languages : en
Pages : 298
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John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.
Author: Alec Harman
Publisher:
ISBN:
Category : Music
Languages : en
Pages :
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