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Author: Matthew Craske
Publisher: Paul Mellon Centre for Studies
ISBN: 9781913107123
Category : Art
Languages : en
Pages : 0
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Book Description
A revelatory study of one of the 18th century's greatest artists, which places him in relation to the darker side of the English Enlightenment Joseph Wright of Derby (1734-1797), though conventionally known as a 'painter of light', returned repeatedly to nocturnal images. His essential preoccupations were dark and melancholy, and he had an enduring concern with death, ruin, old age, loss of innocence, isolation and tragedy. In this long-awaited book, Matthew Craske adopts a fresh approach to Wright, which takes seriously contemporary reports of his melancholia and nervous disposition, and goes on to question accepted understandings of the artist. Long seen as a quintessentially modern and progressive figure - one of the artistic icons of the English Enlightenment - Craske overturns this traditional view of the artist. He demonstrates the extent to which Wright, rather than being a spokesman for scientific progress, was actually a melancholic and sceptical outsider, who increasingly retreated into a solitary, rural world of philosophical and poetic reflection, and whose artistic vision was correspondingly dark and meditative. Craske offers a succession of new and powerful interpretations of the artist's paintings, including some of his most famous masterpieces. In doing so, he recovers Wright's deep engagement with the landscape, with the pleasures and sufferings of solitude, and with the themes of time, history and mortality. In this book, Joseph Wright of Derby emerges not only as one of Britain's most ambitious and innovative artists, but also as one of its most profound. Distributed for the Paul Mellon Centre for Studies in British Art
Author: Matthew Craske
Publisher: Paul Mellon Centre for Studies
ISBN: 9781913107123
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
A revelatory study of one of the 18th century's greatest artists, which places him in relation to the darker side of the English Enlightenment Joseph Wright of Derby (1734-1797), though conventionally known as a 'painter of light', returned repeatedly to nocturnal images. His essential preoccupations were dark and melancholy, and he had an enduring concern with death, ruin, old age, loss of innocence, isolation and tragedy. In this long-awaited book, Matthew Craske adopts a fresh approach to Wright, which takes seriously contemporary reports of his melancholia and nervous disposition, and goes on to question accepted understandings of the artist. Long seen as a quintessentially modern and progressive figure - one of the artistic icons of the English Enlightenment - Craske overturns this traditional view of the artist. He demonstrates the extent to which Wright, rather than being a spokesman for scientific progress, was actually a melancholic and sceptical outsider, who increasingly retreated into a solitary, rural world of philosophical and poetic reflection, and whose artistic vision was correspondingly dark and meditative. Craske offers a succession of new and powerful interpretations of the artist's paintings, including some of his most famous masterpieces. In doing so, he recovers Wright's deep engagement with the landscape, with the pleasures and sufferings of solitude, and with the themes of time, history and mortality. In this book, Joseph Wright of Derby emerges not only as one of Britain's most ambitious and innovative artists, but also as one of its most profound. Distributed for the Paul Mellon Centre for Studies in British Art
Author: William Bemrose
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 182
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Book Description
This is a well-research and highly accurate account of the life and artistic works of Joseph Wright of Derby. Wright of Derby was a landscape and portrait painter active in the mid-to-late 1700s. He is well-known for capturing the spirit of the industrial revolution in picture form. His paintings blend the industry and science of the new world with the alchemy and religion of the old world. This book explores his personal and professional life and examines his inspirations.
Author: Derby (England). Free Public Library and Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 494
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 86
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Book Description
Author: Amina Wright
Publisher: Philip Wilson Publishers
ISBN: 9781781300213
Category : Art
Languages : en
Pages : 112
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Book Description
This title examines Joseph Wright's little-known Bath period, places the artist in the context of a city then at the height of its unique cultural significance. Using rarely-seen illustrations of his work, it considers his attempts to conquer a saturated portrait market with images of local celebrities, and his use of domestic spaces for public exhibition.
Author: Stephen Leach
Publisher: Cambridge Scholars Publishing
ISBN: 1527592200
Category : Art
Languages : en
Pages : 276
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Book Description
This book situates the work of the artist Joseph Wright of Derby (1734–1797) within the context of his life and times. It brings to light fresh information, including evidence of the flute music that Wright played and the ‘graveyard’ genre of poetry that he read. The book argues that Wright is the author of ‘The Final Farewell: a poem written on retiring from London’ (1787). It will be of interest to all admirers of this famously retiring artist. By the same author: The Adventures and Speculations of the Ingenious Peter Perez Burdett.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 780
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Book Description
Author: Andrew Graciano
Publisher: Cambridge Scholars Publishing
ISBN: 1443839590
Category : Art
Languages : en
Pages : 170
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Book Description
Andrew Graciano’s thorough study is a re-evaluation of Joseph Wright’s career and social status that demonstrates how his later landscapes, portraits and historical pictures are connected to a broader historical context, including contemporary science, industry and economics. In doing so, Graciano reinforces the idea that Wright was an intellectual painter, very much engaged with current ideas in these realms, as well as a gentleman of means beyond his artistic income, which gave him a social standing that has often been ignored by previous scholars.
Author: Derek Wain
Publisher:
ISBN:
Category : History
Languages : en
Pages : 200
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Book Description
This is the authorized history of the Hurt family. It starts with the purchase of The Green Hall, Ashburne, by Thomas Hurt in 1489 and traces their move to Casterne Hall, near Ilam in the Manifold Valley, where records show they were present in 1600. The text also examines the family's connection with Alderwasley Hall near Wirksworth, where the family moved in the 18th century and remained until the 1930s. It looks in detail at the known history of each generation and is augmented by a substantial number of photographs of family members, Hurt family life and their Derbyshire homes. It also documents the Hurt family's connection with other notable Derbyshire families including Sir Richard Arkwright and the Strutts, Cavendish and Manners families.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 680
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Book Description
