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Author: Keith Carabine
Publisher:
ISBN:
Category :
Languages : en
Pages : 738
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Book Description
Author: Keith Carabine
Publisher:
ISBN:
Category :
Languages : en
Pages : 738
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Book Description
Author: Tim Middleton
Publisher: Routledge
ISBN: 1135137293
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
The popular yet complex work of Joseph Conrad has attracted much critical attention over the years, from the perspectives of postcolonial, modernist, cultural and gender studies. This guide to his compelling work presents: an accessible introduction to the contexts and many interpretations of Conrad’s texts, from publication to the present an introduction to key critical texts and perspectives on Conrad’s life and work, situated in a broader critical history cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Joseph Conrad and seeking not only a guide to his works, but also a way through the wealth of contextual and critical material that surrounds them.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 570
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Book Description
Author: Keith Carabine
Publisher:
ISBN: 9781873403044
Category :
Languages : en
Pages : 2912
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Book Description
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Keith Carabine
Publisher:
ISBN:
Category :
Languages : en
Pages : 688
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Book Description
Author: Arthur James Wells
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 1150
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Book Description
Author: Joseph Conrad
Publisher: Cambridge University Press
ISBN: 9780521561952
Category : Biography & Autobiography
Languages : en
Pages : 652
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Book Description
All known Conrad letters from the years 1917-1919.
Author: David Mulry
Publisher: Springer
ISBN: 1137495855
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
This book looks at the inception, composition, and 1907 publication of The Secret Agent, one of Joseph Conrad’s most highly regarded political novels and a core text of literary modernism. David Mulry examines the development and revisions of the novel through the stages of the holograph manuscript, first as a short story, then as a serialized sensation fiction in Ridgway’s Militant Weekly for the American market, before it was extensively revised and published in novel form. Presciently anticipating the climate of modern terror, Conrad’s text responds to the failed Greenwich Bombing, the first anarchist atrocity to occur on English soil. This book charts its historical and cultural milieu via press and anarchist accounts of the bombing, to place Conrad foremost among the dynamite fiction of revolutionary anarchism and terrorism in the late nineteenth and early twentieth centuries.
Author: Nic Panagopoulos
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN:
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Although Schopenhauer's influence on Conrad has been acknowledged for some time, there have been no booklength studies dealing exclusively with this subject, or the much-debated question of Conrad's relationship to Nietzsche. The present study comes to fill this gap in Conrad criticism, and show how a knowledge of these philosophers' main ideas can help illuminate the central concerns and presuppositions of Conrad's fiction. The author argues that the novelist was often grappling with the same problems as Schopenhauer and Nietzsche, and responding to some of the key issues of the Idealistic movement in the history of ideas.
Author: Lawrence R. Broer
Publisher: Univ of South Carolina Press
ISBN: 1611171091
Category : Literary Criticism
Languages : en
Pages : 395
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Book Description
A study of surprising similarities in their lives and works “adds an important element to the existing discussion” of two twentieth-century literary icons (Studies in American Humor). In this original comparative study of Kurt Vonnegut and Ernest Hemingway, Lawrence R. Broer maps the striking intersections of biography and artistry in works by both writers, and compares the ways they blend life and art. Broer views Hemingway as the “secret sharer” of Vonnegut’s literary imagination and argues that the two writers—traditionally considered as adversaries because of Vonnegut’s rejection of Hemingway’s emblematic hypermasculinism—inevitably address similar deterministic wounds in their fiction: childhood traumas, family insanity, deforming wartime experiences, and depression. Rooting his discussion in these psychological commonalities, Broer traces their personal and artistic paths by pairing sets of works and protagonists in ways that show the two writers not only addressing similar concerns, but developing a response that in the end establishes an underlying kinship when it comes to the fate of the American hero of the twentieth century. Hemingway provided frequent fodder for Vonnegut, inspiring a cadre of characters who celebrate war and death. In his sardonic response to this vision of a Hemingwayesque world, Vonnegut espoused kindness and restraint as moral imperatives against the more violent yearnings of human nature, which Hemingway in turn embraced as stoic, virile, and heroic. Though their paths were radically different, Broer finds in both an overarching obsession with the scars of war as chief adversary in a personal quest for understanding and wholeness. He locates in each writer’s canon moments of spiritual awaking leading to literary evolution—if not outright reinvention. In their later works Broer detects an increasing recognition of redemptive feminine aspects in themselves and their protagonists, pulling against the destructively tragic fatalism that otherwise dominates their worldviews. Broer sees Vonnegut and Hemingway as fundamentally at war—with themselves, with one another’s artistic visions, and with the idea of war itself. Against this onslaught, he asserts, they wrote as a mode of therapy and achieved literary greatness through combative opposition to the shadows that loomed so large around them.
