Author: Barbara Wiedemann
Publisher: Associated University Presse
ISBN: 9781575910079
Category : Law
Languages : en
Pages : 166
Book Description
A native of Iowa and long-time resident of Pennsylvania, Josephine Herbst (1892-1969), well known and highly regarded in the 1930s, was the author of seven novels, twenty-seven short stories, a biography, and numerous journal and newspaper articles. In the current study, the first on Herbst's short fiction, the author provides a critical discussion of each of Herbst's stories, including relevant biographical and historical data.
Josephine Herbst's Short Fiction
Author: Barbara Wiedemann
Publisher: Associated University Presse
ISBN: 9781575910079
Category : Law
Languages : en
Pages : 166
Book Description
A native of Iowa and long-time resident of Pennsylvania, Josephine Herbst (1892-1969), well known and highly regarded in the 1930s, was the author of seven novels, twenty-seven short stories, a biography, and numerous journal and newspaper articles. In the current study, the first on Herbst's short fiction, the author provides a critical discussion of each of Herbst's stories, including relevant biographical and historical data.
Publisher: Associated University Presse
ISBN: 9781575910079
Category : Law
Languages : en
Pages : 166
Book Description
A native of Iowa and long-time resident of Pennsylvania, Josephine Herbst (1892-1969), well known and highly regarded in the 1930s, was the author of seven novels, twenty-seven short stories, a biography, and numerous journal and newspaper articles. In the current study, the first on Herbst's short fiction, the author provides a critical discussion of each of Herbst's stories, including relevant biographical and historical data.
Writers on the Left
Author: Daniel Aaron
Publisher: Columbia University Press
ISBN: 9780231080392
Category : Literary Criticism
Languages : en
Pages : 532
Book Description
Writers on the Left chronicles the involvement of American writers with the progressive and radical movement from its bohemian origins in 1912 to its disillusionment and demise in the early 1940s. Aaron creates a perceptive and often poignant portrait of writers such as Max Eastman and Floyd Dell, who tried to wed the seemingly conflicting impulses behind the need for uninhibited artistic expression and to abolish the inequalities of class and race.
Publisher: Columbia University Press
ISBN: 9780231080392
Category : Literary Criticism
Languages : en
Pages : 532
Book Description
Writers on the Left chronicles the involvement of American writers with the progressive and radical movement from its bohemian origins in 1912 to its disillusionment and demise in the early 1940s. Aaron creates a perceptive and often poignant portrait of writers such as Max Eastman and Floyd Dell, who tried to wed the seemingly conflicting impulses behind the need for uninhibited artistic expression and to abolish the inequalities of class and race.
Writing From the Left
Author: Alan M. Wald
Publisher: Verso
ISBN: 9781859840016
Category : History
Languages : en
Pages : 260
Book Description
In this collection of essays, the author combines a series of assessments of "classic" and "lost" texts in the US Marxist literary tradition, and analyzes developments in Marxist scholarship by Robin Kelley, Michael Lowy, James Murphy, Paula Rabinowitz and Alexander Saxton.
Publisher: Verso
ISBN: 9781859840016
Category : History
Languages : en
Pages : 260
Book Description
In this collection of essays, the author combines a series of assessments of "classic" and "lost" texts in the US Marxist literary tradition, and analyzes developments in Marxist scholarship by Robin Kelley, Michael Lowy, James Murphy, Paula Rabinowitz and Alexander Saxton.
In the Company of Radical Women Writers
Author: Rosemary Hennessy
Publisher: U of Minnesota Press
ISBN: 1452970068
Category : Literary Criticism
Languages : en
Pages : 347
Book Description
Recovering the bold voices and audacious lives of women who confronted capitalist society’s failures and injustices in the 1930s—a decade unnervingly similar to our own In the Company of Radical Women Writers rediscovers the political commitments and passionate advocacy of seven writers—Black, Jewish, and white—who as young women turned to communism around the Great Depression and, over decades of national crisis, spoke to issues of labor, land, and love in ways that provide urgent, thought-provoking guidance for today. Rosemary Hennessy spotlights the courageous lives of women who confronted similar challenges to those we still face: exhausting and unfair labor practices, unrelenting racial injustice, and environmental devastation. As Hennessy brilliantly shows, the documentary journalism and creative and biographical writings of Marvel Cooke, Louise Thompson Patterson, Claudia Jones, Alice Childress, Josephine Herbst, Meridel Le Sueur, and Muriel Rukeyser recognized that life is sustained across a web of dependencies that we each have a duty to maintain. Their work brought into sharp focus the value and dignity of Black women’s domestic work, confronted the destructive myths of land exploitation and white supremacy, and explored ways of knowing attuned to a life-giving erotic energy that spans bodies and relations. In doing so, they also expanded the scope of American communism. By tracing the attention these seven women pay to “life-making” as the relations supporting survival and wellbeing—from Harlem to the American South and Midwest—In the Company of Radical Women Writers reveals their groundbreaking reconceptions of the political and provides bracing inspiration in the ongoing fight for justice.
Publisher: U of Minnesota Press
ISBN: 1452970068
Category : Literary Criticism
Languages : en
Pages : 347
Book Description
Recovering the bold voices and audacious lives of women who confronted capitalist society’s failures and injustices in the 1930s—a decade unnervingly similar to our own In the Company of Radical Women Writers rediscovers the political commitments and passionate advocacy of seven writers—Black, Jewish, and white—who as young women turned to communism around the Great Depression and, over decades of national crisis, spoke to issues of labor, land, and love in ways that provide urgent, thought-provoking guidance for today. Rosemary Hennessy spotlights the courageous lives of women who confronted similar challenges to those we still face: exhausting and unfair labor practices, unrelenting racial injustice, and environmental devastation. As Hennessy brilliantly shows, the documentary journalism and creative and biographical writings of Marvel Cooke, Louise Thompson Patterson, Claudia Jones, Alice Childress, Josephine Herbst, Meridel Le Sueur, and Muriel Rukeyser recognized that life is sustained across a web of dependencies that we each have a duty to maintain. Their work brought into sharp focus the value and dignity of Black women’s domestic work, confronted the destructive myths of land exploitation and white supremacy, and explored ways of knowing attuned to a life-giving erotic energy that spans bodies and relations. In doing so, they also expanded the scope of American communism. By tracing the attention these seven women pay to “life-making” as the relations supporting survival and wellbeing—from Harlem to the American South and Midwest—In the Company of Radical Women Writers reveals their groundbreaking reconceptions of the political and provides bracing inspiration in the ongoing fight for justice.
Cinematic Fictions
Author: David Seed
Publisher: Liverpool University Press
ISBN: 1846318122
Category : Performing Arts
Languages : en
Pages : 327
Book Description
The phrase 'cinematic fiction' has now been generally accepted into critical discourse, but is usually applied to post-war novels. This book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings? From its very beginnings the cinema has played a special role in defining American culture. Covering the period from the 1910s up to the Second World War, Cinematic Fictions offers new insights into classics like The Great Gatsby and The Grapes of Wrath discussing major writers' critical writings on film and active participation in film-making. Cinematic Fictions is also careful not to portray 'cinema' as a single or stable entity. Some novelists drew on silent film; others looked to the Russian theorists for inspiration; and yet others turned to continental film-makers rather than to Hollywood. Film itself was constantly evolving during the first decades of the twentieth century and the writers discussed here engaged in a kind of dialogue with the new medium, selectively pursuing strategies of montage, limited point of view and scenic composition towards their different ends. Contrasting a diverse range of cinematic and literary movements, this will be compulsory reading for scholars of American literature and film.
Publisher: Liverpool University Press
ISBN: 1846318122
Category : Performing Arts
Languages : en
Pages : 327
Book Description
The phrase 'cinematic fiction' has now been generally accepted into critical discourse, but is usually applied to post-war novels. This book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings? From its very beginnings the cinema has played a special role in defining American culture. Covering the period from the 1910s up to the Second World War, Cinematic Fictions offers new insights into classics like The Great Gatsby and The Grapes of Wrath discussing major writers' critical writings on film and active participation in film-making. Cinematic Fictions is also careful not to portray 'cinema' as a single or stable entity. Some novelists drew on silent film; others looked to the Russian theorists for inspiration; and yet others turned to continental film-makers rather than to Hollywood. Film itself was constantly evolving during the first decades of the twentieth century and the writers discussed here engaged in a kind of dialogue with the new medium, selectively pursuing strategies of montage, limited point of view and scenic composition towards their different ends. Contrasting a diverse range of cinematic and literary movements, this will be compulsory reading for scholars of American literature and film.
The Novel and the American Left
Author: Janet Galligani Casey
Publisher: University of Iowa Press
ISBN: 1587294753
Category : Business & Economics
Languages : en
Pages : 237
Book Description
The first collection of critical essays to focus specifically on the fiction produced by American novelists of the Depression era, The Novel and the American Left contributes substantially to the newly emerging emphasis on twentieth-century American literary radicalism. Recent studies have recovered this body of work and redefined in historical and theoretical terms its vibrant contribution to American letters. Casey consolidates and expands this field of study by providing a more specific consideration of individual novels and novelists, many of which are reaching new contemporary audiences through reprints. The Novel and the American Left focuses exclusively on left-leaning fiction of the Depression era, lending visibility and increased critical validity to these works and showing the various ways in which they contributed not only to theorizations of the Left but also to debates about the content and form of American fiction. In theoretical terms, the collection as a whole contributes to the larger reconceptualization of American modernity currently under way. More pragmatically, individual essays suggest specific authors, texts, and approaches to teachers and scholars seeking to broaden and/or complicate more traditional “American modernism” syllabi and research agendas. The selected essays take up, among others, such “hard-core"” leftist writers as Mike Gold and Myra Page, who were associated with the Communist Party; the popular novels of James M. Cain and Kenneth Fearing, whose works were made into successful films; and critically acclaimed but nonetheless “lost” novelists such as Josephine Johnson, whose Now in November (Pulitzer Prize, 1936) anticipates and complicates the more popular agrarian mythos of Steinbeck’s The Grapes of Wrath. This volume will be of interest not only to literary specialists but also to historians, social scientists, and those interested in American cultural studies.
Publisher: University of Iowa Press
ISBN: 1587294753
Category : Business & Economics
Languages : en
Pages : 237
Book Description
The first collection of critical essays to focus specifically on the fiction produced by American novelists of the Depression era, The Novel and the American Left contributes substantially to the newly emerging emphasis on twentieth-century American literary radicalism. Recent studies have recovered this body of work and redefined in historical and theoretical terms its vibrant contribution to American letters. Casey consolidates and expands this field of study by providing a more specific consideration of individual novels and novelists, many of which are reaching new contemporary audiences through reprints. The Novel and the American Left focuses exclusively on left-leaning fiction of the Depression era, lending visibility and increased critical validity to these works and showing the various ways in which they contributed not only to theorizations of the Left but also to debates about the content and form of American fiction. In theoretical terms, the collection as a whole contributes to the larger reconceptualization of American modernity currently under way. More pragmatically, individual essays suggest specific authors, texts, and approaches to teachers and scholars seeking to broaden and/or complicate more traditional “American modernism” syllabi and research agendas. The selected essays take up, among others, such “hard-core"” leftist writers as Mike Gold and Myra Page, who were associated with the Communist Party; the popular novels of James M. Cain and Kenneth Fearing, whose works were made into successful films; and critically acclaimed but nonetheless “lost” novelists such as Josephine Johnson, whose Now in November (Pulitzer Prize, 1936) anticipates and complicates the more popular agrarian mythos of Steinbeck’s The Grapes of Wrath. This volume will be of interest not only to literary specialists but also to historians, social scientists, and those interested in American cultural studies.
John Cheever
Author: Scott Donaldson
Publisher: Open Road Media
ISBN: 150402995X
Category : Biography & Autobiography
Languages : en
Pages : 564
Book Description
“A biography of great immediacy. . . . There are many sections of great poignancy, many funny things, many of electric intimacy and candor . . . there is spellbinding power, never more so than in describing Cheever’s death, pages that are both terrible and deeply moving; one is losing an old, beloved friend.” —James Salter, Los Angeles Times Book Review “John Cheever: A Biography is clearly an indispensable book. Donaldson moves gracefully from the personal to the literary. . . . Solidly researched and entirely readable, admiring of the writer and knowing about the man. Stuffed with fascinating anecdotes. It’s a gut-wrenching story. Donaldson tells it straight, without embellishment, and our attention never strays.” —Dan Cryer, Newsday “A coup of investigative reporting.” —Publishers Weekly “Both erudite and earthly. What emerges is a rich tapestry that gives the reader extraordinary insight into the workings of a master storyteller’s mind.” —Jean Graham, New York Daily News “John Cheever: A Biography by Scott Donaldson is as readable and ‘unputdownable’ as any thriller.” —T. Coraghessan Boyle “A revelation. What a triumph.” —Frederick Exley “Donaldson has set a high standard that other biographers will find difficult to equal.” —John Blades, Chicago Tribune
Publisher: Open Road Media
ISBN: 150402995X
Category : Biography & Autobiography
Languages : en
Pages : 564
Book Description
“A biography of great immediacy. . . . There are many sections of great poignancy, many funny things, many of electric intimacy and candor . . . there is spellbinding power, never more so than in describing Cheever’s death, pages that are both terrible and deeply moving; one is losing an old, beloved friend.” —James Salter, Los Angeles Times Book Review “John Cheever: A Biography is clearly an indispensable book. Donaldson moves gracefully from the personal to the literary. . . . Solidly researched and entirely readable, admiring of the writer and knowing about the man. Stuffed with fascinating anecdotes. It’s a gut-wrenching story. Donaldson tells it straight, without embellishment, and our attention never strays.” —Dan Cryer, Newsday “A coup of investigative reporting.” —Publishers Weekly “Both erudite and earthly. What emerges is a rich tapestry that gives the reader extraordinary insight into the workings of a master storyteller’s mind.” —Jean Graham, New York Daily News “John Cheever: A Biography by Scott Donaldson is as readable and ‘unputdownable’ as any thriller.” —T. Coraghessan Boyle “A revelation. What a triumph.” —Frederick Exley “Donaldson has set a high standard that other biographers will find difficult to equal.” —John Blades, Chicago Tribune
Memories and Representations of War
Author: Elena Lamberti
Publisher: Rodopi
ISBN: 9042025212
Category : History
Languages : en
Pages : 352
Book Description
The contributors to this volume approach the World Wars as complex and intertwined crossroads leading to the definition of a new European reality. While assessing the the way the memories of the two World Wars have been readjusted each time in relation to the evolving international historical setting and through various mediators of memory (cinema, literature, art and monuments), the various essays contribute to unveil a cultural panorama inhabited by contrasting memories.
Publisher: Rodopi
ISBN: 9042025212
Category : History
Languages : en
Pages : 352
Book Description
The contributors to this volume approach the World Wars as complex and intertwined crossroads leading to the definition of a new European reality. While assessing the the way the memories of the two World Wars have been readjusted each time in relation to the evolving international historical setting and through various mediators of memory (cinema, literature, art and monuments), the various essays contribute to unveil a cultural panorama inhabited by contrasting memories.
Who's Who of Twentieth Century Novelists
Author: Tim Woods
Publisher: Routledge
ISBN: 1134709919
Category : Biography & Autobiography
Languages : en
Pages : 385
Book Description
Taking in novelists from all over the globe, from the beginning of the century to the present day, this is the most comprehensive survey of the leading lights of twentieth century fiction. Superb breadth of coverage and over 800 entries by an international team of contributors ensures that this fascinating and wide-ranging work of reference will be invaluable to anyone with an interest in modern fiction. Authors included range from Joseph Conrad to Albert Camus and Franz Kafka to Chinua Achebe. Who's Who of Twentieth Century Novelists gives a superb insight into the richness and diversity of the twentieth century novel.
Publisher: Routledge
ISBN: 1134709919
Category : Biography & Autobiography
Languages : en
Pages : 385
Book Description
Taking in novelists from all over the globe, from the beginning of the century to the present day, this is the most comprehensive survey of the leading lights of twentieth century fiction. Superb breadth of coverage and over 800 entries by an international team of contributors ensures that this fascinating and wide-ranging work of reference will be invaluable to anyone with an interest in modern fiction. Authors included range from Joseph Conrad to Albert Camus and Franz Kafka to Chinua Achebe. Who's Who of Twentieth Century Novelists gives a superb insight into the richness and diversity of the twentieth century novel.
Tomorrow Perhaps the Future
Author: Sarah Watling
Publisher: Knopf
ISBN: 0593319672
Category : History
Languages : en
Pages : 385
Book Description
An extraordinary account of the women artists and activists whose determination to live—and to create—with courage and conviction took them as far as the Spanish Civil War “Now, as certainly as never before, we are determined or compelled, to take sides.” —Nancy Cunard An attempted insurrection, a country divided, a democracy threatened. It was the Spanish Civil War of 1936, surprisingly, that Sarah Watling found herself drawn to when confounded by the tumultuous politics of our present day. This was a conflict that galvanized tens of thousands of volunteers from around the world to join the fight. For them, the choice seemed clear: either you were for fascism or you were against it. Seeking to understand how they knew that the moment to act had arrived, Watling sifts through archives for lost journals, letters, and manifestos, discovering a trove of work by writers and outsiders who had often been relegated to the shadows of famous men like Ernest Hemingway and George Orwell. She encounters the rookie journalist Martha Gellhorn coming into her own in Spain and the radical writer Josephine Herbst questioning her political allegiances. She finds the novelist Sylvia Townsend Warner embracing a freedom in Barcelona that was impossible for queer women back at home in England and, by contrast, Virginia Woolf struggling to keep the war out of her life, honing her intellectual position as she did so. She tracks down the stories of Gerda Taro, a Jewish photographer whose work had long been misattributed, and Salaria Kea, a nurse from Harlem who saw the war as a chance to combat the prejudice she experienced as a woman of color. Here were individuals seizing an opportunity to oppose the forces that frightened them. From a variety of backgrounds and beliefs, these women saw history coming, and they went out to meet it. Yet the reality was far from simple. When does tolerance become apathy? Where is the line between solidarity and appropriation? Is writing about the revolution the same as actively participating in it? With profound, personal insight, Watling reveals that their answers are as relevant today as they were then.
Publisher: Knopf
ISBN: 0593319672
Category : History
Languages : en
Pages : 385
Book Description
An extraordinary account of the women artists and activists whose determination to live—and to create—with courage and conviction took them as far as the Spanish Civil War “Now, as certainly as never before, we are determined or compelled, to take sides.” —Nancy Cunard An attempted insurrection, a country divided, a democracy threatened. It was the Spanish Civil War of 1936, surprisingly, that Sarah Watling found herself drawn to when confounded by the tumultuous politics of our present day. This was a conflict that galvanized tens of thousands of volunteers from around the world to join the fight. For them, the choice seemed clear: either you were for fascism or you were against it. Seeking to understand how they knew that the moment to act had arrived, Watling sifts through archives for lost journals, letters, and manifestos, discovering a trove of work by writers and outsiders who had often been relegated to the shadows of famous men like Ernest Hemingway and George Orwell. She encounters the rookie journalist Martha Gellhorn coming into her own in Spain and the radical writer Josephine Herbst questioning her political allegiances. She finds the novelist Sylvia Townsend Warner embracing a freedom in Barcelona that was impossible for queer women back at home in England and, by contrast, Virginia Woolf struggling to keep the war out of her life, honing her intellectual position as she did so. She tracks down the stories of Gerda Taro, a Jewish photographer whose work had long been misattributed, and Salaria Kea, a nurse from Harlem who saw the war as a chance to combat the prejudice she experienced as a woman of color. Here were individuals seizing an opportunity to oppose the forces that frightened them. From a variety of backgrounds and beliefs, these women saw history coming, and they went out to meet it. Yet the reality was far from simple. When does tolerance become apathy? Where is the line between solidarity and appropriation? Is writing about the revolution the same as actively participating in it? With profound, personal insight, Watling reveals that their answers are as relevant today as they were then.